Tag Archives: Josie

“Riverdale” recap: Now, a warning

Pictured (Front L-R): Tiera Skovbye as Polly Cooper, Lili Reinhart as Betty Cooper, (Back L-): Nathalie Boltt as Penelope Blossom, Hayley Law as Valerie, Asha Bromfield as Melody, Camila Mendes as Veronica Lodge, and Madelaine Petsch as Cheryl Blossom — (Dean Buscher/The CW)

Riverdale Season 1 | Episode 8 | “The Outsiders” | Aired March 30, 2017

AAAAAUUUUGGGHHH!!!!

Yes, this is how I feel right now about Riverdale, and all of that got bottled up and compacted into this particular episode. Yes, Polly had her baby shower, she’s moved in with the Blossoms, Archie and Betty found out that Jughead’s dad is a Serpent, Kevin’s Serpent boyfriend Joaquin is having second thoughts about deceiving him, etc., etc. Now, let’s get to what really needs to be discussed: JUST WHERE IS THIS SHOW HEADING?! 

I feel like this show is treating us like how Lisle Von Rhuman treated Madeline Ashton in Death Becomes HerRiverdale is teasing us with a show beyond our wildest imaginations–inclusion, diversity, a fresh take on Archie and the gang, etc.–and it gives us what we think we want. But then, it comes back to us and says, “Now, a warning.” To which we say, like Madeline, “NOW a warning?!” For us, that warning would have been that the show would begin to lose its way and forget what made its characters great and, indeed, avatars for those who didn’t feel included in their everyday lives.

First of all, I feel like, and have always felt like, Riverdale has the potential to be amazing. There’s so much raw stuff inherent in the Archie Comics canon and it’s so frustrating to see how little the show is using what it could use. Instead, it’s pulling from every kind of pop culture reference from the past 30 years to show it’s “smart” and “edgy” and “hip.” And yet, it still comes off as dated and try-hard.

I think Emily Nussbaum hit the nail on the head in her review of the show for The New Yorker, “Archie’s and Veronica’s Misconceived Return to Riverdale,” in which she eviscerates the show for the reasons presented above. To quote her:

“…[S]even episodes in, it’s devolved into dull cosplay bracketed by bogus profundity. Betty and Veronica don kink-wear and roofie Chuck Clayton, a slut-shaming football player. The girls’ tart-tongued gay bestie, Kevin (a character from the new version of the comic strip), seduces a bi-curious Moose. Archie, when not working out shirtless, pursues a songwriting career. “Your songs,” a critical music professor sneers at him. “They’re juvenile. They’re repetitive.” That’s true of ‘Riverdale,’ too, but the show clearly knows it and doesn’t care. Every time a plot feels corny or prurient or preachy, there’s an acknowledgment in the dialogue. It gets exhausting, like hanging out with someone who keeps saying, ‘God, I’m such a nightmare!'”

It’s like the show desperately wants to prove that it’s new and fresh. “This isn’t your mom’s Archie!” is what it wants to say. But it’s consistently showing that it’s a a show that doesn’t realize that teenagers, in general, don’t talk in decades-old references, which makes it seem like this is a show actually for older Archie fans who recognize all of these references from their own childhoods. As Nussbaum said, the show brings up Lolita, Rebel without a Cause, Wild Things, Gossip Girl, Beverly Hills 90210, Pretty in Pink, Faster, Pussycat! Kill! Kill, and plenty of others they off-handedly mention in snarky asides. Like, what do you actually want to be, show! Are you for the young kids or are you for 30-year-olds? Make up your mind!

I have been growing frustrated by the plot becoming a spinning-of-the-wheels type situation. Jason’s killer is no closer to being found, and clues seem to keep simultaneously popping up and disappearing at the same doggone time. At this point, I’m not sure if I’ll even be shocked when I find out who the killer is because I’m just so bored with the whole procedural element. Again with the references, with the murder mystery itself, the show is trying to be Twin Peaks, another reference for someone much older than the target audience. But, if the show is trying to pull a Twin Peaks-ian surrealist-fest, then when are we actually going to get into the surrealism? Again, Archie Comics has tons of surrealist moments, and that’s not even counting the amount of side-universes they have. Surrealism could come in the form of simply introducing Sabrina, a teen witch who often wants to use her powers for good, but usually ends up messing things up and has to right everything back to how it was. Sabrina could come into town, learn about the murder mystery and, after becoming friends with Cheryl and learning of her sadness, reverse time so that Jason is still alive. That could also be a good opportunity to introduce Afterlife with Archie at this moment, since Jason would be, in a way, undead. There’s your second season.

