Search Results for: into the badlands

Rami Malek Proves Why He’s The GOAT in ELLE’s September Photoshoot

Cora Emmanuel and Rami Malek pose for ELLE Magazine. (Azim Haidaryan/Elle Magazine/screengrab from Elle.com)
Cora Emmanuel and Rami Malek pose for ELLE Magazine. (Azim Haidaryan/Elle Magazine/screengrab from Elle.com)

Rami Malek is a personal favorite around these parts, and his latest interview/photoshoot for the September issue of ELLE Magazine, he proves once again why he’s a low-key thought leader as well as a stellar actor.

In the interview, Malek talks about how he relates to his Mr. Robot character Elliot. His relationship to the character is much less about the self-important vanity of acting a meaty role (that kind of sentiment is  something I’ve personally heard from an actress when discussing her role on a formerly popular show a few years ago) and more about how Elliot reflects a darker side to Malek’s past thinking and personal flaws.

“Look at me. I’m an actor who’s been struggling for a while, and there have been moments where I don’t think I’ve been the greatest in my personal life because I’ve sometimes taken my professional goals too seriously. So when I do things that aren’t as altruistic as I want them to be, I have to take inventory of myself, the way Elliot does when he starts to see the ramifications of his actions. He’s an unexpected hero in that way.”

It’s rare when we hear actors or actresses discuss their shortcomings in a way that’s genuine. Usually, too many of the acting set discuss their flaws in a self-congratulatory, humblebrag way, as if being proud of how “special” their flaws are makes them “just like us” while still using those same flaws to showcase how much “better” they are than the rest of us. When you read Malek’s words, you can tell he’s not talking about himself in a way to say “I’m better than you because I’m more perfectly imperfect than you.” He’s discussing past regrets like a person who has matured over time, and that makes him even more relatable than he already was. A lot of us can identify with feeling like there’s not enough time to make your dreams happen, of wanting to rush things to get to where you think you should be, of taking yourself too seriously. I know I can certainly identify. It takes a surprising lot of maturity to admit when you haven’t been as grateful or as well-meaning as you aspire to be, and Malek reflects that maturity in his answer.

It also helps that it seems like he’s not an actor who trips off of being famous. He still seems like a normal (yet immensely talented) guy. A guy who can take smoking-hot pictures. Just eat your heart out as you look at the top screenshot; there’s more where that came from in the actual ELLE article. (Of course, it goes without saying that model Cora Emmanuel takes a good photo too.)

Malek’s star is on the rise; Season 3 of Mr. Robot has already been ordered, and Malek is getting ready to promote Buster’s Mal Heart, an indie film he’s starring in. Once again, he’s taking on a cerebral mind-bender of a character who is lost out at sea and in the wilderness, but recalls a former life as a family man. The film, which is expected to premiere at the Toronto International Film Festival (TIFF) is already expected to be a must-watch in the indie circuit, and it’s going to be exciting to see just how well this film does. You can take a look at the trailer right here.

What do you think about Malek and his regular-guy approach to Hollywood fame? Give your opinions in the comments section below!

CW’s “Riverdale” Takes Archie Comics Out of the 1940s

As you will see in a few days on JUST ADD COLOR, I am a huge Archie Comics aficionado. Back in the mid ’90s, when I was still in middle school, I happened to pick up an Archie Comics digest from the grocery store, and fell in love with these kids’ hijinks and the art style. The more into Archie Comics I became, the more I loved it. The more I loved it, the more I started to dissect and analyze, and the more I hoped the company would grow into something beyond just reliving its glory days of the ’60s.

Since then, Archie Comics has really come into not just the 21st century, but into its own new identity as the comic book for humorous, slice-of-life teenage comedy. In many ways, the company went back to its core tenet of being about teens, for teens by becoming what it was when it first debuted in the 1940s—fresh and relevant. Archie Comics has exploded now with the new Archie and Jughead series, both of which are amazing in terms of writing and illustration, and the upcoming CW teen drama, Riverdale.

