3 Reasons Why #Richonne is a Black History Month Gift

Hip hop hooray, Richonne (Rick and Michonne) is now officially canon in The Walking Dead! And, as luck would have it, such a development has happened in one of the most hallowed of months, Black History Month. This didn’t go unnoticed by many on Twitter:

So why is this the Black History Month gift we didn’t know we were going to get? Three reasons:

1. Finally, the truth is acknowledged

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Richonne has been a long time coming. Probably too long, according to some fans. The purpose was for the slow build, but with that slow build came dull love interests for Rick. Finally, Rick has figured out that he needs to be with Michonne, someone who is at his caliber of zombie-killing as well as a viable, intelligent leader.

2. Richonne made racists mad

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Now, let’s just say for the record that #notallRichonnehaters are racists. Some just genuinely don’t like it, and that’s cool. However, some don’t like Richonne (or The Flash‘s WestAllen or Sleepy Hollow‘s Ichabbie) purely for the reason that it’s a white man with a black woman. 

I’ve written before about the multiple viewpoints surrounding black woman/white man interracial relationships on television (and an article outlining more viewpoints around interracial fetishism is in this month’s issue of COLORBLOCK Magazine). But overall, a relationship like Richonne is progress. For example, Richonne shows that: 

  • The Walking Dead reflects its audience. Sure, the show still has a problem with killing off black guys. But at the very least, the inclusion of Rick and Michonne’s relationship (along with Glenn and Maggie) represents a large quantity of the audience (and America in general) who are in interracial relationships. They want to see themselves represented on screen, and what better power couple is there than Richonne?
  • Michonne is treated as any other woman on The Walking Dead. That is to say, she’s treated like a love interest. More detail on this later in the post.
  • Most audience members want to see diversity in all forms, including in their love stories. For the longest, The Walking Dead‘s only interracial love story has been Glenn and Maggie. For them to be the only ones out of all of the characters that have been on The Walking Dead (well, the only ones that are still alive, anyways) is quite astounding and, demographically speaking, doesn’t make sense. Richonne adds some much-needed diverse realism to the proceedings.

But, despite all of the positives that Richonne have going for it, there are some folks in the fandom who are pissed because Michonne is a black woman. There’s still a color barrier when it comes to relationships on television, and that color barrier seems to get even tougher in genre television. But Richonne has helped break that barrier, and those who are mad about it for the wrong reasons can fall back. 

 

Want to read more about diverse entertainment? Read the February issue of COLOR BLOCK Magazine!

• Black women are shown to be viable love interests for the white male lead

Danai Gurira as Michonne and Andrew Lincoln as Rick Grimes - The Walking Dead _ Season 6, Episode 10 - Photo Credit: Gene Page/AMC
Danai Gurira as Michonne and Andrew Lincoln as Rick Grimes – The Walking Dead _ Season 6, Episode 10 – Photo Credit: Gene Page/AMC

 

Black women have had a history of either being desexualized or hypersexualized, and both depictions act as reasons why they aren’t seen as viable love interests for the main character, especially if that main character is a white man. For example:

  • Julia Baker from the 1970s show Julia is an example I use a lot for everything, but the character is perplexing in how chaste she is. First, it’s written that her husband was killed in the Vietnam War; writing out the husband and portraying a black family without a two-parent household is an issue in itself, but Julia herself is portrayed as being the perfect black woman, a woman who is “clear” enough in attitude and personality that she can be accepted by her white neighbors, but in order to stay outwardly virtuous, she must remain unwed. She’s a symbol of black respectability rather than just being a multifaceted black woman. Diahann Carroll herself, who played Julia, called her character a “white Negro” with little to do with the black experience.
  • Grantchester featured a troubling storyline in one of its episodes. The episode featured an American jazz group that was touring England, and the jazz singer, Gloria Dee, falls in love with Sidney and sleeps with him. However, the next day, Sidney comes to regret the decision, since he only slept with her to forget about the love he had for his best friend, Amanda, who was marrying a rich jerk. Gloria’s heartbreak is touched upon, but it’s also portrayed as if heartbreak for her is par for the course. She was also depicted as being a stereotype of a black woman jazz singer; every line was hilariously cartoonish, her voice had a Mae West lilt, and her persona was that of the “bad girl.” Sidney’s disgust with himself for sleeping with Gloria gets so bad that he throws out his jazz records; while his character was throwing them out because it reminded him of his personal and moral transgressions (he’s not one to just sleep with anyone), the act could also be interpreted as him believing that jazz (a black medium) and the singer herself led him astray, not his own actions.
  • Michonne herself has been touted by some as a “strong black woman,” even though such a stereotype-laden description strips her of her roundedness as a character. There are pockets of people who feel that, in order for the show to have a feminist angle, Michonne should stay the silent warrior. But these demands aren’t placed on other women (usually white women), like Carol (who is just as deadly with weapons as Michonne) or Maggie (who is, as has been written earlier in this post, in a relationship).

