culture

How Standing Rock revealed America’s true potential

The Young Turks/YouTube

The protests at Standing Rock did what few believed it could; it stopped the Dakota Access Pipeline from being drilled on Lakota land.

As the Los Angeles Times wrote, the move by the Army Corps of Engineers to deny the pipeline to continue construction came as a “surprise move,” even though the fight still isn’t over (the pipeline’s fate rests with the corps’ environmental impact statement, yet to come).

However, the victory for the protesters and water protectors wasn’t the only miraculous thing that happened. Many veterans who had volunteered to act as human barricades for the protesters met with the Standing Rock Sioux elders and leaders in a reservation casino auditorium.

Wesley Clark Jr., one of the organizers of Veterans Stand with Standing Rock, wore the uniform of 7th Calvary of the 1800s, as if to symbolically forth the spirit of Lt. Col. George Armstrong Custer, one of the many army generals who fought the Native Americans for their land on behalf of the U.S. Government. (The event also happened on birthday of Custer, another way to tie Custer’s spirit to the event.)

Clark knelt along with several other veterans to ask for forgiveness for their ancestors past crimes.

To quote Clark (via Indian Country Today):

“Many of us, me particularly, are from the units that have hurt you over the many years. We came. We fought you. We took your land. We signed treaties that we broke. We stole minerals from your sacred hills. We blasted the faces of our presidents onto your sacred mountain. Then we took still more land and then we took your children and then we tried to make your language and we tried to eliminate your language that God gave you, that the Creator gave you. We didn’t respect you. We polluted your Earth. We’ve hurt you in so many ways but we’ve come to say that we are sorry. We are at your service an we beg for your forgiveness.”

For me, this is a powerful moment and it represents a powerful shift in America’s own spiritual awakening. I’ll try not to get too woo-woo in this post, but if it happens it happens, since I’m writing about some metaphysical stuff.

I’ve always felt like there would come a time when America would have to wake up to its atrocities and go through the lengths necessary to fix them. Consciously, I didn’t think Americans would ever have the guts to get dirty and actually come to terms with the unrest that has afflicted them.

It’s now a scientific fact that trauma and other extreme emotional states can be passed down through generations. It makes a lot of sense for Clark to spiritually embody the role of Custer in this ceremony; while it may not be his line specifically, Clark’s culture has a generational weight of guilt that it has yet to fully process. That generational state must contend with the generational traumas of the first Americans as well as every other non-white group in America. With so much guilt piled up, it’s understandable to not want to face it.

However, when it is faced head on, marvelous and miraculous things like this ceremony can happen. This is where true healing begins.

This ceremony shows just how much America could achieve if it works to erase its original sins. If there could be more moments like this in our country, we will actually be doing the work of making this country great.

I believe there are more moments like this around the corner. With all of the stuff this election has stirred up, there are bound to be more moments when white Americans will ask for the forgiveness of those they’ve wronged. If and when these moments happen, America’s future will look much brighter.

What do you think about this moment? Give your opinions in the comments section below!

5 lessons from Jennifer Lawrence on why white feminism isn’t cute

Jennifer Lawrence on The Graham Norton Show. BBC/screencap

You’ve heard a lot about white feminism and why many people of color, women of color in particular, can’t stand it. It’s not that we can’t feminism; in fact, we love feminism. It’s just that we can’t stand when something that’s supposed to accept us is just used as yet another tool to marginalize us and keep power centralized on whiteness. Case in point: Jennifer Lawrence.

“So what did Jennifer Lawrence do this week that we should be concerned about?” you might be asking. Well, first, you’re right in asking what she did this week. There’s never a week that goes by that we don’t hear something about Lawrence, whether it’s in the form of a gushing fashion post, a gushing celebrity news post about what she ate for lunch or how she’s best gal pals with other problematic white feminist Amy Schumer, or in some clickbait headline. Many of us are tired of hearing about the manufactured admiration for this woman.

Lawrence’s tide with Hollywood started shifting months ago at the Golden Globe Awards, when she rudely shut down a Spanish-speaking journalist for looking at his phone while asking her a question (something which a lot of journalists do nowadays, since we can record interviews, look at our notes, and take pictures with our smart phones). The tide is continuing to shift with Lawrence’s latest foot-in-mouth instance—talking about sacred Hawaiian sites in the form of crude jokes.

On a recent episode of The Graham Norton Show to promote her and Chris Pratt’s upcoming film Passengers, Lawrence joked that while in Hawaii filming The Hunger Games: Catching Fire, she used one of the state’s ancient stones to scratch her butt.

