Before comic book bros get on my butt, please re-read the headline of this post. It states THE ANIMATED SERIES, and yes, there were folks that thought he was black, or at the very least, biracial.
Why? Because of his skintone. Maybe we were ignorant in the ’90s (which is a fair case to make), but it was rare you saw a white person in a cartoon that was painted with a serious tan. Also, his facial anatomy was certainly not Anglo-Saxon, if you get what I’m saying.
The “Lex Luthor is a light-skinned black dude” gets especially hardcore when you look at this screencap from Comic Vine of Luthor next to an actual black character (if I’m not mistaken, this is Steel before he became Steel, and also before he realized he was working for a villain).
Think I’m making up this controversy and confusion? Just click this link, which you take you to a Google search I did. There were and still are people asking if the animated Lex Luthor was black.
But the real truth is that Lex isn’t black. He’s not even Italian (which was my theory growing up). According to one of the Comic Vine commenters, Lex’s look is based on Greek-American actor Telly Savalas, who was big in the 1970s for playing the detective Theo Kojak on the show “Kojak.” According to the Comic Viner, though, the DC Animated Universe Lex is based on Savalas in On Her Majesty’s Service, in which he played Blofeld. In any case, a side-by-side shows how undeniable it is that Savalas and Lex are one in the same. Knowing Savalas is the basis for DCAU Lex also explains why this Lex has infinite swag and sex appeal (Due to “Kojak” and Theo’s swagger, including his signature line of “Who loves ‘ya, baby?”, Savalas was a huge sex symbol back in the day.)
(Fun fact: Savalas was a journalist for ABC News before he became a huge Hollywood star. He also studied psychology and was a WWII soldier.)
So mystery solved: Lex Luthor is Greek.
Are you one of those folks that could have sworn up and down that Lex was black? Give your opinions in the comments section below!
I can admit that I’m not a regular watcher of Steven Universe. But I know its impact has been a tremendous one, particularly on the generation after mine, the one growing up now amid tons of turmoil as well as a lot of positive changes. One of those positive changes is the cultural shift surrounding LGBT acceptance. I’d say Steven Universe is a large part of that continuing shift, particularly in how it gives younger LGBT audience members a voice the generation before them didn’t have in the media.
The creator of Steven Universe, Rebecca Sugar, hasn’t suggested Steven Universe‘s LGBT themes by accident; as she stated at San Diego Comic Con, the characters and their personal relationships as well as their relationships to gender itself are something that speak directly to her life.
“In large part it’s based on my experience as a bisexual woman,” she said in response to an audience member’s question (as reported by the L.A. Times). “…These themes have so much to do with who you are. There is an idea that these are themes that should not be shared with kids but everyone shares stories about love and attraction with kids. So many stories for kids are about love. It really makes a difference to hear stories about how someone like you can be loved. And if you don’t hear those stories, it will change who you are.”
She stated that it was very important to her to talk to kids about consent and identity. “…I want to feel like I exist and I want everyone else who wants to feel that way to feel that way too.”
Steven Universe has certainly made many of its viewers feel like they belong by acknowledging same-sex relationships, the sexuality and gender spectrum, and self-acceptance. Despite having faced censorship, the show continues its commitment to Sugar’s message of inclusion. The show should be commended for that.
What do you think of Steven Universe? Give your opinions in the comments section below!
Between 2009 and 2010, I wrote extensively about Hadji Singh from The Real Adventures of Jonny Quest in a series of posts called “Hadji Demystified.” Why “demystified”? Because the kid Hadji from the ’60s might have been spectacularly acted, but the character itself was filled with tropes such as Hadji somehow knowing magic, thereby making him mystical. The mystical aspect of Hadji bleeds into popular tropes Hollywood has about Indian characters, and non-white people in general; that we’re somehow full of wisdom, magical (either literally or in terms of the value the characters bring to white characters), and are exotic specimens, not actual human beings.
When I fan out about characters, I take it seriously, and usually that means learning everything about them and their backgrounds. I did such with both the kid version of Hadji and the teenage version from Real Adventures. The teenage version affected me even more because while kid Hadji was the only person I could identify with (he was the only non-white face, the only person who ever shot down Jonny’s notions of following the danger, etc.), teenage Hadji–and the treatment his character received from the character development team–gave me a different perspective entirely.
