Crazy Rich Asians is one of the mos anticipated films of 2018, and fans have been eagerly collecting any and all news about the film, the first mainstream film featuring an all-Asian cast since 1993’s The Joy Luck Club. Now, fans have got the biggest scoop yet, and it’s all in the exclusive Entertainment Weekly Nov. 10 issue!
JUST ADD COLOR is excited to be able to showcase the exclusive Entertainment Weekly cover and key moments from the article, written by Entertainment Weekly’s Shirley Li.
Here’s a sneak peek at the article:
The film version of the bedazzling best-seller Crazy Rich Asians blazes onto the big screen next year, starring Henry Golding and Constance Wu. EW Correspondent Shirley Li goes behind the scenes of the ridiculously glam romance that’s about to sweep the Far East—and the Near West—off its feet.
This cinematic love story focuses on Rachel, an American-born Chinese, who has difficulty understanding the customs Nick’s family has followed for generations. “This is about a girl going somewhere that’s foreign to her, to really find out who she is,” explains Wu, who plays Rachel. “It’s just such a beautiful story, to show an Asian-American immigrant going back to Asia and finding the things that overlap and connect us all, things like family, things like love.”
Few Hollywood films have featured exclusively Asian principal casts since The Joy Luck Club pulled it off more than two decades ago. As the director behind the first one in many years, Jon M. Chu feels the importance of delivering a hit, “There’s the feeling that if you don’t make a great movie, then all of this is for nothing.” This is not Crazy Rich Asians Who Will Solve All of Hollywood’s Representation Problems, though. Chu says, “We needmany stories. We need another rom-com that’s totally different from Crazy Rich Asians. There just needs to be more.” Chu scrutinized audition tape after audition tape to ensure an exclusively Asian cast, combing nearly a thousand submissions resulting in a giant spreadsheet that looked something like an Asian IMDB. “I think we now have the deepest database of Asian actors that speak English in the world. It was worth it. The best thing we ever did on this movie was cast this cast.”
And while campaigns against the industry’s habit of “whitewashing”—i.e., casting white actors in ethnically Asian roles—have grown in recent years, the practice itself hasn’t ended. During one early meeting with one potential producer who wanted to adapt the novel, Kwan says he was even asked to reimagine his protagonist as a white woman. “I was like, ‘Well, you’ve missed the point completely,’ ” he recalls. “I said, ‘No, thank you.’ ”
Crazy Rich Asians comes to theaters August 17, 2018.
Ghost in the Shell and Dr. Strange are two of the latest in a litany of projects in Hollywood that have whitewashed and otherwise erased Asian identity from film. The films have been an issue for as much as a year in advance (or, in Ghost in the Shell’s case, longer) before their initial releases, meaning worry for the respective studios and mounting anger for fans and moviegoers who want an authentic and culturally respectful film experience.
Each film has its many problems, but to give a short overview of what’s plaguing these films, here are the bulleted points:
Ghost in the Shell
• Scarlett Johansson cast as Major Motoko Kusanagi (now just called “The Major” in the film, possibly the first clue that the film is not only wiping away the main character’s Japanese racial identity, but also the property’s inherent ties to Japan’s post-World War II tech boom).
•According to ScreenCrush’s source, Paramount allegedly hired visual fx company Lola VFX to create a Japanese filter for a character, probably Johansson’s Major. Paramount maintains that the fx filter was for a background character and never for the Major, but the fact remains that Paramount engaged in yellowface, regardless of who the character is.
• Sam Yoshiba, the director of Kodansha’s international business division (based in Tokyo), states that he’s fine with Johansson as The Major and that this is a great opportunity for a Japanese property to make it to the international (i.e. American) market. (which has rights to the Ghost in the Shell property). According to Kotaku, Yoshiba told The Hollywood Reporter, “Looking at her career so far, I think Scarlett Johansson is well cast. She has the cyberpunk feel. And we never imagined it would be a Japanese actress in the first place.” Yoshiba also told The Hollywood Reporter that “he was impressed by the respect being shown for the source material.”