“These were sacred rocks …and you’re not supposed to sit on them because you’re not supposed to expose your genitalia to them. …They were so good for butt itching! …One rock that I was butt-scratching on ended up coming loose. And it was a giant boulder and it rolled down this mountain and it almost killed our sound guy! It was this huge dramatic deal and all the Hawaiians were like, ‘It’s the curse!’ And I’m over in the corner going, ‘I’m your curse. I wedged it loose with my ass.'”

Here’s a question: Why couldn’t she scratch her backside how most people do—WITH HER FINGERNAILS? Did she really need to find a rock to do this?

Let’s also discuss that she nearly killed someone just because of her butt.

The incident caused immediate pushback from Hawaiians for her flippant manner when addressing the stones in the interview (she said the stones reflected “the ancestors…or  whatever”), her stereotypical way of addressing the people who were angry at her, and for disrespecting their culture.

The so-called “rocks” she thought were so good for butt-scratching are part of a larger burial site. As in, for Lawrence to understand, a site where people’s remains are. As in: a place to show some doggone respect. 

To quote PEOPLE:

” ‘It was an archeological site,’ says Hawaiian cultural expert Kahokule’a Haiku, who advised the Hunger Games production team. Haiku has been featured in the New York Times for his work in the Waimea Valley. ‘It’s an ancient Hawaiian living site and there are several hundred burial caves right in the area. The caves contain the bones of our ancestors–but not just any ancestors. They are called Kahuna. These were the astronomers, navigators, and doctors of the time. They were the Einsteins and Marconis of Hawaiian culture. And they were filming just a few yards away.”

After facing a firestorm of anger, Lawrence has apologized via Facebook:

But many are still unhappy with her and her seeming lack of understanding as to what she scratched her butt on. The many comments on her Facebook post show people from many backgrounds taking her to task for acting like, in keeping with this post’s theme, a butt.

So what does this have to do with white feminism? Because white feminism operates from a very narrow, very racist viewpoint. For this post, I’ll quote BattyMamzelle, who has the best, most succinct definition of white feminism I can find.

I see “white feminism” as a specific set of single-issue, non-intersectional, superficial feminist practices. It is the feminism we understand as mainstream; the feminism obsessed with body hair, high heels and makeup, and changing your married name. It is the feminism you probably first learned. “White feminism” is the feminism that doesn’t understand western privilege or cultural context. It is the feminism that doesn’t consider race as a factor in the struggle for equality.

White feminism is a set of beliefs that allows for the exclusion of issues that specifically affect women of colour. It is “one size fits all” feminism, where middle class women are the mould that others must fit. it is a method of practicing feminism, not an indictment of every individual white feminist, everywhere, always.”

(I highly recommend reading her full post on white feminism if you want to learn more about it.)

So, if you are white reading this, and you are worried about being perceived as a Jennifer Lawrence-esque white feminist, here are some things you can do to not get this label attached to your name and social media legacy:

1. DON’T SCRATCH YOUR BUTT ON SACRED SITES. That’s first and foremost. There’s a deeper point here though; respect the cultures of others outside of your own. Just because something looks innocuous to you doesn’t mean it is to someone else. A great way to show how misunderstanding a culture can actually make you look foolish: The slave owners of the American south didn’t realize that the songs, dances, and other artistic modes of expression used by slaves were either about passing along their African heritage, giving each other instruction on how to escape or making fun of the masters, usually in front of their faces. Instead of figuring this out, the slave masters just wrote it off as “negroes being negroes.”

2. Think of people as people, regardless of their race. If there’s one thing (among many) that irritates the bejesus out of me when it comes to white feminism is that some white women will say to other women of color, “I understand your struggle because I struggle as a woman to gain acceptance.” I’ve had this happen to me. To that, I say what feminist icon Sojourner Truth said—“Ain’t I a woman?” Do we have to keep saying what should be a basic fact for some of y’all out there to get it? Women of color aren’t objects for ridicule, fascination, obsession, or sexualization. We are women just like you, and we deserve every privilege you white women get.

3. Reach out to other women with intersectionality in your heart. As I’ve said many times on this site now, we’re in Trump’s America now, and if I’m being honest, white ladies, a lot of white women helped put us in this predicament. The supposed superiority of whiteness is connected to white male dominance, and a lot of white women apparently would rather have the security of male-based white supremacy than a white woman entering the White House as President. That’s messed up. However, to the rest of you white women out there wanting to staunch the bleeding and help protect the nation from fascism by creating lasting bridges with America’s non-white communities, you need to come with no agenda. Don’t come wanting to be a savior or wanting to get your “Good White Person” badge, because we don’t have time for that. Instead, come with an open mind and open heart, wanting to learn and be a conscientious woman of the world. Come wanting to do good for the sake of everyone, not just for yourself and to appease your white guilt. America needs everyone at the table to actually make America great, so we need you to come correct.

