The web series is the new place for inclusive messages and nuanced stories about marginalized people that aren’t always shown in the mainstream. 195 Lewis is one such example of the web series making its mark with an underserved audience.
195 Lewis focuses on a cast of black LGBTQ women of color as they live and love in Brookyn’s Bed-Stuy neighborhood. The show’s creators, Rae Leone Allen and Yaani Supreme, have created the show from their own experiences–like their characters, they are also black women in the LGBTQ community who hail from Brooklyn. From their experiences, they were able to create a series that finally put love between queer black women–people who are rarely ever shown on TV–on the main internet stage.
Emily J. Smith interviewed Allen for Broadly. Here are three moments from her interview worth noting.
On the inviting feeling of 195 Lewis
“We’ve been able to create this warm and embracing world. We want people to join and feel safe there.
On white male privilege in the media industry:
“The only thing we need to take from white men is their audacity. Women are different kind of creatures, we’re constantly asking questions and interrogating ourselves, we know we’ll be responsible with our art. We just need to get audacious.”
On the groundbreaking nature of 195 Lewis :
“We’re showing beautiful black women on screen loving each other and being themselves. That’s revelatory in and of itself.”
There’s been a flurry of beauty and movie news that celebrates black beauty and talent! Check it out!
Aja Naomi King as L’Oreal Paris Ambassador
Aja Naomi King is the new face of L’Oreal Paris. According to 21Ninety, King, who is best known for her work on ABC’s How to Get Away with Murder, will start her ambassadorship with the True Match Lumi Glow collection.
“Gratitude can’t begin to describe this feeling inside,” she wrote on Twitter. “No words can capture it…but I hope to be one more face looking back at you showing you what IS possible!!!”
Tiffany Haddish becomes an awards frontrunner
Girls Trip has put comedian Tiffany Haddish on the map, and the Oscar buzz surrounding her performance isn’t just hot air. Haddish has been named this year’s Best Supporting Actress by the New York Film Critics Circle. According to Vanity Fair, Haddish beat out other awards contenders such as Lady Bird‘s Laurie Metcalf and I, Tonya‘s Allison Janney.
“Though the New York Film Critics Circle is an insular voting body that doesn’t overlap with those who pick contenders for ceremonies like the Golden Globes and the Oscars,” wrote Yohana Desta, “it seems likely that her buzz, newly bolstered by this best-supporting actress award, could reinvigorate voters in other groups to throw their weight behind Haddish.
Issa Rae partners with CoverGirl
Also from 21Ninety, Insecure star Issa Rae is bringing her Awkward Black Girl magic to CoverGirl with her new lip collection.
Her collection, Melting Pout Metallics, features eight metallic lip shades, and these aren’t your average shades. With colors ranging from blue (“Sunday Blue”) a cool gray (“Platinum Card”), vibrant purple (“Amped”) to a liquid gold (“Banger”), there are shades for even the most adventurous lipstick wearer.
If you don’t know Frank Waln, you need to know him. The Sicangu Lakota rapper and activist has given voice to the voiceless and educated fans with his timely, moving, and politically sharp lyrics. He’s also put his words to power by working with The Dream Defenders in Palestine, fought against the Keystone XL pipeline, and regularly promotes his activism through his Twitter account. Understand Waln better by reading his own words about his music, his politics, and his message to fans old and new.
On his latest EP, The Bridge:
“The world is hungry for Indigenous voices and stories right now. This album [The Bridge], like all Indgenous art, holds centuries of Indigenous stories, personal and universal. I made this project for myself and other Indigenous people like me who need honesty, vulnerability and healing in their lives.”
On the historical background of his song, “Treaties”:
“As an Indigenous producer and songwriter, center the voices of Indigenous elders in a song is a great way to show my audience who I learn from, and to share knowledge directly from the source. Thhis song is as relevant now as it was hundreds of years ago, when the U.S. government was breaking its treaty rights. It’s happening right now with the Dakota Access and Keystone Pipelines being built onto treaty land.
How can the United States call itself the greatest country in the world when it won’t even honor the treaties that founded this country? I hope this song spurs every American citizen who hears it, Indigenous or not, to pressure our government to follow its own laws and honor its treaties. This song is about justice.”