• Max Landis, the screenwriter of American Ultra, released a video condemning the casting, but also states in his video (as reported by Entertainment Weekly), “The only reason to be upset about Scalrett Johansson being in Ghost in the Shell is if you don’t know how the movie industry works.” He also stated that outraged fans are “mad at the wrong people,” stating that the problem isn’t with parties such as Johansson, the studio or the director, but with the film industry itself. He also argues a point that many would disagree with—that there’s a dearth of big names in film. “As recently as about 10 years ago, there stopped being big stars,” he said. “There are fewer and fewer stars who mean anything.” Not true.
Meanwhile, the internet took matters into their own hands by fancasting Rinko Kikuchi, from Pacific Rim, as Kusanagi. What’s heavily ironic is that it seems like the costuming/hair department took direct inspiration from Kikuchi’s Pacific Rim character Mako Mori when designing The Major for the big screen.
How the Ghost in the Shell remake would have looked if Rinko Kikuchi was cast as Major Kusanagi (artist unknown) pic.twitter.com/f5sIPln4A3
— Samuel Dore (@Bursteardrum) April 18, 2016
• A video features Japanese participants talking about the Ghost in the Shell controversy. The throughline of the video is that the people interviewed don’t see a problem with Johansson as The Major. But now the video is being used by pro-Ghost in the Shell movie fans to denigrate those, particularly Asian Americans, who are against Johansson as The Major.
•Fresh Off the Boat actress Constance Wu invokes the term “blackface” when discussing the Ghost in the Shell casting controversy, making people upset.
The statement was made during a panel including Wu, Ming-Na Wen, Joan Chen, and Lynn Chen, moderated by Teddy Zee. “It was particularly heinous because they ran CGI tests to make her look Asian,” said Wu. “Some people call it ‘yellowface,’ but I say ‘the practice of balckface employed on Asians’ because that’s more evocative.” She also said the special effects tests “reduces our race and ethnicity to mere physical appearance, when our race and culture are so much deeper than how we look.”
Before the conference, Wen had tweeted about Johansson’s casting, writing, “Nothing against Scarlett Johansson. In fact, I’m a big fan. But everything against this Whitewashing of Asian role.”
• Tilda Swinton is cast as The Ancient One, originally a Tibetian character as well as an antiquated stereotype of an Asian mystic. Swinton was cast as a way to create a more updated, non-stereotypical version of the character, and while casting a woman is a unique decision for the character, the casting also erases the character’s original Asian roots. Check her out in the trailer:
(Personal commentary: aside from Swinton as a jarring Ancient One, hearing Benedict Cumberbatch with an nasally American accent is…upsetting.)
•Swinton tells Den of Geek that when she was approached to do the character, she was never told that she was playing an Asian man. “The script I was presented with did not feature an Asian man for me to play, so that was never a question when I was being asked to do it. It will all be revealed when you see the film, I think. There are very great reasons for us to feel very settled and confident with the decisions that were made.”
• C. Robert Cargill, the co-screenwriter for Dr. Strange, tells his friends, film reviewers and hosts of movie review/comedy show Double Toasted Korey Coleman and Martin Thomas, about the process he took in remaking The Ancient One. In his words, he didn’t want to offend China with a Tibetan character. (Discussion occurs around the 18 minute mark.)
However, Cargill later clarified his comments on Twitter, since his original comments suggest that he and Marvel were of the same mind about the Tibet-China situation. “CLARIFICATION: that interview answer going around was to a question from a fan specifically about MY JUSTIFICATION, not Marvel’s…FOR THE RECORD: no one at Marvel or with the film ever talked to me about China, so contrary to headlines, I didn’t confirm anything.”
Entertainment Weekly also states that the film version of The Ancient One is now based in Nepal, which makes it even more confusing as to why a non-Asian actress was chosen.
• Marvel releases a statement about their record of inclusion, obtained by PEOPLE.