4. Do your own research. It would have been great if Lawrence had taken the time out to actually learn from Haiku since his services were available on site. She would have learned why she shouldn’t scratch her butt on things. Too many times, whiteness lulls white people into thinking they can do whatever they want, whenever they want, to whatever they want without repercussions. It’s part of the “Manifest Destiny” idea; I am lord (or lady) of all things, so I can do as I please without learning outside of my personal bubble. This ignorance is all over how Lawrence told her story, from flippantly describing the site to making fun of Hawaiians themselves by portraying them as superstitious. Lawrence should know better. If you don’t want to be like Lawrence, it would behoove you to learn about other cultures whenever you can, but especially if you’re visiting a place in which your culture is the minority. Don’t embarrass yourself.

5. Don’t follow Lawrence, Schumer, and Taylor Swift‘s examples. Shooting off at the mouth isn’t cute, y’all. There are some things you say and some things you keep to yourself. Being a feminist doesn’t mean thinking everything you say and do is some revolutionary thing. It’s definitely not revolutionary if a woman of color said or did the same thing and no one bats an eye at it or, worse, demeans the woman of color for saying or doing anything. If what you think is amazing is actually mediocre or offensive, then do yourself and the rest of us a favor and KEEP YOUR MOUTH SHUT. Your ability to mouth off and have people praise you for it is actually a level of racial privilege, and it’s annoying.

I think I’ve wrung just about everything I can out of Lawrence’s debacle. What are your takes on it and how do you feel about white privilege? Comment below!

 

3 reasons to support the #SupportPOCpods movement

We’re in Trump’s America now. Whether we like it or not (probably the latter), we are now subject to the twisty-turny lies and propaganda that will emanate from either the White House or Trump Tower. As far as politics go, it might get worse before it gets better.

But when it comes to creative and informative output from podcasters? That’s a totally different story. From where I’m sitting, 2017 is shaping up to possibly be the most explosive, creative time for entertainment and media, and that feeling is no different for the podcasting arena, especially where podcasters of color are concerned.

Podcasters of color are in the unique and fortunate position to provide their listeners with points of view intrinsic to the issues facing marginalized communities in America. These podcasters report on various topics, from movies, comics, current news, and more, but these creators also give their audiences lessons in how to think outside of their current perspectives and how to understand issues intrinsic to the marginalized American experience. These podcasters don’t set out to hold their audience’s hand, but regardless, listeners intent on learning come away from these podcasts better, more supportive allies and friends.

A collective of podcasters of color have collaborated to create #SupportPOCpods, an initiative to raise awareness and visibility of podcasters of color. A #SupportPOCpods live Twitter Q&A moderated by Shaun Lau of No, Totally! will take place Friday, Dec. 9 at 12 p.m. EST.

But I’ve buried the lede enough: You want to know the exact three reasons you need to support podcasters of color. It’s pretty simple.

1. Who knows what the journalism pedigree will be like in 2017. We’ll need some facts. We’re already facing malaise from having to refute or fact-check the upcoming Trump administration’s foolishness. Imagine what it’s going to be like in 2017. With newsrooms floundering to get around the learning curve that is Donald Trump, plus 24-7 news stations looking for ways to capitalize on Trump’s antics at the expense of actual muckraking, we’ll need someone out there willing to provide a counterbalance. That’s where podcasters of color come in.

Now, it shouldn’t be left up just to the podcasters to do the work journalists are supposed to be doing; the journalism industry shouldn’t be shirking its responsibilities for a quick buck. But when it comes to you wanting to retain your sanity and knowledge that yes, someone out there sees the emperor has no clothes on, then you’d be wise to turn to podcasters of color for the real truth.

2. These voices are part of the mainstream, whether the mainstream would like to believe it. There are a lot of great podcasts out there. But how many podcasts by people of color (outside of a select few) have you seen acknowledged by the mainstream? However, these voices are some of the main ones providing platforms for and education on various social justice and cultural initiatives, such as #WhitewashedOUT and #OscarsSoWhite. These voices are the ones that are driving the conversations, so it’s ridiculous that the mainstream media routinely boxes out all but a few marginalized creators.

3. It’s just good podcasting. Look, at the end of the day, we all want to be entertained, informed, what have you. These podcasters all excel at what they do, so if you’re just a shallow listener and want something fun to listen to (no shame in that), then why not listen to the Black Girl Nerds crew interview popular movie and TV stars? Why not check out Hard N.O.C. Life to learn about the latest in geekery? What about movie criticism/humor from No, Totally!? What about some fandom talk with Nerds of Prey? The list goes on and on and on.

As LeVar Burton so famously said, “You don’t have to take my word for it”: If you don’t want to hear this from me, how about reading about #SupportPOCpods straight from the podcasters’ themselves? Check out their open letter:


#SupportPOCpods: An Open Letter From Podcasters of Color

In the aftermath of the United States’ 2016 presidential election, many white Americans are asking how a candidate so inexorably tied to white supremacy was able to secure a seat as the leader of the free world.