The song that started his hip-hop journey:
“…[W]hen I was seven or eight, I fell in love with playing piano. I started teaching myself how to play keys. So, I would say, my dedication to music started at the piano when I was seven or eight. Eminem was my introduction to hip-hop. But then, when I heard the Nas song “One Mic” that’s when I decided I wanted to be a rapper. That’s really when I devoted myself to hip-hop.”
On hip-hop’s resonance with Native Americans:
“Hip-hop resonates with a lot of people of my generation, whether they be in a city or on a reservation. I was thinking about this a lot lately. When I was growing up, the representations of Natives that we saw on TV were nothing like what we were living. Nothing like our reality. It was always, like, these savage Indians of the past. Very stereotypical. The media we saw, the artwork that we saw, the images in mainstream media that we related to the most, were hip-hop. Those artists were telling stories that definitely related to things we were going through, and are going through on the reservation.”
Describing his activism:
“What I’m doing – the ideology and worldview that I’m using to approach what I do – is older than the word and concept of an “activist.” I’m just Lakota. That’s why I care about my people. That’s why I care about the earth. That’s why I care about the water. That’s why I care about my community. That’s why I care about people around me. That’s why I devote my gift of music and why I use my platform to protect those things. Because I am Lakota. That’s how I was raised by mother, and my aunties, and my community. That’s what I’m taught in my culture and in my ceremonies. A lot of time Native people get pinned as activists, but really we’re just being Native. I’m just living my life, and trying to live my life in a way that my ancestors and elders and my parents and my culture raised me.”
Hari Kondabolu wants you to realize why The Simpsons character Apu is a problem.
His documentary, The Problem with Apu, aims to show Simpsons fans why their favorite Qwik-E-Mart store owner is much more than just a funny character. For many, Apu is a figure embedded with offensive racial stereotypes about Indian-Americans and Indian immigrants, compounded by the fact that the voice of Apu, Hank Azaria, is putting on a stereotypical Indian accent.
Vulture’s Malika Rao (who also appeared in the documentary) interviewed Kondabolu about the film, his opinions on Apu, the struggles he had with making and editing the film, and what the conversation about Apu means to the bigger issues of representation for Indian-Americans and POC in general.
On figuring out how to to explain racism to the uninformed:
“It was fun to make a movie and to interview so many people, but the actual heart of the issue, it was a 101 course. I honestly wanted to call it Seriously? I need to explain this? Because we all know this. It’s obvious. But I had to educate people. There’s a part of the film where I had to be reminded, this is going to mainstream America. This isn’t a film that’s in festivals. I need to explain basic ideas. I really need to explain minstrelsy? I really do? And I’m like, yeah, I do. This stuff used to be called “inaccessible” though. We’re at least in the era where it’s now mind-blowing.”
How Apu represents America’s deep-seated racism:
“The issue isn’t so much the character. I’m a 35-year-old man. It’s not an offensive thing, it’s a little insulting, especially when I was a kid. To me, it’s like, how did that happen, how does that still happen, how do we keep doing it? It’s not like it’s over. We still think about representation, we still think about erasure or one-dimensional representation. This is a classic example, but it’s one example. Apu is grandfathered in. It’s like a fossil in nectar, you know what I mean? It’s a great example for us to see because it’s both then and now. Times have changed, but ultimately for me it wasn’t just about Apu. It’s really about where we are as a culture and the fact that racism isn’t a singular thing. It’s a virus. It mutates, and every era, it changes.”
The one part Kondabolu wished he put in the documentary:
“There’s this one anecdote we didn’t put in that kills me. I did some research, and Peter Sellers and Satyajit Ray knew each other [Editor’s note: Peter Sellers starred in The Party, in a role Hank Azaria has compared to Apu; Ray created The Apu Trilogy, the famous Bengali series that the Simpsons’ Apu got his name from.] Ray wanted Sellers to be in his first attempt for a film, called Alien. They hit it off. Then Ray saw Sellers in The Party and was horrified. I just met this man. This is what he thinks of me? And the voice he uses. Peter Sellers has a monkey pet in the movie. The monkey’s name is Apu, and that’s not a coincidence, especially during [the time of the release of Ray’s Apu Trilogy]. I hear that story and I think about Apu, the cartoon character. You take [Ray’s] main character and give him this voice you know he would hate. The fact that [Apu the monkey] wasn’t squashed — this is what happens when you don’t squash it. It doesn’t look the same way, but it still survived.”