“Marvel has a very strong record of diversity in its casting of films and regularly departs from stereotypes and source material to bring its MCU [Marvel Cinematic Universe] to life. The Ancient One is a title that is not exclusively held by any one character, but rather a moniker passed down through time, and in this particular film the embodiment is Celtic. We are very proud to have the enormously talented Tilda Swinton portray this unique and complex character alongside our richly diverse cast.”
One could say their statement features many fictional statements as far as their film universe goes, because the MCU is still not diverse enough in terms of race, gender, and sexuality.
These are a lot of moving parts, and there’s a lot to parse through. At first, I was going to write a post providing my point of view, but the more I thought about it, the more I felt like I, a black woman, might want to sit this one out. I’ve written on entertainment moves affecting Asian Americans before, but let’s be honest; I’m not Asian, and I’m not about to wade in any “honorary Asian” waters, especially with how nuanced the issues surrounding these films have become. Instead, I thought I’d ask some of my online buddies if I could interview them about their opinions on these films.
Keith Chow is the creator and head of The Nerds of Color, a site focusing on the nerdy side of entertainment, but from the perspective of POC and other marginalized peoples. Claire Lanay is the new weekend co-host of podcast Afronerd Radio and CEO of Renegade Nerd Entertainment. I was happy to interview them both via email and break down just what people needed to understand about the lack of foresight and sensitivity that went into the creation of the Ghost in the Shell and Dr. Strange movies.
What were your initial reactions to the casting of Tilda Swinton as The Ancient One and Scarlett Johansson as Kusanagi?
Chow: I think like most folks, I was disappointed but not surprised. It’s hard to believe that whitewashing is still considered acceptable practice in Hollywood, and these castings are no exception. But in light of the outrage (and lack of box office) that movies like Aloha and Gods of Egypt engendered, you’d think the studios would start taking the hint.
Lanay: Initially, I was mildly annoyed yet amused by Swinton’s casting as The Ancient One…I tried to play devil’s advocate and ask myself what discussions led to this outcome? Similar to the problems with the Mandarin in Iron Man 3, many of these comic book characters were created several decades ago and are inherently racist. Other properties were created as a result of cultural appropriation which has now become a recognizable trope in it of itself i.e. White guy learns the ways of the East, masters it in a day and is better suited to unlock the wisdom, magic and skills of these mystic teachings in a manner the savage natives never could – Iron Fist, anyone?
So why switch The Ancient One from a Tibetan man to a British woman? Could the reason have been that without including another female character, the film would look the way most movies, comic book or otherwise, do – a sausage fest? OK fine. Let’s make her a woman.
I half-jokingly tell my friends that Hollywood has an unspoken rule about not allowing more than one person per color per movie or TV show (if at all). On the rare occasions there is more than one person per color, they’re usually a minor/expendable character and therefore, the first to get killed off…Unless you’re Empire or Blackish, you can’t have more than one black character…Doctor Strange has Benedict Wong playing the servant. They have Chiwetel Ejiofor playing Baron Mordo. So, of course, they most certainly cannot have another POC playing the Ancient One. Heavens, no! Too many minorities! I may not like Hollywood’s twisted logic and how they conduct ethnic/gender musical chairs to feign balance or political correctness, but I’ve grown accustomed to it.
Now that they’re saying the reason why the character isn’t Tibetan is because it would piss off China… I’m right back to square one asking “WTF?” Here I was trying my hardest to understand their reasoning and then they go throwing me for a loop with their mental gymnastics in a weak attempt to rationalize whitewashing. Just because you don’t want the character to be Tibetan doesn’t mean the character cannot be Asian. Would The Ancient One originally have announced him/herself as Tibetan? If they’re so worried about making all that Chinese dough… why not make the character Chinese? Have him/her speak Mandarin. Have him/her walk around with a large neon sign that says “Made in China”.
They’re implying that in order to avoid offending other cultures, they have to erase them. Are they so lazy that they are not willing to put any thought into how they could modernize these POC characters for today’s audience?