People of color in the United States, however, are somewhat less surprised. We’ve seen, felt, and suffered under white supremacy as long as we’ve been alive.

Discussions examining the conditions resulting in the President-elect’s ascension have largely been variations on a limited set of themes, and are often confined to the world of political machinery. Was it the relative political weakness of his opponent? The failure of mainstream media to do its job?

At a human level, however, the story is intimately familiar to marginalized people: we are the “other,” and our position within society’s hierarchy breeds condescension, derision, and hate. Regardless of other factors, it’s no surprise to us that a candidate promising to return the country to “real Americans” could appeal widely enough to become its leader.

Traditional entertainment media has played a shameful role in normalizing the passive white supremacy successfully mobilized by our President-elect. From television news to television dramas; from independent film to Hollywood blockbusters, talented people of color face nearly impossible odds when charting career paths in the industries that shape American culture.

Even if we overcome these odds and break into mainstream entertainment, we are often unheard, unseen, or poorly represented. The vast majority of our roles are written, directed, or mediated by white people. Erasure and poor representation reinforce harmful stereotypes, robbing people of color of our individual humanity, and bigotry thrives in an environment where “others” are not humanized.

Podcasting, as a medium, can provide a powerful remedy for these ills. Unlike other forms of mass media, its low cost of entry means that podcasting isn’t intrinsically prohibitive to the historically disadvantaged in this country. Podcasting provides people of color with the opportunity to circumvent existing content creation and distribution systems that privilege whiteness.

As podcasts continue to carve space in mainstream consumption habits, however, the industry’s infrastructure seems to be perpetuating, rather than resisting, the original sins of the white-favoring context of mainstream American culture.

Consider the iTunes charts, where white-dominated public radio reigns supreme, represented by shows like This American Life, TED Radio Hour, and Tell Me Something I Don’t Know. When the top spots aren’t held by public radio, they’re often occupied by the white male-dominated comedy industry, in the form of Joe Rogan, Bill Maher, Mike Rowe, or Chris Hardwick.

Consider the challenges people of color face after crossing the aforementioned low barrier of entry into podcasting. Creating a platform is easy and inexpensive, but sustainability via profitability and increased reach is often predicated on the ability to make further investment, both financially and in terms of time. People of color in America, however, are paid less and have fewer free hours than their white counterparts.

Advertisers have become a tried and true option for podcasters to monetize their content, but listenership thresholds placed on advertising consideration exacerbate this divide. Even the methods used to gather reliable listenership data are in danger of exclusionary stratification.

Podtrac, which has been around since the early days of podcasting, provides listenership metrics for free. By contrast, however, Slate’s Megaphone platform, billed as a next-generation solution for data collection as well as publishing, is restricted to networks and podcasts with average downloads of 20,000 or more per episode. For context, in September of 2015, the median number of downloads per podcast episode was around 160. Only the top 10% of podcasts reached 5,000 downloads per episode1.

The digital divide, which describes the difficulty of vulnerable people to obtain internet access, is in danger of being replicated in the world of new media. In a culture that favors whiteness, simply applying business as usual to a revolutionary, naturally inclusive medium will result in a podcasting landscape that places undue downward financial pressure on podcasters of color.

When people ask, “how could we have stopped a bigot from reaching the White House?” one answer is that we need to love each other. To love each other, we must know each other. Podcasts provide people of color with a direct, unmediated line to fellow Americans who may never hear us otherwise.

We request that podcast advertisers and curators begin making counterbalancing efforts to provide creators of color an equal chance to succeed.

To iTunes, Google Play, Soundcloud, and all other podcast discovery and distribution platforms, we ask that you:

  1. Create a top-level genre for independent podcasters of color, increasing ease of discovery for those looking to engage directly with people of color. This genre should coexist with, rather than replace, current genre assignments; in other words, a sports podcast by people of color should be found in both the “Sports” and “Podcasters of Color” sections.
  2. Include at least one independent podcast produced by a person or people of color at all times in highly visible promotional areas, such as the iTunes Store podcast section front page.

To any media organization creating “must-listen” podcast lists or writing stories about podcasting, we ask that you:

  1. Aggressively seek out and recognize independent podcasters of color. True to our nature as podcasters, we can be found on all social media platforms promoting our work.
  2. Recognize that podcasters of color are not a monolith, and that we exist in all genres beyond our ethnicities. If you are writing a story about a “race-neutral” podcast genre, recognize that race-neutral prioritizes a white perspective and fight this by finding a podcaster of color in that genre. People of color podcast on all subjects, including, but not limited to, our race.