Through my love for Hadji, I’d put it upon myself to learn more about Indian cultures and what was right and wrong about Indian representations in America. As I found out, there was a lot that could be questioned about Season Two Hadji (the change in voice actors, the heavy reliance on stereotypes and tropes, the fact that Hadji became a maharajah even though maharajahs had stopped being in power in Bangalore long before, etc.), but Season One Hadji was a character that was meant to positively represent not just Hadji as a fleshed-out character (for instance, the introduction of his last name and his devotion to Sikhism), but an aspect of the immigrant experience.
To use two quotes I used ad nauseum while writing my Hadji posts:
- What was the inspiration for Hadji? Was he a paradigm of Eastern thought, or based on a friend in that hemisphere of the world?
I did have a great Pakistani friend at university, Tahir Attar. Educated in Europe at expensive private schools but retaining deep cultural roots. I believe, for example, that he entered an arranged marriage – quite happily. He was a perfect mix of East and West and I took a lot from him for Hadji. We did, of course, add an additonal dose of mysticism (for want of a better word), for dramatic reasons and in an attempt to keep the stories really open. (Minds, too, perhaps – but God forbid that we were proselytizing.) Yeah. Compare our Hadji with that moron in … oh, god, what was that silly robot movie? it will come to me. Or most of the silly sing-song morons which Hollywood makes of Asian Indians.
Clearly you have some knowledge of my own background – brought up in Zambia. (Tongue in cheek, Buzz, Stephanie and others said that I had a lot in common with Jonny – and, actually, I really did identify with our vision of him.) Not just in Zambia but deep in the bush. I grew up with Africans. I was an African, albeit white. When I went to Europe and, later, the US, I was stunned at the casual racism, the unthinking stereotyping, the sheer ignorance of other cultures. So, when it came to Hadji I was determined to make him real. Or as real as he could be in the context. Michael Benyaer really ‘got’ what we wanted to do with this character and that made it easier to ‘hear’ Hadji’s voice while writing. I wonder where Mike is now?
In fact, however pretentious it makes me seem, I wanted this authenticity in all the characters. That’s why we went for some rather ‘out there’ casting – and that’s why, of course, the succeeding producers undid everything and went safe. It’s pretty sad, and quite indicative of the xenophobia of our culture and the play-safe of the industry.
“[he] is one of the few roles for an ethnic actor that is not a bad guy. I mean, how many East Indian heroes have been on television? Hadji is for the sensitive kids out there. He is the outsider in all of us.”
The latter quote by Benyaer made it imperative for me to get his point of view on playing Hadji during the first season of Real Adventures of Jonny Quest and how it felt playing a character that had been thoughtfully approached by the development team. All it took was one simple email and some great timing for me to get my interview (I still remember that Benyaer said it was serendipitous that I’d email him right around the time he’d actually read some of my Hadji-centric writing.)
Thus ensued the following interview. We talked about acting, of course, but we also discussed the state of diversity in 2010. At that point, the type of movement on diversity we’re seeing now was just a pipe dream. But while there’s been a lot of movement, there’s still more that can be done; Aziz Ansari’s Master of None and Mindy Kaling’s The Mindy Project can’t be the only two holding it down for our American Desi friends. In any event, check out the interview.
I’ve been writing about Hadji for a while, just giving my viewpoints on how Hadji is important to the entire conversation of race and culture on television, learning about different religions, etc. But now you don’t have to take just my word for it. Take it from Hadji’s own voice.
Michael Benyaer, film and TV actor, got his start in acting straight out of high school, appearing in an episode of 21 Jump Street that was filmed in his native Vancouver, B.C. Soon after, he landed his first voice acting role as Ken in Barbie and the Rockers, which garnered him quite a bit of press. “I guess people thought it was pretty funny that Canadians were voicing Barbie and Ken,” he said. He later landed roles on G.I. Joe and Reboot.
When he was cast as Bob on Reboot, Benyaer was able to add his own experiences to the character. “As the role progressed, they wrote more to what I was doing. I was able to help create the character. It was exciting to be able to help create a character.” Part of how he identified with Bob was through his favorite cartoon character, Spider-Man. “It was nice to be able to play a hero who was fallible; he was like Spider-Man/Peter Parker, someone who was thrust into his job and learning to cope with it.”
When he moved to California, The Real Adventures of Jonny Quest was the job that opened him up to Hollywood. Through landing the role of Hadji for season one of Real Adventures, he was able to relive part of his childhood while befriending and learning from veteran actors. “It was very ironic to think that I watched Hanna-Barbera cartoons as a kid and that later I’d be working where they made those cartoons,” he said. “I got to meet Frank Welker [long-time voice actor who was voicing Jonny’s dog Bandit], George Segal [long-time movie and TV actor, voice of Dr. Quest] and Robert Patrick [movie actor best known for Terminator 2, voice of Race Bannon]; I’d have lunch with them every week, and just pick their brains.”