As for Ghost in the Shell, here are some thoughts I had in regards to Max Landis’ comments:
To make a blanket statement that there are no Asian A-List actors, well yeah, if Asians are not even allowed to play Asian, then I don’t see how it would be possible for them to be visible enough to become A-list. That’s not by accident, that’s by design.
The other thing that was mentioned was that there are no Asian actors capable of getting a movie greenlit… See the highlighted movies on this list [in this article’s inset]. [Most] fail, flop, bomb. Yet, nothing changes. I’m starting to wonder if they ever will…Scarlett Johansson is playing a character named Motoko Kusanagi. It baffles my mind that there are people who don’t see this as offensive.
Marvel has had a long-standing issue with casting for a certain demo; i.e. casting all male leads except for the Black Panther as a white male (even more specifically, a white male with either dark or blonde hair and a “dudebro”-ish attitude, even if the character wasn’t originally written that way). Marvel has no Asian superheroes, and the chance they could have had to give representation, with Iron Fist, was missed [for more information on Iron Fist and the lack of Asian representation, visit The Nerds of Color and Twitter hashtag #AAIronFist]. With that said, how do you feel Marvel should have tackled The Ancient One?
Chow: The problem is that Marvel, like a lot of people, assume whiteness is the default. So when they encounter tricky ethnic characters (i.e., stereotypes) like the Mandarin or the Ancient One, their solution is to remove that character’s race and think they’re doing us a favor. I said this during the whole #AAIronFist thing, but the way you deal with negative racial stereotypes isn’t to erase race from the equation, just write the character better. In the case of the Ancient One, just make the character not one-dimensional, and he/she could still have been Asian.
I guarantee an actress of Tilda Swinton’s caliber would not have taken the role if it was one-note. So why not afford that opportunity to an actress of color? Better yet, if you had to racebend Ancient One (for fear of Chinese censors or whatever) then don’t cast Benedict Cumberbatch as Doctor Strange! Can you imagine someone like Sendhil Ramamurthy or Naveen Andrews in the role? Hell, I would have been happy with Keanu Reeves (who was rumored). But they cast the whitest man in the world? Come on now.
Lanay: Wasn’t anybody out there the least bit curious as to what George Takei could have done with The Ancient One? Ken Watanabe? Chow Yun-Fat?…How about Michelle Yeoh? Joan Chen? Gong Li? Bai Ling?
I’ve had so many heated debates and arguments with people about Iron Fist. The argument for keeping Danny Rand white is that “it’s what the author intended for how that character’s story should be told”. According to that logic, we should stay 100 percent true to the original cannon and lore even if that means 80-plus years of American comic book history has primarily only given us white male leading characters as the hero and a handful of female/POC characters seen mostly as sidekicks, background or filler.
Recall, if you will, Michelle Rodriguez’s comments after Michael B. Jordan was cast as Human Torch and Jason Momoa was cast as Aquaman – “Stop stealing the white people’s characters and make some of your own”. As if no one has tried? Even if I understood why it’s bemoaned when a POC is cast as a character originally envisioned as white, why is it ok to “steal” our characters who were specifically created to be of color?
As much as I like and respect Marvel, I am truly disheartened by their approach to this issue. They rather avoid it than face it head on. For a company whose brand is kick-assery and bravery, this looks cowardly. Am I surprised? No. Disappointed? Yes. Captain America: Civil War will be their 14th film and only now are they barely getting Black Panther and Captain Marvel on the film schedule.
I will say that they do seem to be putting in a concerted effort on the TV side. Agents of S.H.I.E.L.D. has the wonderful Ming-Na Wen as Melinda May and Chloe Bennet’s Daisy Johnson (nee Skye) has addressed her bi-racial parentage. I’m pleased to see that has been acknowledged since other hapa actresses such as Kristin Kreuk have played fully white characters on shows like Smallville.