Riverdale continues Archie Comics’ obsession with relevance by rejiggering the concepts of the “America’s Favorite Teenager” and what life in the picturesque Riverdale is really about. To quote Archie Comics:

The live-action series offers a bold, subversive take on Archie, Betty, Veronica, and their friends, exploring small-town life and the darkness and weirdness bubbling beneath Riverdale’s wholesome facade. The show will focus on the eternal love triangle of Archie Andrews, girl-next-door Betty Cooper, and rich socialite Veronica Lodge, and will include the entire cast of characters from the comic books–including Archie’s rival, Reggie Mantle, and his slacker best friend, Jughead Jones.

Popular gay character Kevin Keller will also play a pivotal role. In addition to the core cast, “Riverdale” will introduce other characters from Archie Comics’ expansive library, including Josie and the Pussycats.

Let’s take a look at our group of Riverdalians (with character descriptions quoted from Archie Comics’ Riverdale posts):

Archie Andrews (played by K.J. Apa)

In an exclusive announcement, Deadline described Apa’s Archie as “an intense, conflicted teen, a boyish high school sophomore who got pumped up over the summer working construction and is now juggling the interest of several girls, as well as trying to balance his passion for writing and performing music–against the wishes of his father and his football coach.”

Josie McCoy (played by Ashleigh Murray)

Murray’s Josie is described as “a gorgeous, snooty and ambitious girl who is the lead singer for popular band Josie and the Pussycats. She has zero interest in recording any songs written by fellow teen Archie.”

Jughead Jones (played by Cole Sprouse)

Sprouse’s Jughead is described as “a heartthrob with a philosophical bent and former best friend of Archie Andrews.”

Veronica (played by Camilla Mendes)

In the exclusive announcement, Deadline described Mendes’s Vernoica as a silver-tongued high school sophomore who returns to Riverdale from New York, eager to reinvent herself after a scandal involving her father.

Betty (played by Lili Reinhart)

In an exclusive announcement, Deadline described Reinhart’s Betty as “sweet, studious, eager-to-please and wholesome, with a huge crush on her longtime best friend, Archie.”

Cheryl Blossom (played by Madelaine Petsch)

In the exclusive announcement, Deadline described Petsch’s Cheryl as rich, entitled, and never accountable. A manipulative mean girl who kills with kindness, she recently lost her twin brother in a mysterious accident.

Reggie Mantle (played by Ross Butler)

No official Archie Comics/Deadline character description, but we know already from the comics that Reggie is Archie’s rival in all things, including the dating department.

Dilton (played by Daniel Yang)

Again,  no official description for Dilton, but in the comics, he’s the nerdy, brilliant friend to the core Riverdale gang. He also dated Cheryl Blossom at one point in time, so don’t sleep on Dilton’s hidden mack game.

Moose Mason (played by Cody Kearsley)

Once again, no official description, but Moose is Midge Klump’s long-time boyfriend. Moose is also on the school’s wrestling team, and is often depicted as being, to use one of Wendy Williams’ favorite phrases, “less than smart.” It was only relatively recently that Moose’s depiction was scaled back and taken a bit more sensitively; he was diagnosed with dyslexia, which explains why the character often has trouble with schoolwork. Maybe his dyslexia will become a feature of his characterization in Riverdale.

Tina Patel (Olivia Ryan Stern)

No official description, but Tina is from the later wave of old-style Archie comics. Tina was introduced as the younger sister of Raj Patel, the town’s resident aspiring filmmaker. Unlike Raj, Tina was following in her parents’ footsteps of becoming a doctor, making Raj the black sheep of the family. If memory serves, she also was bumped up a grade, so she’s actually in the same grade as Raj despite being younger than him.

The adults cast so far include:

Yes, ’90s friends; that’s Mr. 90210 himself! With him as a part of the cast, this already feels like the baton of stellar teen dramas has been handed down to the next generation. Riverdale has the Luke Perry Seal of Approval.

What can we expect?: Already, we can see some ways in which Riverdale is distancing itself from the Archie stories of old while bringing the Archie Comics company further into the now. We have a multiracial, multicultural cast, with several characters cast as non-white actors, including Apa, who is Samoan-Kiwi.

But a Rainbow Coalition cast isn’t the only reason this show has my radar. As I wrote above, the show is setting up a subversive take on the Riverdale we’ve come to know and love, and if Season Zero is to be believed, the Riverdale pilot is something that must be seen to be believed. There’s murder, sleeping with a teacher, intrigue, and all sorts of soapy turns. Also, Jughead’s the narrator, which seems like a cool, Jughead-ish thing to do (he is, after all, divorced from all the drama of his friends and acts as the observer of their lives).