Or, the show could become a true deconstruction of the idea of classic Americana, something it was billed as being but hasn’t truly delivered on yet. Instead of having Jughead tell us that’s what the show is every week in his voice overs, we could actually see some depth of character and real explorations of race, class, gender, sexuality, and anything else that could use a thorough prodding. I’d say that if Riverdale wanted to take notes from a show doing that right now, it’d be Atlanta. This show, like Riverdale, uses the backdrop of a well-known city to explore the underpinnings of American society and culture, and it does so in a specific, tailored way. It doesn’t have to prove to the audience that it’s “edgy”–it shows its edginess in each episode by delivering on its synopsis each week.

If any place needed a deconstruction, it would be a fictional town like Riverdale, which has stood as a the center for clean-cut “American” life, which usually means white life. With much of the cast race-bent, this would have been a great opportunity to see just how destructive and soul-wrenching it can be to live in a town in which you’re the minority (which, in turn, provides context for the larger conversation about living in a country which still harbors racism against you). We could see how some folks in the football stands might be surprised to see Reggie as the captain of the team. Or, there could be some townspeople who resent that Mayor McCoy won over the white candidate (something the character actually brings up in an episode). Or, we could get more insight into the life of Moose, who doesn’t yet have the courage to live his life as an out gay young man due to fear, pressure to be “manly” or what have you. We definitely could have used Chuck, Josie, and Trev to explore life for black kids in a majority-white town.

Pictured (L-R): Cole Sprouse as Jughead Jones, Lili Reinhart as Betty Cooper, KJ Apa as Archie Andrews, and Camila Mendes as Veronica Lodge (Dean Buscher/The CW)

I write about this in my piece for Ebony, “Riverdale’s Woke Report Card: Does the Drama Get Its Black Characters Right?”. I give the show a passing grade, ultimately, but I still write about how the show really needs to do better by its black characters.

“Out of the Pussycats, Josie is the one who has been given the most screen time; Valerie has only just now started coming up the ranks, but only because of her relationship with Archie. Meanwhile, Melody still hasn’t spoken more than two words during the run of the series and Pop Tate and Mr. Weatherbee may have been racebent, but they also don’t say much either—and in the case of Pop Tate specifically, nothing at all. Pop Tate is a conundrum; even though it’s great to see more representation on screen, it’s also puzzling as to why he has to be characterized as a silent, kindly butler of sorts, even though he’s the owner of the teen hangout, The Chocklit Shoppe. Basically, Riverdale’s Pop Tate reminds me too much of Uncle Ben, and I don’t like it.”

The show proved my point once again by making Valerie merely a sounding board for Archie this episode. She had three lines, and not one of them was about her point of view or her opinion on the matter of Archie’s dad being driven to near bankruptcy. Instead, her lines were there just so Archie could say he was going to go after the Serpents, as well as to give the appearance that they’re in a loving, stable relationship (which we see in the previews for next week that that might not be the case after all). The next time we see Valerie, she and Melody are at Polly’s baby shower, saying nothing.

If the show wants to be actually inclusive, the least it could do is not make its brown and black characters set dressing or talking props. The most it could do is not create a problematic plotpoint of a black boy in handcuffs at the mercy of a white girl who is acting out a revenge fantasy. 

Also for diversity, the show could do well to actually eliminate Bughead and reinstate Jughead as an aromatic, asexual boy, since that’s what he actually is.

Comics Alliance’s Andrew Wheeler wrote “Jughead, Bughead, and the Need for Asexual & Aromantic Heroes in Comics” to point out just how demoralizing Riverdale‘s asexual erasure is (and how it flies in the face of their “inclusion” standpoint).

Wheeler interviewed colorist Sigi Ironmonger  (a grey-asexual nonbinary trans-man); webcomic creator Sarah “Neila” Elkins, (romantic asexual), webcomic creator Jayelle Anderson (demisexual) and literature student LuciAce (aroace) about their opinions on Jughead in the comics and in Riverdale. They mentioned how important it is to have asexual representation in the media, especially for young kids still figuring out who they are. As Elkins said:

“To me it’s important because, growing up, I didn’t know it was a possibility to be asexual. I thought there was something wrong with me that I wasn’t interested in the idea of having sex like other girls my age. Friends called me a ‘prude.’ These were good friends of mine, friends who were also queer, that didn’t know that asexuality is a queer identity. Even among the ‘weird kids’ I was the odd one out.

I think if there was more representation (or any) of asexual and aromantic characters in comics as well as other books aimed at young readers, and other media, that my friends, and myself, would have known I wasn’t broken or weird. I didn’t learn about asexuality as an orientation until I was out of college. I stumbled across it online and thought, “Oh, wow! That’s what I am! This makes so much sense!” I don’t want anyone else to have to go through that, so I write asexual characters in my stuff. I hope to write something in the future, be it a comic or a novel, that’s aimed at younger readers.”