To listeners, we ask that you:

  1. Help us overcome the limitations of systems that prioritize white podcasters by doing what those systems often don’t: share and promote the content you love by people of color.
  2. Keep a watchful eye on podcasting platforms and media organizations. Call them out when their content gives the impression that only white podcasters are eligible for success.

Independent podcasters of color have made, and continue to make, inroads declaring our worth via the quality, thoughtfulness, and humanity of our content. We believe that we are major contributors to a culture that can resist the normalization of overt scapegoating and bigotry. We ask the aforementioned organizations to take these actions in the hope that all of us may reverse the tide of hate by awakening empathy.

Please join us.

Signed,

Shaun Lau, Host of No, Totally!

Jamie Broadnax, Founder of Black Girl Nerds and Host of the BGNPodcast

Shannon Miller, Founder and Co-Host of Nerds of Prey

Melissa Perez, Co-Host of Nerds of Prey

Lauren Warren, Co-Host of Nerds of Prey

Cameron Glover, Co-Host of Nerds of Prey

Stephanie Williams, Curator and Host of The Lemonade Show

Keith Chow, Founder of The Nerds of Color and Host of Hard N.O.C. Life and DC TV Classics

Britney Monae, Co-Host of DC TV Classics

Karis Watie, Founder and Co-Host of Vocal Vixens

Melissa Powers, Asian Oscar Bait and True Crime Asia

Matthew Eng, Asian Oscar Bait

Dap, Host of REELYDOPE Radio

Tonja Renée Stidhum, Co-Host of Cinema Bun Podcast

Berook Alemayehu, Co-Host of Cinema Bun Podcast

Alycia Snow, Founder and Host of Hiroja Shibe’s Space Odyssey Network

Keane Roberson, Host of #AllpodcastsMatter

Esta Fiesta, Host of Poised n Polished

Kaitlyn Rose, Co-Host of Fireside Friends

Ryan Persaud, Co-Host of Fireside Friends

Allen Ibrahim, Co-Host of Fireside Friends

Berry, Founder of PodcastsInColor.com

Leonardo Faierman, writer/co-creator of Snow Daze, co-host of #BlackComicsChat

Christine “Xine” Yao, PhD, Co-Host and Founder of PhDivas Podcast

Liz Wayne, PhD, Co-Host and Founder of PhDivas Podcast

Tolu Olowofoyeku, Co-Founder of Kugali Media, Co-Host of The Kugali Podcast


You gotta support #SupportPOCpods. Your podcasting queue—and your sanity—depends on it.

Want a handy infographic to share? Spread this with the hashtag #SupportPOCpods!

 

 

Japan celebrates hijab fashion with the Modest Fashion Show

AJ+/screengrab
AJ+/screengrab

I’ve wanted to feature hijab fashion on the site for some time, and highlighting the Modest Fashion Show seems like as good a time as any.

The Modest Fashion Show, which recently took place in Tokyo, Japan, highlighted just how much hijab fashion is overlooked in the mainstream fashion world. It also highlighted how creative modest fashion actually is.

Take a look at the fashion show for yourself:

What I’d love is for the mainstream world to think of more than just the usual suspects as their target demographic. People of all faiths love Michael Kors, Prada, and the like. As Singaporean designer and founder of MeemClothings Nur Hanis told AJ+, “I think it’s really endless opportunities to design. There’s no one way to do or to wear the hijab.”

Also, frankly, not every woman wants to have their back or even their arms out when they’re wearing a simple dress, regardless of their faith (like me).  Wouldn’t it be great if we could see modest fashion in conjunction with the more skin-revealing styles on the catwalks? I think so.

What do you love about modest fashion? Give your opinions in the comments section below!

“Real NDNZ Re-Take Hollywood” challenges Hollywood’s Native American stereotyping

Twitter
Twitter

Hollywood’s still growing in its discussions about diversity in entertainment, and one area the industry is lacking is multifaceted, unique, and contemporary portrayals of Native Americans. Indigenous multimedia documentarian Pamela Peters is aiming to push the conversation into overdrive with her photography exhibit, “Real NDNZ Re-Take Hollywood.”

The exhibit, which ran this August at These Days gallery in Los Angeles, featured Native actors and writers dressed as ’50s and ’60s star icons like Audrey Hepburn in Funny Face and Warren Beatty and Faye Dunaway in Bonnie and Clyde.

To quote from the exhibit’s page:

REAL NDNZ RE-TAKE HOLLYWOOD showcases photographs from Diné photographer and filmmaker Pamela J. Peters, whose work seeks to disrupt and decolonize clichéd portrayals of Native Americans. This series “re-takes” and recreates classic, iconic portraits of movie stars of yesteryear by replacing those past film icons with contemporary Native American actors. Photographing “Real NDNZ” in the elegant clothes and iconic poses of James Dean, Audrey Hepburn, and others from the classic period of Hollywood film—rather than in the buckskin, feathers, and painted faces featured in most Hollywood films—deconstructs time-worn, demeaning representations and opens up new possibilities for seeing Indigenous peoples as contemporary, creative people.