As much as Riverdale promises, there’s still some more that it could have done. At one point, Jughead was supposed to be played by a deaf actor. TV Line (as reported by The Mary Sue) had the official casting calls, which asked for a “hearing-impaired” actor. As far as I know, Sprouse isn’t hearing-impaired, so I wonder why the change in Jughead’s character was made. If it was made—maybe the narration we hear are Jughead’s thoughts, and perhaps Sprouse signs on screen. But still, it could have been a great opportunity for a hearing-impaired actor to get his moment. I’m not poo-pooing Sprouse’s acting ability before we’ve even seen him in the role; I wish him goodwill. I’m just sayin’, from an observer’s perspective, some could find an issue with a non-deaf person playing a deaf role, especially since there are deaf actors and actresses out there (such as Freeform’s Switched at Birth stars Marlee Matlin (also an Oscar winner), Katie Leclerc, and Sean Berdy, late night host Stephen Colbert, There Will Be Blood‘s Russell Harvard, and many others in stage theater).

Other observations: Jughead is canonically asexual in the new Jughead books. In the show, Jughead is described as a heartthrob, and that’s actually in keeping with his character, since Jughead gained a kinda heartthrob status through later runs of the old Archie books. Part of Jughead becoming attractive to girls was because he never wanted a relationship anyways, and some girl characters took at as a challenge (like Ethel, who hasn’t been cast as of yet). But parts of the fandom had also decided that Jughead was gay, which may or may not have led to issues featuring Jughead in an ill-fated love triangle of his own. Stories of Jughead in one-off relationships would then become peppered throughout the old Archie canon for whatever reason there was at the time, but Jughead had already been linked to someone in the old ’40s comics—Betty. Back then, it seemed like there was less of a love triangle between Betty, Archie, and Veronica, and more of Betty trying to disrupt Veronica and Archie’s relationship and, being desperate for any male attention, would try to seduce Jughead, who just went along with it because of his friendship with Betty.

However, with all of that said, will Jughead actively engage in relationships on Riverdale because he is a heartthrob? Or is he a heartthrob because he’s unattainable? Will Jughead become the second out asexual character on television (the first being Voodoo from USA’s Sirens)? Or, if Jughead’s asexuality doesn’t extend to the show’s canon (which it might not, since the show’s not adhering to old or new Archie stories, anyways), then will Jughead’s sexuality once again become the hot button issue of the day? One of the enduring parts of Jughead’s character is that, because he’s removes himself from the heteronormative discussion, everyone can see some element of themselves in him. You can believe he’s straight, gay, asexual, aromantic, bisexual, and any other type of sexuality, and you’d be justified in your theory. Jughead is one of those characters in entertainment who become a sexuality litmus test, and it’s fascinating to see just how everyone interprets him differently and why.

Last, Riverdale is breaking new ground by casting two actors from the AAPI spectrum as part of “the beautiful people.” Like I’ve written several times before, Asian men rarely get the heartthrob treatment, and to have Archie and Reggie played by Apa and Butler is awesome. Of course, we’ve got some caveats to discuss. Apa can easily code as “white,” which will surely help him land more leading roles than someone like Butler, who might still have to work against racist casting calls. But both Apa and Butler might face less discrimination than Yang, who is playing a character that now has a very complicated situation. Dilton is white in the comics, so having someone else represent Dilton plays into the movement to have more inclusion on screen. But, Dilton is also a nerd, so what does it mean that an Asian guy was cast as the nerd? Again, like with Sprouse, I’m not ragging on Yang getting a job, but I am an entertainment/cultural critic. I wonder what Yang will do to take the character out of the easy stereotype and into a nuanced, layered performance.

With all of that said, I’m excited to see what Riverdale holds for us. What do you think? Give your opinions in the comments section below!

Want More From JUST ADD COLOR? Read COLORBLOCK Magazine!

JUST ADD COLOR is in the process of growing in 2016, and one of the ways we’re doing that is by creating COLORBLOCK Magazine, a monthly magazine that features more of the content JUST ADD COLOR has already—analyzing how race and culture are perceived in entertainment, and how those messages affect how we see ourselves.