Dr. Strange, as a comic book series, draws its inspiration from the 1930s radio series Chandu the Magician, which also features a white man receiving mystic instruction from an Asian teacher, this time an Indian yogi. With all of the stereotypical Asian mysticism Dr. Strange is based in, how do you feel the film should have been approached (despite the fact that we haven’t seen the full movie)? With Benedict Cumberbatch playing Dr. Strange and set pictures featuring non-Asian actors in Asian locations and in Tibetian monk-esque clothes, how do you feel about the appropriation factor of the film?
Chow: It’s the same problem with Iron Fist, Doctor Strange is another example of the white man goes to the Orient for enlightenment trope. It’s so obvious that people’s reaction to the trailer was “Didn’t we already see this in Batman Begins? And I’d answer, yeah, you’ve seen it in every movie! At this point, Hollywood should start casting more POC leads just to stand out from the pack. Studies have already proven those films make more money anyway. But Strange and Iron Fist and even Daredevil prove Hollywood only thinks of Asians as set decoration and not human beings.
Lanay: I do not deny they have a very talented roster. I’m a Sherlock fan, so I don’t doubt Cumberbatch will bring something interesting to the role. Tilda Swinton also played a role originally meant for a male in the movie Snowpiercer. Her bizarre character was in no way defined by gender or race regardless of the fact the movie was directed by a Korean or that the story was based on a French graphic novel. Swinton’s look is androgynous, unique and has always benefited her with sci-fi roles. For all we know, she’ll be utterly fascinating to watch in Doctor Strange.
As for them playing dress up in monk-esque attire? Appropriation is unavoidable. I’ll say this – I have a problem with folks using all of my toys but not allowing me to play with them.
Swinton has come out and said that the way she was approached for the role was never under the guise that she was playing an Asian man and that she’s confident in how she’s portrayed the character in the film. How do you feel about her statement? Also, what do you think about the compounded problem Marvel has created by whitewashing a character, yet adding diversity by making the character a woman?
Chow: It could have been a woman of color. Just because they gender bent the character doesn’t give them a pass if they’re still being racist. If they were going to change the character, and not make him “Asian,” then what’s with all the orientalism in the setting? Even then, it’s still wrong because they’ve taken yet another POC character and erased him from existence.
That goes back to what I said earlier, she may not be “playing Asian” but that doesn’t mean they didn’t whitewash the character. They still took an originally Asian character and bent over backwards to come up with a reason for why said character had to be played by a white person. This is the double standard that’s the most frustrating. When I called for an Asian American actor to play Danny Rand, I had to come up with every justifiable reason for the suggestion, how an Asian American would not alter the character whatsoever. But white folks are like “just shave your head, it’s all good.”
|Hollywood’s History of Whitewashed Asian Films (as provided by Claire Lanay)|
Ghost in the Shell is, as Jon Tsuei has written on Twitter, an inherently Japanese story, but now the history is probably getting taken out of the film. Do you think the film is on the path of ignoring some of the historical and cultural elements that makes Ghost in the Shell as provocative as it is?
Lanay: If that’s the case, then why call it Ghost in the Shell? If you’re going to remove the character’s backstory and culture, then call it something else. At least Tom Cruise and Doug Liman understood that when they were making ‘Edge of Tomorrow’. It was an American adaptation of Hiroshi Sakurazaka’s All You Need is Kill. They weren’t going to be idiots and keep the same title, the same character names and the same history. Would you buy Tom Cruise playing a character named Keiji Kiriya?
The publisher of Kodansha has stated that he sees nothing wrong with Johansson playing Kusanagi, and quite a few Japanese movie goers have expressed the opinion of not going to see the movie anyway. What does this tell you about how the international market, particularly the Asian market, might accept or reject this film?
Chow: The way we view and discuss race in America is very different than how people in other countries view and discuss race. Japan has its own issues with how it views race and ethnicity that is irrelevant to Asian Americans in America.