The reason for this distaste and exoticism of black women has its roots in the slave trade. As Paula Byrne wrote in her book about the life of Dido Elizabeth Belle, Belle: The Slave Daughter and the Lord Chief Justice, many sailors and sea captains would rape African women and girls on the ship, later claiming that black females’ supposed hypersexuality made them do it (instead of taking responsibility for a lack of morality). The myth of hypersexuality continued throughout slavery, with white plantation owners blaming their victims for their own sexual abuse. Slave owners also helped with desexualization (and a slave’s further removal from personhood) by employing slaves as caretakers, which led to the “Mammy” stereotype. Today, the remnants of both stereotypes make it hard for black women characters, and black actresses, to exist in a fully realized way. Either black characters are “tough” (desexualized), a “Mammy” or caretaker (“desexualized”) or they are a Jezebel (hypersexualized). Hardly ever have they been portrayed as human beings.

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The feeling of bias towards black women in television, especially when it comes to black women characters possibly being the love interest for white male characters, also has antebellum roots. One of the many excuses for slavery was that it kept black men in line and kept their “prey,” white women, safe. Black women were also seen as threats, but the threat was based on a black woman gaining the same rights and status as a white woman. White women during this time benefited from this white supremacist view by being uplifted as genteel prizes.

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White supremacy is a dirty word today, but white women characters (and actresses, to a certain extent) are still lifted above other characters (and actresses) for no reason other than race. The fear of a black woman “stealing” a white man, especially the white male character, still holds true for some viewers of The Walking Dead, Sleepy Hollow, The Flash and other shows that have a black female lead who shows interest in the white male lead. Because of unresolved historical issues, which has led to us seeing mostly white men/white women pairings in the first place, a black woman character with a white male lead might seem to some as a black woman not knowing her station. If Michonne wasn’t who she is, there wouldn’t be any problem.

Sharon, a guest post writer for Black Girl Nerds, summed it up succinctly:

Here’s what it comes down to: if Michonne weren’t a dark-skinned black woman, many of the people who were so surprised by Richonne would have expected it a long time ago. Were it a white actress (the kind we’re used to seeing as love interests on TV and in movies) playing the role of Michonne, sharing intimate scenes with Rick, we wouldn’t even be having this conversation. It wouldn’t have been a case of if Rick and Michonne get together, but when.”

The thought that white goes with white and black goes with black is dying, thanks to the rise of black-white interracial relationships. But television still shows that pockets of this ideology is still alive and well. There are still moments when the media decides to portray black women as objects or obstacles instead of people. But thankfully, Richonne isn’t one of those moments. Richonne does the opposite; it turns the trope of the “strong black woman” on its head. Not only can a black woman be strong and kickass, but she can also be nurturing (like how Michonne is to Carl) and woman worthy of love. Basically, a black woman can be a human being.

As Rick himself, Andrew Lincoln, told TV Line:

“When we [shot it], we wanted it to have a feeling like these two great friends just looked at each other and realized, “Of course.” It was natural…and Michonne has been a mother figure and best friend to Carl for so long. And she saved Rick’s life and Carl’s life on countless occasions. There’s something rather moving about these two warriors getting together.”

So there you have it.