The latest issue of COLORBLOCK Magazine is a recap of the Oscars, which was a mixed bag, to be honest. From the racist jokes to addressing stereotypes in film, to #OscarsSoWhite and more, this issue of COLORBLOCK hits some of the biggest moments from before, during, and after the Oscars.

colorblock-March 2016-ad

Here’s a bit from one of the magazine’s articles, “Lesson Providers and Tragic Figures: How The Revenant Reflects Hollywood’s Objectification of Characters of Color”:

Would you believe that Oscar film The Revenant has something in common with No Escape? Even though the film has been praised for its technical prowess and stellar acting, the Leonardo DiCaprio starrer has been called out on the story still following an old Hollywood trope: having a story involving non-white characters revolve around white leads.

Gyasi Ross wrote for The Huffington Post that the DiCaprio’s lead time in the movie could have been ceded to some of Native actors in the film. Comparing DiCaprio to Marlon Brando, who allowed Sacheen Littlefeather to speak to Native American sentiments at the Oscars, Ross wrote, “it would have been cool if [DiCaprio] surrendered that space for Native people to have some agency.”

Ross goes onto say that while The Revenant successfully strove for historical accuracy, it doubles down on the “white savior” trope that plagues many Hollywood films.

You can read the latest issue by clicking the link in the sidebar as well as clicking right here. You can also read past issues in the archive. If you love what you’ve read, make sure you leave me a comment, either on Twitter @moniqueblognet and @COLORwebmag, Facebook, or at ISSUU and share with your friends! These people did:

I’d love for you to read, share, and support!

“Fresh off the Boat”: The Long Duk Dong Effect

The recent Fresh off the Boat episode, “Good Morning Orlando,” showed the benefits of having a second season. Once a show gets to their second season, especially a show as culturally aware as Fresh off the Boat is, the show’s writers (and perhaps the stars themselves) can start to address things that got on their nerves during the first season (and probably, throughout their lives). Fresh off the Boat did that by having Louis go on local morning television to promote his restaurant and do funny impressions, only to come back home to a disapproving Jessica who uttered the damning name of “Long Duk Dong.” Yes, she said he Long Duk Donged all Asian Americans because he decided to make two white anchors laugh.

If you think Long Duk Dong is just a harmless character from Sixteen Candles, then you don’t know Long Duk Dong. Long Duk Dong is to Asians as Uncle Tom is to my people, African Americans. Long Duk Dong is the character that shucks and jives to the white audience’s amusement, shaming all of his people who are cognizant of the fact that he is the on Asian character that made it through the cracks to even be on the big screen without ripping off Bruce Lee (because no one can capture the magic and mystery that is the one, true martial artist/philosopher/Cha Cha dance master Bruce Lee).

Just like how many African Americans have been conflicted about supporting certain characters, movies, and TV shows (pick your poison), I’m sure many Asian Americans were conflicted about Long Duk Dong and the actor who played him, Gedde Watanabe, a Japanese-American actor playing a Chinese stereotype, which probably adds insult to injury. (Interestingly enough, Watanabe went on to voice Ling in Mulan, but I don’t know if that makes things better since Ling was also comic relief.) The question is this: Is it right or wrong to support or not support an Asian actor even if he’s making a mockery of himself and the group of people he represents onscreen? I think it’s fair to say that even though many folks have their own answer, the consensus was soundly against favor of Watanabe, and as Jessica reminded Louis, Long Duk Dong has become the marker of what you don’t want to be. You don’t want to be thought of as a sellout.

Fresh off the Boat is in the unique position to address this, because there are many folks out there who might understand why being called an “Uncle Tom” is wrong, but might not even be aware of why Long Duk Dong is problematic. America is very hypersensitive to black issues, in the sense that black Americans were at the forefront of the civil rights movement. But because America equates “diversity” to just “black,” a lot of the issues concerning other minority voices gets shuffled under the rug for no reason. Fresh off the Boat can give another perspective to a conversation that’s constantly happening on shows like black-ish—that having limited or no representation in the media can lead to the one individual that does make big having to represent the entirety of their race. For a week, Louis was in that tough spot of representing an entire group of people without the luxury of just being himself. And after Jessica went on and on about how he should be approachable, but serious, but discuss issues affecting Asian Americans, but still be jovial, but not make too many jokes, but be polite, but not overtly and stereotypically polite, etc., etc., both realized how much of an impossible burden it is to put on just one person.