Peters told AJ+ that her project was aimed squarely at disintegrating society’s stereotype of the Native American.

“For so long, the image of Native Americans has always been the relic of the past, with stereotypes–buckskin, feathers, leather,” she said. “…I really want to dispel that ugly stereotype that many people perceive when they think of Native American.”

Learn more about Peters and her work at her website and on Twitter.

VP-elect Mike Pence gets booed at “Hamilton,” internet loves it

Twitter
Twitter

As many have said online already, it’s heavy irony that Vice President-elect Mike Pence expected to enjoy a nice night at Hamilton, a show created and acted by a non-white and mixed-sexual orientation cast, despite his previous policies that went right for the jugular of LGBT and non-white people’s lives. Hamilton is already a fan favorite in America, especially on the internet, so when fans saw Hamilton‘s cast take Pence to task for his rhetoric and his alignment with Donald Trump, Twitter escalated quite quickly.

First, there’s video of Pence getting booed as he sat down:

And here’s video of the cast standing in solidarity to let Pence know about the frustrations policies and his candidate have caused much of the American public. Brandon V. Dixon is the one who addresses Pence directly.

There’s also a video of theater-goers outside yelling “F*** MIKE PENCE.”

On the whole, the internet was on the side of the protesters, however there were some who felt like Pence should just be left alone. But there were others who felt like him being booed was the least of which they feel he deserves. Check out the Twitter moment for yourself.

What did you think of the Hamilton cast booing Pence? Give your opinions in the comments section below!

41st Annual American Indian Film Festival kicks off November 4-11 in San Francisco

41st Annual American Indian Film Festival Kicks Off November 4-11 in San Francisco (PRNewsFoto/American Indian Film Institute)
41st Annual American Indian Film Festival Kicks Off November 4-11 in San Francisco (PRNewsFoto/American Indian Film Institute)

SAN FRANCISCO, Oct 28, 2016 /PRNewswire/ — AIFI stands in solidarity with the Standing Rock Sioux Tribe of North Dakota and their thousands of native and non-native allies in the struggle to protect their waters and homelands against bio oil and the development of the Dakota Access Pipeline. This is the most recent of the ongoing struggles of indigenous peoples of this continent to protect and preserve their homelands and ways of life against colonial and capitalist interests. AIFI has presented these stories and many others of cultural affirmation, resistance and survival over the years and they will continue to be featured through the 41st Annual American Indian Film Festival, to be presented November 4-11 in San Francisco.

The public is invited to enjoy film screenings, appearances by filmmakers, actors and directors, Q&A sessions, and memorable entertainment during the 8-day event– capped by the American Indian Motion Picture Awards Show on November 11.

“The contemporary medium of cinema as a tool for a very ancient art – storytelling – has always been at the core of the American Indian Film Institute, and our festival,” notes AIFI founder and president, Michael Smith (Sioux). “As we move into our fifth decade, we’re more committed than ever to spotlight and share these vital stories – films, by, for and about American Indian and First Nations peoples – with all communities. This is the best of Native cinema, and we’re excited to celebrate the 41st annual American Indian Film Festival with our filmmakers, entertainers and audiences.”

The AMC Van Ness 14 theaters (1000 Van Ness Ave.), is the venue for the festival’s line-up of live short, animation, documentary and feature films, plus public service and music videos, and youth films from AIFI’s Tribal Touring Program.

The full schedule of 13 film programs, with both matinee and evening screenings, is available online at: http://www.aifisf.com/film-schedule

Notable films of AIFF 41 include:

November 4: The Saver, an 88-minute feature film starring Imajyn Cardinal directed by Wiebke von Carolsfeld

November 5: The Missing and Murdered Indigenous Women epidemic of North America is spotlighted in recording artist Crystal Shawanda’s Pray Sister Pray,a music video directed by Joseph Osawabine; followed by the short: Sister, Daughter, directed by Nathaniel Arcand (Into The West; Blackstone) and the feature On the Farm starring Elle-Maija Tailfeathers

November 7: Fractured Land, a documentary feature directed by Fiona Rayher and Damien Gillis

November 8: Lisa D. Olken and Larry Pourier’s documentary feature, Red Power Energy, along with The Northlander, a 98-minute feature film directed by Benjamin R. Hayden, and starring Roseanne Supernault, Michelle Thrush, Julian Black-Antelope, Corey Sevierand Nathaniel Arcand.