However, through the casting for Real Adventures, as well as casting for live-action jobs, Benyaer said something that mirrors what a lot of ethnic actors have to contend with. “Hollywood is…Hollywood is very specific,” he said. “Hollywood casts roles based on what you look like.”
During his tryouts for Hadji, he was aware of Indian stereotypes that were still in play. “There were actors who were using this accent like Apu [from The Simpsons], and I was like, ‘No, that’s offensive!’” Also, said Benyaer, many people in Hollywood do not differentiate between accents that originate from India and the Middle East. “To them it’s all the same,” he said, “and I’m like, ‘No, that’s a Pakistani accent,’ [or] ‘No, that’s an Israeli accent.’”
It was revolutionary, said Benyaer, that Hadji was created for the ‘60s version of Jonny Quest. “He was an early character of color that was not black or Hispanic on TV,” he said. To further push a positive portrayal of brown-skinned character on TV, Benyaer set out to bring a touch of class. “I based [Hadji’s accent] on Gandhi—someone who’s worldly with traces of a British education. I wanted to give [the role] respect. I wanted to give it some sort of class. And Peter Lawrence, the producer, responded to that. I was also allowed to add some understated humor to the character.”
Benyaer said that Hadji is very important in the conversation about race and culture being represented in entertainment. “He is the touchstone of Indian chracters,” Benyaer said. “During the ‘90s, there was no one [of Indian ancestry] on television. There was Apu, but that’s it. In 2010, there’s [Mohinder from Heroes, played by Sendhil Ramamurthy], The Cape, [Adhir Kaylan from Aliens in America and Rules of Engagement], and Harold and Kumar. Slumdog Millionaire was the movie that made everyone think of making Indian characters, and Hadji was the precursor of this.”
It is important that everyone gets represented in entertainment. “I have Asian American or Asian Canadian friends, and I ask them [about what cartoon characters they liked], and they always remember the people that looked like them in the cartoons,” he said. “Indians in Britain are more like how African Americans are here in America; Indians have a lot of representation on television. In Canada, Indians have supporting roles. It’s just in America where that’s not the case.”
As far as how ethnicities should be represented today, Benyaer is hopeful that the representations of ethnicities spans beyond more than just the character’s color or accent. “I think what we should see now are people of color that don’t have the accent of their ethnicity, like a character like Hadji with an American accent.” But, he is also glad that the number of ethnic characters on television have increased. “The quote that I said back in 1996 [about Hadji being one of few minority characters that wasn’t the bad guy]—fourteen years later, I’m glad it’s not true.”♦
I have seen Dragonball Z: Resurrection F! A big thanks goes out to Funimation for sending me an awesome press kit, complete with a Comic-Con exclusive Golden Frieza Funko figurine (among other goodies).
Synopsis (IMDB): One peaceful day on Earth, two remnants of Frieza’s army named Sorbet and Tagoma arrive searching for the Dragon Balls with the aim of reviving Frieza. They succeed, and Frieza subsequently seeks revenge on the Saiyans.
In case you didn’t know before, I am a HUGE Dragonball Z fan. Even with the existence of Mr. Popo. I have many opinions about Dragonball Z and its characters, so I was thrilled to get the opportunity to review Dragonball Z: Resurrection F. Let me start with what’s cool about Dragonball Z: Resurrection F:
Here’s a new series! If you have been following my “Queer Coded” series, this new set of articles,”Color Coded,” follows the same set-up; I discuss a character and how they’ve been coded by their makers, Hollywood, etc. to be a stand-in for something else. In the “Queer Coded” series, the characters were discussed in the realm of perceived queerness. In “Color Coded,” the characters mentioned will be discussed in terms of their perceived non-whiteness.
This series is also a fan suggestion! So if you have any suggestions for future series, feel free to tweet me, leave a message on the COLOR Facebook page, or email me at the address listed in the left sidebar.
With that said, let’s get on with the inaugural “Color Coded” post and discuss one of my favorite Thundercats, Panthro.
Ain’t no way you can argue that Wiggins and Ratcliffe aren’t the poster children for queer-coding in Hollywood.
Disney is making historic ground once again with their Princess line of merchandise and programming. Ground that should have been covered eons ago. But in any event, let’s congratulate Disney on introducing the first Latina princess to its roster. Hooray!