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What do you think of Richonne? Give your opinions in the comments section below!

  • Robert Shepard

    All I can say is… Im so bloody happy.

  • Legitimately_concerned

    This is what fans of SH want for Abbie Mills.

    Instead of seeing their concerns as valid, you view it as a personal attack against yourself and the writers, and Abbie fans ‘placing every expectation’ on her. (I refer to your article on “Sleepy Hollow”: Concerning Abbie’s Validity dated 27 October 2015.)

    The TWD writers recognised the rightness, chemistry and talent of the actors involved, and went for it. While the SH writers pretend that the show isn’t a romance and Abbie has no time or need for a romantic relationship. Which feeds into the Strong Black Woman Trope. Even though, they pair the white male protagonist with a love interest each season, her sister has been in multiple relationships, new characters get their personal life fleshed out, side characters are desired and courted, this season’s villains are married, and of the original cast, only Abbie hasn’t been kissed or had her relationship(s) explored in-show. Yet she plays matchmaker for her partner and gives him relationship advice despite being uninterested in romance herself.

    Their intentions in regard to Abbie’s love life is debatable, but their reluctance to develop the character in this area speaks volumes. Take the latest episode for instance, where the Kindred found a mate, and Ichabod resolved his ‘thing’ with Zoe. But we still don’t know what happened to Luke or much about the relationship. Same with her romance with Daniel.

    The writing for both leads on SH has always been uneven, but it is even more obvious in the writers approach to their romantic relationships: Abbie’s is off-screen and alluded to; Ichabod’s is woven into the plot and played out on camera.

    Michonne and Rick could be replaced with Abbie and Ichabod and the argument will still be the same: representation matters. And wanting Abbie to find love isn’t about seeking validation for her character through a romantic relationship, but wanting your favourite character who you identify with to be happy, and given the same treatment and respect that her counterparts on other shows get.

    If you haven’t already, I’d recommend you read Danai’s view on Michonne and Richonne, which proves that even ‘warriors’ want love, affection and intimacy, and can make time for it in-between staving off an apocalypse.

    • Monique

      I appreciate your reply, but we are not starting this again. I have always understood what the fans want for Abbie. For the last and final time, I had two distinct points I was addressing:

      1) Abbie as a CHARACTER is someone who bottles emotions. The way the writers have depicted that has ranged from exceptional (the first season) and horrible and trope-laden (the second season, especially when she’s written as acting like Katrina’s wetnurse). The way that part of her personality has been depicted is something that can be argued (and the argument that she has been tropey at time is something that I’d agree with), but her m.o. as a character, when she’s written as a flawed, well-rounded human being, is that she’s a person who bottles emotions in an effort to protect herself. She has bottled emotions ever since she left Jenny in foster care, and that was before Ichabod ever got into the picture.

      2) Yes, Ichabod and Abbie are going to get together. I think I’ve made it plain that everyone, including myself, wants to see that. What I was discussing in my article wasn’t any hatred for them to be together. What I was discussing was a type of double-think I was seeing in the fandom from a very small crowd. It is right to want Abbie together because she is truly Ichabod’s better half. But the devil’s advocate position is if Abbie and Ichabod’s relationship (and Michonne and Rick’s relationship for that matter) is if there’s an element of “white acceptance” that’s appealing to some. Not *ALL*, but *SOME.* I did’t get into it in this particular post, but I do still think that the topic of racial acceptance is something people will need to discuss more, especially since we’re about to see more interracial relationships of all kinds on television. I know from my personal experience that I’ve seen *some* (not *ALL*) black women who felt more valued because they were with a person of another race, and it’s those people I was addressing with my post, not ALL Ichabbie shippers. I was telling *those select few* that if they are shipping Ichabbie for fetish reasons, then they have a self-esteem problem. I wasn’t talking about all “Sleepy Hollow” fans, certainly not all the black women. If THAT point was lost in the shuffle, then that’s my fault. I prefer to think it wasn’t, but if it actually wasn’t conveyed right, then that’s on me.

