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Writing Contributors

Do you like what you read on COLOR and want to support the site with your writing? First, thanks for thinking so highly of the site, and second, you can contribute!

I must say upfront that writing guest posts for COLOR is an unpaid position. At this point, I can’t pay contributors, even though I’d like to. However, I can promise that with COLOR, you will be giving your writing access to an audience of like-minded individuals who also want to see society a much more just place and entertainment a much fairer representation of the world.

Contributions must pertain to one of three different types:

Longform pieces: These pertain to an issue in society and how it might relate to race and culture. For example, you might have a post on the plight of black men in America or you might have a post retaliating against a form of bullying in feminism. Also included in longform pieces are thoughts on certain activist hashtags.

Entertainment discussion: These are posts that expound more on popular TV shows. These can be as long or short as you want them to be; they can be posts aiming to read TV show tea leaves, plotlines you want to see happen, hashtag movements,  or they can even be reviews of shows not covered on COLOR, like Marco PoloMozart in the JungleScandal, Jane the Virgin or any others, particularly ones that have an important/discussion-worthy message about race and culture.

Entertainment discussion can also include movie reviews. I don’t have a lot of movie reviews on COLOR, so if you’re more of a movie watcher, I’d welcome your film opinions.

Entertainment analysis: These pieces are somewhere in the middle of longform pieces and entertainment discussion pieces. These might focus on an element of a show and how it relates to a larger, real life issue, like black-Asian relations as shown in Fresh Off the Boat.

Entertainment analysis can also pertain to films and how they might correlate to a societal/racial issue. Or how certain Hollywood scandals are indicative of a larger issue.

Other posts that are welcome are Queer Coded posts (posts outlining how certain characters uphold Hollywood’s unspoken coding of villains or the “Other”), Fantasy Casting posts (in which the writer recasts whitewashed movies or speculates on the casting for upcoming films or films they wished would get made), Racially Sensitive and Racially Insensitive Casting posts, and MOC Monday/WOC Wednesday posts.

The word length is up to you; the only guidelines are that longform posts can be longer than a traditional post (think investigative piece-length).

The only rule I have is that the posts must be original and from individuals who are not writing posts to increase the page ranking of a corporate website aka individuals participating in link scamming. For instance, if you are an SEO writer hired by a company to write guest posts on other sites to increase the page rank of the company site.

The hope is to create a community of like-minded writers who all share a common goal. Please feel free to follow me on Twitter and Facebook, and I’ll make sure to do the same.

If you have questions or comments, please email me at monique@moniqueblog.net.

"Selma": David Oyelowo States Academy Awards More for "Subservient" Black Roles

David Oyelowo is proving why I made him an MOC Monday post. This guy not only knows when to help folks who’ve made mistakes (i.e. his buddy, Benedict Cumberbatch), but also when to hold people to task for racially-charged selective memories. Today, Oyelowo took the Academy to task for their penchant for only awarding black actors who take on “subservient” roles.

Three Ways “Scalped” Could Be a Game-Changer (If It’s Careful)

Have you heard of the DC/Vertigo comic book Scalped? If you’ve been a fan of the comic book, it’s now been greenlit as an upcoming show on WGN America!

The Hollywood Reporter has described Scalped as such:

“‘Scalped’ is described as a modern-day crime story set in the world of a Native American Indian reservation. It explores power, loyalty, and spirituality in a community led by the ambitious chief Lincoln Red Crow as he reckons with Dashiel Bad Horse, who has returned home after years away from the reservation.”

This show is very big news in the world of television as well as the world of media in general. Scalped could very well be the hottest show of the upcoming season, and it’s ability to be a game-changer can be broken down into three reasons:

Scalped will boast an all-Indian cast

The Hollywood Reporter states that WGN America is aiming at doing something Hollywood hasn’t willingly done at any point in its history. As the site reports, “Insiders say WGN America is eyeing an all Native-American cast.” When was the last time you saw Hollywood do something like that?

This is groundbreaking for two different reasons. First, it increases TV’s lead in the diversity race; film still has tons of mileage to go if it wants to catch up. Second, America hasn’t had an all-Native led show ever. The most we’ve seen Native Americans on television is in some kind of historical setting, as if they’re all dead. Or, if we do see them in a modern sense (such as in Sleepy Hollow) we only get to see them for five minutes in one episode (I’m still hoping for Eddie Spears’ Big Ash to make a return). A show like Scalped could really open some doors for Native actors trying to make it in Hollywood.

With its pulpy tone, Scalped could be the Empire of its kind, which means huge fame, but also huge consequences

This is both a good and bad thing. It’s good in that Scalped could become must-see, live-tweetable television in the same vein that Empire has dominated social media and pop culture as a whole. Or, as it’s been compared to, it could be the Sopranos of the Twitter age, or even the Breaking Bad of the Twitter age, a show that ensares its audience with gripping drama.