To be blunt, folks in Japan or China might flock to the movie. Who knows? But that isn’t the problem. My advocating for Asian American actors has nothing to do with Chinese moviegoers, to be honest. China has its own movie industry with its own stars. There are a billion and a half Chinese people in the world. In China, “representation” of Chinese faces isn’t an issue. That is not what’s happening here, however. We [in America] have to move away from this idea that Asians in America are all foreign. Going back to Iron Fist, the whole gist of my original essay was to prove that we too are American. Why does “westernizing” something automatically require casting white people? This is the question I want people to ask themselves.
Lanay: The reason why a lot of folks in Japan are not upset about Johansson’s casting in Ghost in the Shell is because they already have their own media infrastructure. They already have their own, actors, singers, dancers, writers, producers, directors. They already have their own content made for them by them. So they don’t really care about one movie with one white actress. In this country, Hollywood gives us less than a handful of opportunities to see ourselves represented in movies and television, so of course we’re clamoring for whatever crumbs and scraps are tossed our way. The rest of the world soaks up our content, but we don’t promote or watch content from the rest of the world. That makes seeing diversity in American media all the more important to POC in this country because it’s such a rarity.
Do I think it’ll do as well as Lucy? Doubtful. Do I think a Black Widow movie would be the better option for Johansson? Absolutely! She’s not hard up for cash or some struggling actress trying to make her big break. She didn’t have to say yes to Ghost in the Shell.
I want to see Doctor Strange. Controversy aside, I am a fan of Benedict Cumberbatch, Tilda Swinton and Chiwetel Ejiofor. I’ll take a look at Iron Fist since I’ve enjoyed watching Daredevil and Jessica Jones. Even though the nasty discourse has left a bad taste in my mouth, I’m very curious to see how they build towards The Defenders. Can’t wait to see Luke Cage! Will I watch Ghost in the Shell? Nah, I’ll be skipping that one.
Recently, several actresses of Asian descent have called The Major “blackface,” launching another layer to the outrage. Do you think about the controversy over calling such casting “blackface,” despite the term “yellowface” in existence?
Chow: Yeah, I cringed when I saw that report. I in no way condone the analogy, primarily because yellowface is an offensive and racist enough practice on its own — but I get why Constance felt she had to make it. One of the problems is that most people think race in America is binary. This has always been part of the struggle for Asian Americans when discussing race in that context.
Often in matters of race, Asian Americans are only perceived depending on their relation to whiteness or blackness. But I don’t think that excuses co-opting black struggle to make a point. I think as a community we have to be mindful about how we coalition build and support one another without being anti-black in the process. This is why the backlash against #OscarsSoWhite was disheartening. This was an example of a pan-ethnic protest against the industry’s overwhelming whiteness, but for whatever reason non-black POCs thought their issues were being ignored. It didn’t help that during the telecast aired, Asians were still openly mocked.
So I understand the frustration and feeling like you’re invisible. But we shouldn’t criticize others for not standing up for us if we don’t first stand up for ourselves. This is why I’m working with Ellen Oh (of #WeNeedDiverseBooks fame) to launch a campaign to bring even more attention to the racist practice of whitewashing. We’ll be attempting to take to social media on May 3 with the hashtag #WhitewashedOUT. I’ll have more details on that soon[click here for that information].
Lanay: As someone who was fortunate enough to grow up with friends and influences of all backgrounds… As someone who has so much love and respect for the African American community… As someone who is deeply proud to call many intelligent, creative, beautiful Black people my friends… I’m very troubled by Constance Wu’s choice to use the term “blackface” over the term “yellowface” in regards to what we’re discussing here. She specifically said “blackface” because she thought it would be more “evocative”.
While I fully appreciate the outrage towards her comments, I have some idea of where she’s coming from. During the Oscars telecast, Chris Rock did a fine job of addressing the #OscarsSoWhite elephant in the room. So all the more reason people in the Asian community were upset and insulted by three little Asian kids being paraded on stage to make fun of their own kind. Can’t forget Sacha Baron Cohen’s “little yellow people with the tiny dicks” joke.