      Yes, I know Michonne is the best person for Rick, just like Abbie’s the best person for Ichabod. And there’s a multi-layered discussion that can happen about “white acceptance” or just basic “racial acceptance” because it stems from racism and exclusion in the first place. But understand that I’m saying this *as* a person who likes Ichabbie and Richonne. Just because I like them both doesn’t mean I can’t think about all sides of their situations. And to be fair, I’m not as deep in “The Walking Dead” fandom as I was the “Sleepy Hollow” fandom. I don’t know all of the ins and outs of how “The Walking Dead” fandom conducts business. But, if I was a bigger part of it, I’d probably write the same devil’s advocate post aimed at select individuals I wrote for “Sleepy Hollow” for “The Walking Dead.”

      I think that those who are *still* mad at me for what I wrote need to realize that a person can analyze all sides to a situation and still like the thing they’re analyzing. I don’t know if you watch “Last Week Tonight,” but John Oliver did a whole expose on FIFA, and still said at the end that despite what he knew, he still loved the World Cup. Is he a hater of the entire game of soccer? No–he’s just a hater of FIFA’s bad policies and horrifying statistics. Do I think there could be those out there who solely want Abbie and Ichabod together for racial fetish purposes? Yes–those types of people exist. Do I have a right to discuss that? Yes, I do. Am I an Ichabbie hater, or even an interracial love hater? ABSOLUTELY NOT. I love Ichabbie and am actively rooting for it. I love interracial love, too. But I do like analyzing things that deal with race, culture, and American society, and sometimes that means analyzing the rough parts, not just the kumbayah parts. I even analyze *myself* and why *I* might do some of the things *I* do, some of which *does* involve getting over feelings of acceptance. The thing that makes me the most angry (aside from really nasty comments I got about this when I first posted this), is the perception that I’m completely against Ichabbie or that I’m completely irresponsible for posting my own observations.

      I can say until I’m blue in the face that I love Ichabbie, and still someone will say that I hate it, that I’m self-hating, or any other lie. It’s for those reasons that I quit discussing Sleepy Hollow on my site. There is a side of the fandom that I do deal with, and there’s a side that I no longer fool with, and unfortunately, last year I attracted the side I shouldn’t have been dealing with, since that side is staunchly partisan when it comes to opinion-forming. From one article, people forgot that I’d written tons about Ichabbie, how they could get together, how Abbie *was* being denigrated in Season 2, etc. One article made people think I was somehow a race traitor, and that offends and saddens me. If there is one part of the fandom I wish I could change, it’s the idea that a person who doesn’t agree with everything or has a different opinion is somehow the enemy. It’s made me very sad, full disclosure, and very angry, and for that reason–because I don’t want to deal with anymore negativity–is why I don’t talk about “Sleepy Hollow” on my site anymore. And with that, this will be the last time I answer a comment about “Sleepy Hollow” on this site. Good luck in your endeavors.

      P.S.: Ichabbie is going to happen. There’s really no reason to have a fandom fight about it anymore–they’re only extending it out because that’s what shows do; they keep you hanging until the tension needs breaking. After Zoe let Ichabod off the hook, what else can there be?

    • I appreciate your reply, but we are not starting this again. I have always understood what the fans want for Abbie. For the last and final time, I had two distinct points I was addressing:

      1) Abbie as a CHARACTER is someone who bottles emotions. The way the writers have depicted that has ranged from exceptional (the first season) and horrible and trope-laden (the second season, especially when she’s written as acting like Katrina’s wetnurse). The way that part of her personality has been depicted is something that can be argued (and the argument that she has been tropey at time is something that I’d agree with), but her m.o. as a character, when she’s written as a flawed, well-rounded human being, is that she’s a person who bottles emotions in an effort to protect herself. She has bottled emotions ever since she left Jenny in foster care, and that was before Ichabod ever got into the picture.

