Month: February 2015

"Sleepy Hollow" recap: "Tempus Fugit"

Grace Dixon, in her infinite wisdom, said, “Sometimes, all it takes is to put pen to paper to make a difference.” I feel like whoever wrote this line wrote it with their tongue in their cheek.

There have been all sorts of things happening this season of Sleepy Hollow because someone put their pen to paper, but while there have been a lot of good, there’s been a heck of a lot of bad, chief among them Katrina and Henry weighing down Ichabod’s storyline. But while “Kali Yuga” got rid of Hawley and “Awakening” saw the death of Henry, “Tempus Fugit” rights the last wrong left standing—Katrina. This difference is one that can be felt like a wave throughout the Sleepy Hollow fandom. I’m still in shock that the writing staff actually did it.

"Sleepy Hollow": The Lesson Fox Learned about Viewers' Love for Diversity on TV

I’ve been following Sleepy Hollow since the beginning (from my first website,, so I’ve followed the fans ups and downs, whether it came to the first Ichabbie hug or when Katrina finally got out of Purgatory. I’ve loved seeing what meta critiques the fans have, and, to be fair, I’ve tried to do my part to stop needless worry about upcoming storylines, whether I helped or not. To say the least, my relationship with the fandom has become as layered as a relationship with fandom can become. Today, I’m writing this piece to give the Sleepy Hollow fandom the props they deserve.

"HTGAWM" recap: "Mama's Here Now"

I think we can safely say that even though there was some kind of drama about Rebecca possibly being Lila’s real killer (which most of the fans had already figured out the moment they laid eyes on her), the best part of How to Get Away with Murder episode “Mama’s Here Now” was Cicely Tyson going Old-School Black Mother as Ophelia Hartness. What a tour-de-force between her and Viola Davis.