While I deem her tone to be a little aggressive or hostile, I can understand why Wu and many others were incensed by these jokes during a show that was basically hammering diversity down people’s throats. Yes, there were no Black nominees. There were no Hispanic, Asian, Native American, Disabled, or LGBT ones either (as far as I know).
…When I came across the “blackface” comment, my first thought was: “Why all of the sudden, are Asians getting angry now? Why weren’t they speaking out and standing up when we were getting disrespected or excluded before?” I was starting to feel like I was the only Asian-American who gave a damn. Why are the rest of them so late to the party?
…I’m bothered by Wu’s comments because it reinforces the divide amongst POC. We should be working together. It’s bad enough that we keep falling into the trap of begging Hollywood for a seat at the table and trying to convince white people of our worth without us turning on each other too.
What do you want Hollywood to learn from these casting debacles?
Chow: Mainly that white people are not the only people in the world. I wan the studios to understand that having non-white people in a movie can actually be a good thing. But mostly, I want there to be more opportunity for actors of color.
Lanay: The studio executives don’t view these decisions as debacles. They’re not listening. They don’t care. They wanted to cast name-actors, so they did. White is the standard of beauty. White is the grade for which excellence is measured. White is the default setting. Anything outside of that is seen as an abnormality.
Rinko Kikuchi is an academy award-nominated actress for her role in Babel. She’s already in the nerd-sphere starring in projects like Pacific Rim. Tao Okamoto is a supermodel in Japan. She was in The Wolverine and Batman v Superman: Dawn of Justice. I bet you anything, these women weren’t even considered. I bet you no Asian actress was considered for Ghost in the Shell.
There have been plenty of white-starred movies that have failed. There have been plenty of diverse-starred movies that have succeeded. Hollywood learns nothing. The outliers who take risks and go against conventional wisdom are the ones who will instill change… eventually. I hope I’m still around to see that change. Scratch that. I am going to be part of that change. ♦
The controversy surrounding these films are needed, and the conversations they’re starting are necessary. If Hollywood is really going to put their money where their mouth is when it comes to proper representation, two of the first places to start are finally ending the practices whitewashing and yellowface. When a group of people grow up hardly ever seeing themselves on-screen, that causes serious psychological, social, and cultural repercussions. Ending these practices and representing people fairly on-screen would allow for everyone to feel accepted and like they are a valued part of America. Lanay states this point best:
“For a long time, I hated being Asian. I hated the way I looked. I hated not getting the auditions I wanted. I hated not being taken seriously. My mother would always tell me not to make waves. With all due respect – F*ck that sh*t! I’m making some damn waves! Nobody should feel like they were born in the wrong skin. Nobody should feel ashamed for being what they are.”
Other articles to check out:
N.O.C. One-Shot: Whitewashing in Black and Yellow| The Nerds of Color
Some Thoughts on Scarlett Johansson in Ghost in the Shell|The Nerds of Color
What a Shitty Week to be an Asian American Woman in Hollywood|The Nerds of Color
Why Won’t Hollywood Cast Asian Actors?|New York Times
It would make sense to make Constance Wu my WOC Wednesday honoree, since I’ve mentioned plenty of times how I’ve seen many similarities between her portrayal of Jessica Huang and my mom.
Synopsis (ABC): It’s the 90s and 12 year old, hip-hop loving Eddie (Hudson Yang) just moved to suburban Orlando from DC’s Chinatown with his parents (Randall Park and Constance Wu). It’s culture shock for his immigrant family in this comedy about pursuing the American Dream. “Fresh Off the Boat” is based on Chef Eddie Huang’s memoir Fresh Off the Boat.
“Fresh Off the Boat” is executive produced and written by Nahnatchka Kahn and executive produced by Jake Kasdan.
Starring: Hudson Yang (Eddie), Randall Park (Louis), Constance Wu (Jessica), Forrest Wheeler (Emery) and Ian Chen (Evan)