      2) Yes, Ichabod and Abbie are going to get together. I think I’ve made it plain that everyone, including myself, wants to see that. What I was discussing in my article wasn’t any hatred for them to be together. What I was discussing was a type of double-think I was seeing in the fandom from a very small crowd. It is right to want Abbie together because she is truly Ichabod’s better half. But the devil’s advocate position is if Abbie and Ichabod’s relationship (and Michonne and Rick’s relationship for that matter) is if there’s an element of “white acceptance” that’s appealing to some. Not *ALL*, but *SOME.* I did’t get into it in this particular post, but I do still think that the topic of racial acceptance is something people will need to discuss more, especially since we’re about to see more interracial relationships of all kinds on television. I know from my personal experience that I’ve seen *some* (not *ALL*) black women who felt more valued because they were with a person of another race, and it’s those people I was addressing with my post, not ALL Ichabbie shippers. I was telling *those select few* that if they are shipping Ichabbie for fetish reasons, then they have a self-esteem problem. I wasn’t talking about all “Sleepy Hollow” fans, certainly not all the black women. If THAT point was lost in the shuffle, then that’s my fault. I prefer to think it wasn’t, but if it actually wasn’t conveyed right, then that’s on me.

      Yes, I know Michonne is the best person for Rick, just like Abbie’s the best person for Ichabod. And there’s a multi-layered discussion that can happen about “white acceptance” or just basic “racial acceptance” because it stems from racism and exclusion in the first place. But understand that I’m saying this *as* a person who likes Ichabbie and Richonne. Just because I like them both doesn’t mean I can’t think about all sides of their situations. And to be fair, I’m not as deep in “The Walking Dead” fandom as I was the “Sleepy Hollow” fandom. I don’t know all of the ins and outs of how “The Walking Dead” fandom conducts business. But, if I was a bigger part of it, I’d probably write the same devil’s advocate post aimed at select individuals I wrote for “Sleepy Hollow” for “The Walking Dead.”

      I think that those who are *still* mad at me for what I wrote need to realize that a person can analyze all sides to a situation and still like the thing they’re analyzing. I don’t know if you watch “Last Week Tonight,” but John Oliver did a whole expose on FIFA, and still said at the end that despite what he knew, he still loved the World Cup. Is he a hater of the entire game of soccer? No–he’s just a hater of FIFA’s bad policies and horrifying statistics. Do I think there could be those out there who solely want Abbie and Ichabod together for racial fetish purposes? Yes–those types of people exist. Do I have a right to discuss that? Yes, I do. Am I an Ichabbie hater, or even an interracial love hater? ABSOLUTELY NOT. I love Ichabbie and am actively rooting for it. I love interracial love, too. But I do like analyzing things that deal with race, culture, and American society, and sometimes that means analyzing the rough parts, not just the kumbayah parts. I even analyze *myself* and why *I* might do some of the things *I* do, some of which *does* involve getting over feelings of acceptance. The thing that makes me the most angry (aside from really nasty comments I got about this when I first posted this), is the perception that I’m completely against Ichabbie or that I’m completely irresponsible for posting my own observations.

      I can say until I’m blue in the face that I love Ichabbie, and still someone will say that I hate it, that I’m self-hating, or any other lie. It’s for those reasons that I quit discussing Sleepy Hollow on my site. There is a side of the fandom that I do deal with, and there’s a side that I no longer fool with, and unfortunately, last year I attracted the side I shouldn’t have been dealing with, since that side is staunchly partisan when it comes to opinion-forming. From one article, people forgot that I’d written tons about Ichabbie, how they could get together, how Abbie *was* being denigrated in Season 2, etc. One article made people think I was somehow a race traitor, and that offends and saddens me. If there is one part of the fandom I wish I could change, it’s the idea that a person who doesn’t agree with everything or has a different opinion is somehow the enemy. It’s made me very sad, full disclosure, and very angry, and for that reason–because I don’t want to deal with anymore negativity–is why I don’t talk about “Sleepy Hollow” on my site anymore. And with that, this will be the last time I answer a comment about “Sleepy Hollow” on this site. Good luck in your endeavors.

      P.S.: Ichabbie is going to happen. There’s really no reason to have a fandom fight about it anymore–they’re only extending it out because that’s what shows do; they keep you hanging until the tension needs breaking. After Zoe let Ichabod off the hook, what else can there be?

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