On how racism and representation affects all people of color:
“There’s a history of how people of color are used and how their bodies and images are monetized. Any South Asian in this country has faced it considerably easier [than black people]. When we talk about big moments, we talk about 9/11. You’re being held by law enforcement, seen as a threat. Black people deal with that every day. So it’s from this large legacy, but it’s not the same.”
Make sure to read the full interview at Vulture.com. The Problem with Apu is now streaming on TruTV and Amazon TV, Amazon Fire, iTunes, Roku and other streaming services.
NBC and Starz have given TV fans tons of be excited about in the coming months. Check out the list of new shows we can expect to see in the near future.
Starz signs on for two shows featuring Latinx casts
According to Variety, Starz has two shows featuring Latinx casts in the works. The first, Vida, follows two sisters as they learn secrets about their family and themselves.
“‘Vida’ follows two Mexican-American sisters, Emma and Lyn, from the Eastside of Los Angeles who couldn’t be more distanced from each other. Circumstances force them to return to their old neighborhood, where they are confronted by the past and shocking truth about their mother’s identity.”
Vida‘s showrunner will be Tanya Saracho, and Alonso Ruizpalacios will direct the premiere. The show will star Mishel Prada, Karen Ser Anzoategui, Chelsea Rendon, Carlos Miranda, Maria Elena Laas, and Melissa Barrera. Sexual diversity will also be a feature of the show; Ser Anzoategui is a non-binary Latinx/Chicanx actor, artivist and playwright, and Laas’ character on the show, Cruz, is described as an “enigmatic lesbian who has a checkered history with [Prada’s character and one-half of the show’s main sister character leads] Emma.”
The second show, Family Crimes, seems much more generic in the sense that it’s about a well-tread storyline–Mexican organized crime. The show, created by David Ayer, focuses on a woman who has to learn to live a new life.
…[T]he project follows a young Latina who is forced to reinvent herself when the federal government closes in on her family due to their ties to organized crime in Mexico. She must learn to navigate the web of deceit and danger in the criminal underworld in order to survive.
NBC redirects focus on diversity in new projects
According to the Hollywood Reporter, NBC has committed to a family drama created by Sleepy Hollow co-showrunner Albert Kim.
The story is being described as a “multicultural soap” as well as a modern-day Anastasia story of a woman who grew up in the U.S., unaware of the wealth and status she is set to receive.
The project…revolves around a family-owned Korean electronics corporation that is rocked when its CEO dies on the eve of launching their American subsidiary, with his will revealing the existence of a previously unknown heir. Kim based the original concept on Korean chaebols, multinational business conglomerates like Samsung that are run by single ruling families that often go through succession drama.
Her initiation into a family she never knew about “ignites a Shakespearean battle for power amongst her newfound siblings in the Los Angeles-based drama.”
Kim will executive produce the show with Dan Lin under his Warner Bros. Television-based arm, Lin Pictures.
Kim’s show will feature a nearly all-Asian cast, and incredibly enough, this isn’t the only show NBC is committing to that highlights diversity both behind and in front of the camera. According to NBC News, NBC has committed to a legal drama that would star the first Sikh lead in American network television.
The show will be co-executive produced by activist, filmmaker and lawyer Valarie Kaur and based on a concept by her husband Sharat Raju, an NBC Emerging Directors Program alumnus.
According to Kaur, the idea, which she and her husband worked on with their friend Tafari Lumumba, would feature “a band of law students in a renegade law clinic, fighting the good fight.” The show is being produced under America Ferrera’s new production company. Ferrera and Kaur’s relationship began when Ferrera featured Kaur on several panels for NBC writers rooms and showrunners, which led to This Is Us featuring a Sikh character in the show.
NBC has also put into development Love After Love, sold from Kaptial Entertainment and Universal TV. According to Deadline, The show is written by Lisa Takeuchi Cullen and based on the Argentinan series Amar después de amar otherwise known as ADDA.
An extramarital affair is exposed in a car crash that leaves the man in a coma and the woman missing–soon to be found dead of a gunshot wound. As their spouses try to piece their lives back together, police struggle to solve an ever-deepening mystery. Think The Affair/Unfaithful meets How to Get Away with Murder.
What do you think about these shows? Give your opinions in the comments section below!