Fresh off the Boat addressed this not only to add more to the conversation about a lack of representation on television, but to also provide a bit of meta commentary to some of the frustrations that the show had about being the first Asian American television show in about 20 years. Because they were the first, they were getting unnecessary (in my opinion) annoyance from folks who felt the show didn’t represent them and their experience. Well, to that I say: DUH. It’s not supposed to represent everyone’s experiences, because, while there are some shared cultural experiences, not everyone’s upbringing is the same. My upbringing is different from any of my cousins’ upbringings, even though we’re all black. My life isn’t theirs, so if I told my story on the big screen, they don’t have a right to get offended just because something that happened to them isn’t in my story. I hate to invoke The Cosby Show after the horrors of Bill Cosby, but The Cosby Show played that “Perfect Minority Family” game, too. To everyone, including a lot of black people, the Huxtables represented the perfect black family, but some black people were mad that the show didn’t represent them or that the show felt unattainable in real life somehow. The Cosby Show however, was built to portray a perfect life; Fresh off the Boat was never meant to portray perfection; it just happened to be the only show of its kind at the time.

#Freshofftheboat addressed its frustrations about once being the only Asian show on TV. Click To Tweet

Thankfully, though, we now have Dr. Ken on ABC and, for what it’s worth, Into the Badlands on AMC (even though I’ve started to hear complaints about that show, too). There are beginning to be different interpretations of Asian life on screen (and there would have been more if GLENN WASN’T KILLED ON THE WALKING DEAD! There’s already a problem with killing black guys on this doggone show, and now you’re going to kill the Asian guy, too? I don’t care if he died in the comic book; the show has already taken liberties with canon! I dare to think what could happen to Michonne or Sasha!). Finally, Fresh off the Boat doesn’t have to carry the load of the world on its shoulders. Louis can do his Donald Duck and Rocky impressions and not have to be thought of as a Long Duk Dong. He’s just goofy, lovable Louis, an individual, not the Leader of the Asian Delegation (to reference that Dave Chappelle skit that’s now become part of the fabric of millennial America).

Last thing to note: I liked how this episode slyly played with the fact that people automatically assume that black people have to date black people. As if we just like someone because they’re black. “Black” doesn’t override “good personality” or “has a nice car.” Again, it goes back to being thought of as a representative of a group instead of an individual. Poor Walter, the only black kid in the group, still has to deal with well-meaning microagressions against him from his friends, who think that because he’s black, he has to automatically go with the black girl. Like goes with like, even though they as white kids can think of themselves as individuals. Yet, they still didn’t see themselves dating the black girl because they assumed she’d immediately go with Walter, aka she doesn’t have free will to choose who she’d like to be with because she’s a minority girl. And if they did decide to be together (which we was wasn’t the case at all), it doesn’t mean they chose each other because they’re both the black kids. As Walter said, “I like her, but [her race] is unrelated.” Basically, the lesson is that if you have black friends, don’t assume they just date black people. They can date anyone, just like you can.

What did you think of the episode? Give your opinions below!

If you loved this (or you know someone who will), share it! If you really loved it, subscribe in the sidebar to be alerted to more posts like this.

Screencap of Fresh off the Boat.

"Fresh Off the Boat": Why I Understand Eddie Huang's Angst

Author’s note: I discuss Bill Cosby’s characters in I, Spy and The Cosby Show in this article. Please note that me discussing the characters is not an endorsement of Bill Cosby himself. In light of the sexual assault and rape accusations against him, I can’t support him. Now that these allegations have come out, one of the frustrating aspects of Cosby’s acting life is that he’s become so institutionalized in our society and with what he has done for black actors in Hollywood with these groundbreaking shows. This article is separating the achievements from the man himself in order to fully address aspects of the history of black Hollywood.

Just like in my article about manhood and Asian-black relations, Emery speaks some truth that coincides with some of the show’s larger off-script themes. The quote I’m using this time is from “Very Superstitious,” in which he tells Eddie, “You’ve got an everyman’s husky build, and a middle-class background so everyone can relate to you.”

The “husky build” part doesn’t apply to this post, but the “middle-class background/relate to” part ties in directly into what I’m about to discuss, which is the real Eddie Huang’s upset over Fresh Off the Boat