Those who live in Selma, AL will get a great surprise this Friday when the Golden Globe nominated film Selma will screen for free to Selma’s citizens this Friday (Jan. 9). This special screening is on behalf of the film’s director, Ava DuVernay, and Paramount Pictures.
The Angela Bassett-directed lifetime biopic Whitney, about Whitney Houston’s rise to fame and the pitfall that come with it, is coming Jan. 17, and I haven’t been writing anything about it. Until now.
It’s official: Scarlett Johansson is going to play Major Mokoto Kusanagi in the Hollywood adaptation of the Japanese classic manga and anime series Ghost in the Shell. Color me and thousands of other Ghost in the Shell fans disappointed and oddly resigned. Resigned to resisting, that is.
I bet you’re wondering why I have Ursula down as a queer-coded character. Well, I’m not going to write anything like her villainy is coded in queerness (well…technically, it could still be, if you want to get really deep with it). The reason Ursula is queer-coded is because she is, in fact, based on a very infamous drag queen.
There have been several things that have been at play within the last few weeks. We’ve seen some new trailers featuring Asian actors, such as Blackhat, co-starring Leehom Wang and Terminator Genisys, co-starring Byung-hun Lee. There’s also Brian Tee in Jurassic World and Takamasa Ishihara (Miyavi) in Unbroken. We’ve also have heard troubling stuff from the Sony hack, such as Aaron Sorkin saying that there weren’t any viable Asian male stars.
Unfortunately, 2014 brought about the end of The Queen Latifah Show, but thankfully, Queen Latifah won’t be away from television for long! The rapper/actor/singer/producer has been cast as blues and film star Bessie Smith in an HBO biopic written and directed by Dee Rees (Pariah).
This might sound out of left field. But hear me out.
Originally posted on Moniqueblog.net in 2013.
Wedding Palace, directed by Christine Yoo and written by Robert Gardner and Derek Draper and starring Brian Tee, Hye-jeong Kang, Bobby Lee, Jean Yoon and Margaret Cho, is a film that has charm, humor, and tons of sweet likability. The film is also unique–even though the film is one that’s about Korean culture, the writers, Gardner and Draper, are both African-American. So how did this film come to be, and what type of research was done to get the film’s voice just right? I was able to discuss this with Gardner in an email interview. Check out his insight into the writing process and what his favorite film from the scene is. Also look below for a behind-the-scenes video about the making of the film. Wedding Palace is now available to home audiences.