I’m so ready to watch Spike TV’s mini-series Tut, which is currently filming in Egypt and will come to our TV screens sometime this year.
So, it’s been three or four days since Downton Abbey‘s latest episode aired and, honestly, it only started getting good towards the last 10 minutes of the show. If the entire season had started with those 10 minutes, we might be better off, storywise.
I am back from a small break due to travel! Unfortunately, I’m starting my return back to COLOR with awful news.
Synopsis (Fox): EMPIRE is a sexy and powerful new drama about the head of a music empire whose three sons and ex-wife all battle for his throne.
My opinions: Consider me a fan of Empire. To be honest, I was already sold from the moment I heard it was a show starring Taraji P. Henson, Terrence Howard, and had the soapiness of Dynasty. Just like with Agent Carter, my expectations were exceeded when I finally watched the premiere episode. There’s a reason why it was the highest-rated drama Fox has had in years.
Black Or White looks seems like it could be a very interesting film in the landscape of “January” films. It’ll certainly have a lot more to say than a lot of them, that’s for sure, and it’s timely, seeing how so many of us have been focusing on race relations in America.
There’s a lot of Selma news to discuss, so let’s just dive right into it.
Synopsis (ABC): It’s 1946, and peace has dealt Peggy Carter a serious blow as she finds herself marginalized when the men return home from fighting abroad. Working for the covert SSR (Strategic Scientific Reserve), Peggy must balance doing administrative work and going on secret missions for Howard Stark.
My opinions: When I first heard that Agent Carter was coming on the scene, I was actually apprehensive. The only Marvel show on ABC at the time, Agents of S.H.I.E.L.D., was a show I just couldn’t get into, especially since a large amount of it seemed like fanservice. But the closer we got to Agent Carter, the more I was convinced that I should at least check it out. And I was more than pleasantly surprised.
You might have already read my interview with Wedding Palace co-screenwriter Robert Gardner, so you’re already aware of this cute and charming movie. But there’s something else important about Wedding Palace; it offers Hollywood a different pathway towards making films. This pathway should be a no-brainer, but it’s path that Hollywood regularly averts, which is actually casting actors and actresses that represent the characters and their heritage.
It’s funny that with Florida making the United States roughly 70% legally accepting of same-sex marriages, something like TLC’s My Husband’s Not Gay would make the news.
I think my articles on Exodus: Gods and Kings, the Sony hack, and Ghost in the Shell say it best: Hollywood is messed up when it comes to real representation of non-whites in entertainment. Another thing it shows is that there needs to be a studio or agency that will handle films that otherwise wouldn’t get sold in the traditional Hollywood system so that new and important stories can finally get out of the script ghetto. Enter Charles King and his new venture, MACRO.