November 9: A 97-minute feature Before the Streets/Avant Les Rues, starring Rykko Bellemare, Kwena Bellemare-Boivin, Jacques Newashish, Janis Ottawa, Martin Dubreuil and Normand Daoust

November 10: AIFF41’s Closing Film Program wraps with producer-recording artist Robby Romero’s music video, “Earth Revolution” featuring UN youth ambassador Ta’Kaiya Blaney; Kyle Bell’s behind-the-scenes look at the epic art of Steven Paul Judd; followed by the feature film Te Ata, starring Q’Orianka Kilcher (The New World), acclaimed Oneida actor Graham Greene (The Green Mile, Dances With Wolves, Die Hard With A Vengeance), and Comanche actor Gil Birmingham (Twilight, The Twilight Saga: Breaking Dawn Part 1, Rango;and the recent Hell or High Water), alongside Academy Award-winner, Jeff Bridges.

AIFI’s American Indian Motion Picture Awards Show starts at 7 pm (doors open at 6 pm) on November 11, at the Fillmore Heritage Center (formerly Yoshi’s), 1310 Fillmore Street, San Francisco. The show will be co-hosted by Metis-Cree actress Roseanne Supernault(Rhymes For Young Ghouls; Maina; Blackstone), and Tlingit, Koyukon-Athabascan actor Martin Sensmeier (The Magnificent Seven, Longmire), and features live entertainment from Twice As Good (a father and son duo from the Pomo Tribe); Hard Rock Records recording artist Spencer Battiest (Seminole Nation of Florida) along with his brother Zachary aka Doc; Ta’Kaiya Blaney, accompanied by Robbie Romero; and the Navajo comedy duo James & Ernie. The American Indian Motion Picture Awards Show includes presentations for Best Film, Best Music Video, Best Actor, Best Actress, Best Supporting Actor, Best Supporting Actress, Best Documentary, and many more.

Kiowa-Choctaw creative force, Steven Paul Judd returns as AIFF 41’s Official Festival Artist. Judd’s poster, “Endeavour to Persevere,” is an homage to film dialogue spoken by the late, legendary First Nations actor and leader, Chief Dan George, in the iconic Western, The Outlaw Josey Wales. The unforgettable Chief Dan George was the inspiration for the creation of the American Indian Film Festival®.Catch a glimpse of Judd’s amazing, art-filled life, in the documentary short film, Dig It If You Can, directed by Kyle Bell.

The 41st annual American Indian Film Festival® is sponsored by: Comcast NBCUniversal, Jackson Rancheria CA, Muckleshoot Indian Tribe WA, Comcast Streampix; Media Partners: Chickasaw Nation Oklahoma, National Indian Gaming Association, CBS NY, Tulalip Tribes WA; Venue Sponsor: AMC Van Ness 14; Foundation Partners: The San Francisco Foundation, The William and Flora Hewlett Foundation, George Lucas Family Foundation; and the San Francisco Grants for the Arts.

The American Indian Film Festival® is open to the general public-at-large; and invites all- communities to celebrate November American Indian Heritage Month.

Advance tickets for the film festival and awards show are available thru aifisf.com.

http://aifisf.com/

https://www.amctheatres.com/movie-theatres/san-francisco/amc-van-ness-14

http://www.thefillmoredistrict.com/lmac_pages/comm_jazzheritage.htm

These photos of upper-class black Victorians show history isn’t just white

Image from the Thomas E. Askew/Daniel Murray Collection/Library of Congress
Image from the Thomas E. Askew/Daniel Murray Collection/Library of Congress

For all of those who think that black people, and non-white people in general, were doing nothing in the past except being poor servants or street beggars, this post is for you. You are the prime people who need to view these amazing photos of black Victorians living and thriving in 1800s America and beyond.

Upworthy has posted 17 images of black Victorians that should leave everyone viewing them filled with a bunch of good emotions. One of my favorite images is this one:

Image from Thomas E. Askew/Daniel Murray Collection/Library of Congress.
Image from the Thomas E. Askew/Daniel Murray Collection/Library of Congress.

I have a kinship with this girl, simply because we both have the same kind of hair. If her experience has been anything like my experience, she’s suffered the “Exotic” card a lot. I understand why you’re looking off into the distance with a long-suffering look on your face, girl. I get it.

There are two major takeaways to glean from these photos:

1. Nearly everyone, if not all subjects photographed, are of the upper-middle and upper-upper set.

Taking photography during the 1800s was still a luxury activity. When you did go take a photo, you went in all of your finery, to show off your wealth (or, if you were of the lower class, you were showing off that you had saved up enough money to splurge). Most of the people in these photographs have titles—Rev. Hiram R. Revels, the first black person to serve in the U.S. Senate, humanitarian and activist Eartha Mary Magdalene White, debutante Nellie Franklin, soprano opera singer Marie Selkia Williams, who became the first black performer at the White House, Blanche Kelso Bruce, the first black man to serve a full term in Senate, Yoruban princess Sarah Forbes Bonetta, who was raised as Queen Elizabeth’s goddaughter and future wife of rich Nigerian businessman Capt. James Pinson Labulo Davies, etc.