The bad thing about Scalped possibly becoming an Empire specifically is that with that fame comes compromise. Everyone (including myself) loves Empire. But as fun as Empire is, the show is not without its problems, such as colorism. (Before her character was bumped up, Gabourey Sidibe’s secretary character Becky was an afterthought, Ta’Rhonda Jones’s character Porsha is the comic relief to light-skinned Cookie, Bunkie was killed in the first episode, Lucious’s maid is a heavy-set, older black woman, and Malik Yoba’s character Vernon, who had an interesting subplot as a recovering drug addict, was killed later on in the first season by Rhonda.) Other issues include the treatment of women in the show, particularly the character Cookie, who, while a fun character (and a character I love), is filled with the “angry black woman” stereotype. Taraji P. Henson herself talked about how ironic it was that she would win a Golden Globe for playing an ex-convict rather than any of the other characters she’s played.

The Scalped comic book has been praised as a gritty modern noir, but the book has also faced its fair share of criticism, such as glossing over of the diversity of Native issues and Lakota culture as a whole. Wikipedia describes the comic as such:

“The series focuses on the Oglala Lakota inhabitants of the fictional Prairie Rose Indian Reservation in modern-day South Dakota as they grapple with organized crime, rampant poverty, drug addiction and alcoholism, local politics and the preservation of their cultural identity.”

While much of this could be handled with a deft and knowledgeable hand (such as by a Native writer or a writer who has done a lot of outside research and has fielded the help of consultants), it’s unclear how much knowledge comic book writer Jason Aaron has about the Lakota or Native Americans in general. Aaron, a non-Native white writer, could be critiqued as having fallen into the same pitfalls many other writers have fallen into when writing modern Native characters. As Indian Country Today Media Network writes:

“The question of whether Scalped was exploitative and harmful was raised from the get-go. …Scalped creators, writer Jason Aaron and artis R.M. Guera, aren’t Natives, and whether the world they depicted ultimately treated Native people fairly in the course of their series is a topic for debate.”

Rob Schmidt of Blue Corn Comics has written his critique of the story, which, in fact, does state, in so many words, that Aaron did rely on stereotypes of reservations:

“It’s clear what Aaron’s inspiration is for this ultra-negative portrayal of life on the rez: the horrible situation at Pine Ridge in the ’70s, when rabble-rousin activists fought a corrupt tribal government. This is the conflict that ended in Wounded Knee and put [activist] Leonard Peltier in prison for life.

Trouble is, that was 30 years ago. Tribal governments are much cleaner now because anyone with a cellphone, copy machine, or website can expose their flaws. Indians do use technology, believe it or not, although you wouldn’t know it from SCALPED. This series reads as if it was set in the 1970s–as if Aaron wanted to do a Quentin Tarantino version of Thunderheart.

…Moreover, casinos aren’t a major source of crime. Every Indian casino gets approved and regulated by multiple levels of government. The most recent gaming scandals involved lobbying in Washington, not crime on the rez.”

Schmidt goes onto say that one of the book series’ tropes is that it portrays is that “[t]he many bad Indians outweigh the few good Indians [,] [t]hus the Indians have gotten what they deserve.”

An argument could even be made about the name of the book itself indulging in stereotype, as well as the most popular cover art of the first volume by British artist/writer Jock (shown above). We’ve already had tons of issues with folks appropriating headdresses, and drawing one in an attempt to grab potential readers’ attention is no different.

Scalped could delve much deeper into Lakota history, culture, and the issues facing the Lakota and all Native Americans in a much more honest light than the comic. 

Scalped is a show that already has elements of being both a godsend to Native actors and the Native community as well as becoming a thorn in the Native community’s side. But there’s time to make Scalped the show that can entertain as well as educate.

The question I have for Scalped revolves around the basis for the book itself. As already stated, the book is, as The Hollywood Reporter states, “partially inspired by the 1975 arrest of Native American activist Leonard Peltier.” The Hollywood Reporter states that Peltier was arrested for killing two FBI agents in a shootout on a reservation, but his supposed guilt has long since been put into question, and many have made petitions to get Peltier’s sentence reexamined, lessened, or removed all together.

This point in history could be a great basis for a show, if taken into account as a watershed moment in Native and American history. Will the show decide to delve deeper into Native American issues and cultural differences and similarities? Will the show actually portray a more realistic portrayal of the Lakota than shown in the comics? Or will the show continue the book’s issue of failing to avoid stereotypes? The fate of Scalped is in the hands of Doug Jung, another non-Native. Will Jung and the show’s team bring on Lakota consultants in an effort to make the show fun and exciting while being respectful of the culture? We’ll see, and for that alone, Scalped is must-watch TV, at least for the first episode.

What do you think? Give your opinions in the comments section below!