Also of note; some of the subjects in the photos are from northern Florida (one woman is from Tallahassee). Florida, specifically northern and north-central Florida, is home to several historically black towns, in which black wealth and status could flourish. That’s not to say that there weren’t rich black people in other parts of America, because there were. But there’s a history lesson within the pictures that is worth learning about.

Related article: ‘Black Wall Street’ Being Brought to Life by John Legend and Tika Sumpter | Ebony.com

2. History doesn’t just revolve around white people. 

The thing that’s most annoying about historical dramas or even high fantasy like The Lord of the Rings and Game of Thrones is when people say, “black people weren’t in these areas during this time.” First, fantasy isn’t real, so anyone can be anywhere. Secondly, history has always included other people apart from white people. It’s just that the tellers of history have often skewed the conversation to only focus on white, Western accomplishments.

These pictures show that there’s a larger story about America and the world that too few people know about. We should all know about Sarah Forbes Bonetta. We should all know about Eartha Mary Magdalene White, Marie Selkia Williams, Blanche Kelso Bruce, and many more. The fact that these photos are as revolutionary as they are only goes to show just how startlingly rare it is to see black stories outside of a very controlled, slavery-centric context. Everyone should get to know what life really looked like throughout history; not every moment revolved around what a white person is doing.

Visit Upworthy and check out the article; you’ll be glad you did.

Gospel singers take Neon Genesis Evangelion to holy heights

YouTube/screengrab
YouTube/screengrab

As a long time anime fan, I’ve heard and watched Neon Genesis Evangelion. But a confession that must be made is that while I appreciate the show, I never really got into Evangelion. But, I love the theme song almost as much as Oprah loves bread. It’s easily one of the most iconic theme songs in anime history. Now, the song has become even more iconic after a gospel group takes it to yet another awesome level.

The group, Glory Gospel Singers, appeared on an episode of Japanese singing show NHK Nodo Jiman (NHK Amateur Singing Contest), and they blew the audience away by combining their traditional gospel roots with classic anime. Check it out for yourself.

I love when I see videos featuring beautiful cross-cultural moments, and this video is certainly no exception. What did you think about this video? And if you’re a Neon Genesis Evangelion fan, what do you love about the show? Give your opinions in the comments section below!

Oh, how far Latina’s come: Latina Magazine celebrates 20 years of progress in Hollywood with Platinum Anniversary Issue

Latina Magazine celebrates its platinum anniversary with a photomosaic of the legendary Selena Quintanilla.
Latina Magazine celebrates its platinum anniversary with a photomosaic of the legendary Selena Quintanilla.

NEW YORK, Oct. 26, 2016 /PRNewswire/ — Latina magazine— the first in its space and the number one destination for the 35 million acculturated, second and third generation American Latinas—celebrates 20 years with a look back at the progress Latinas have made in Hollywood over the past two decades.

The magazine celebrates it’s platinum anniversary with a cover of the most influential Latinas (Jennifer Lopez, Salma Hayek, Gloria Estefan, Christina Aguilera, and Sophia Vergara, among others) that combined creates a photomosaic of the legendary Selena Quintanilla (www.latina.com/20years).

“We chose Selena because, unlike other Latino stars who at the time made it big by modifying their names and ‘passing’ as white, Selena turned to her culture first, rediscovering her roots to find her voice,” said Latina Editorial Director Robyn Moreno. “And through her voice, American Latinas found theirs and learned they didn’t need to change to make it big.”

The thought bomb of Christy Haubegger, Latina became a pioneering force for Latinas underserved by the general market and Spanish language media. Latinas were, for the most part, invisible to mainstream culture during most of the 80s and 90s. For the past two decades, Latina has played a central role in helping readers connect to their culture, while also helping shape and launch the careers of some of the biggest Latina stars.

Through the help of Latina’s covers, J.Lo became a queen, Christina Aguilera crossed over, and Selma Hayek gained A-list status and was the first Latina to be nominated for an Academy Award for Best Actress in a Leading Role.

In the words of some of Latina’s most influential celebrity cover interviews on the progress Latinas have made in the past 20 years:

“When Hollywood starts considering me for roles where ethnic background doesn’t matter, that’s an even bigger step in the right direction for me.” – Jennifer Lopez (Summer 1996)

“A lot of my fans are young girls, and they go ‘You’re someone young Latin girls can look up to’ because there really aren’t many.” Christina Aguilera (December 1999)

“I want to empower young women like me to fulfill their dreams. I hope I can inspire somebody to get focused on what they want out of life instead of just taking what’s given to them.” Jessica Alba (March 2008)