They also discussed how disheartening it was to see Jughead and Betty actually become an item, erasing the canonical asexuality the character had before (and, as far as I’m concerned, has always had). To quote Ironmonger, Elkins, Anderson and LuciAce:

Ironmonger: “Honestly, as soon as I heard about the erasure, I’ve steered clear of the show, so I can’t speak of the storyline at all. I don’t watch a lot of TV as it is and I don’t feel like prioritizing something like that, you know? I don’t really understand a decision like that and I can’t stand shoe-horned relationships of any kind but especially at the expense of LGBTQ+ ones.”

Elkins: “I really had my hopes up about that show before it came out. I was so hopeful I know I dismissed friends who said “you know they’re just gonna screw it up, right?” My friends were right. They announced online that Jughead in Riverdale “wouldn’t be asexual” and that he’d “totally want sex” or something like that. It deflated the big hope balloon I had clung onto that we’d finally have some representation on TV in a show aimed at younger viewers. It was crushing. I can’t even bring myself to look at the commercials for the show. Each time I hear the music for them I mute the TV or change the channel.”

Anderson: “Getting rid of this trait in Jughead for the television show just perpetuates the cycle of normalizing often hypersexual behavior that doesn’t fit everyone’s life. Sometimes young people’s only role model are the characters they see on television, so it is important to show that asexuality is a thing, too.”

LuciAce: “I’m really angry about the way they’re handling things. Having aroace representation on TV would have been huge, and instead, they… made him straight? Because apparently there aren’t enough allo straight characters on TV yet. I’ve never seen a character like myself on TV, and I would have been a die-hard fan of the show if they’d kept Jughead aroace and touch-averse like he is in the comics. As it is, the show just makes me furious and sad.”

The show seems to have an understanding of just how offensive Betty and Jughead as an item are, which seems evident in how they are doubling-down on shoving it down our throats (or so it seems, since the episodes have been filmed months before now). Having Jughead and Betty kiss in almost every scene seems and feels unnatural, just like how it felt unnatural when writers would try to give Jughead an interest in girls in certain comic book issues. Jughead’s characterization just isn’t one in which he’s a guy who is interested in the opposite or same sex like that, and that’s perfectly fine and normal. However, the show’s insistence on making him straight and sexual feels like a very 20th century thing to do. If we’re in an age where Kevin Keller can be proudly out as a gay teen, then we should also be in the age where Jughead can be proudly out an asexual aromantic teen. Teens in general, regardless of sexuality, shouldn’t be made to feel like they have to be in a relationship to be normal.

Pictured (L-R): Lili Reinhart as Betty Cooper and Cole Sprouse as Jughead Jones (Dean Buscher/The CW)

The last grievance I have is about that twist of a plotpoint with Hal Cooper, who apparently forced Alice Cooper to have an abortion. ¿¿Qué??

Why, what when and where did this plotpoint have to come up? Why have we had such little to show for Hal’s characterization until now? I know we had that part where he told Betty that Polly was with the Sisters for whatever dire reason they have, but I wish we had gotten the sense that Hal was a total abusive husband way before now. If that had been built up from the very beginning, that would have been really interesting and it would have given us more reason to try to understand Alice until this very episode. We would already know why she acted like someone driven to desperation–it’s because she’s been brainwashed by her husband’s fruitless demand for perfection from his family.

I guess what I’m getting at ultimately with this point is that for this to be a dramatic show about a murder, there are literally no dramatic stakes coming out of these characters. Yeah, we get it every once and a while, like with Jughead confronting his father and still trying to find some hope in his heart for him, and Cheryl coming to grips with her brother’s death. But the show is quickly losing the plot of both what it wants to say and who these characters are. The reason we have connected with these characters for 50+ years is because of their relatable cores. We all know some hapless goof like Archie, who is a great friend, but is endearingly clumsy (and sometimes emotionally tacky) all other areas of his life. We know someone like Jughead, who is so cool and interesting, yet they’re so enigmatic, you feel you know nothing about them. Veronica is definitely that person that many of us wish we could be–cool, rich, and a boy magnet–while Betty is who we feel we are at the present moment–the girl or boy next door, nice, loyal, but just “regular.” Their strengths and flaws are what make them so much fun, and either you see yourself or you see your best version of yourself in these characters. Right now, I’m not seeing anyone I relate to anymore. I was seeing it at the beginning of Riverdale, but now, as Nussbaum points out, all we’re getting is some great cosplay without the real commitment.

I’ll say that the only person in the main cast who feels like they are with their character in spirit is Cole Sprouse. Not too many of the main cast have read the comic books back to front, but Sprouse has said in many interviews how he studied his source material and, in so many words, came in with a gameplan as to how to approach Jughead from a position that would remain true to the character. However, the show itself is limiting him from actually playing Jughead the way he truly wants to play Jughead, I feel. While the powers that be want Jughead to be a sexual being, Sprouse has been advocating for Jughead to be canonically asexual, as he is in the comics. However, the powers that be aren’t hearing him, and it’s a shame, since not listening to the actor who knows the character is what could actually make this show a whole lot better and definitely a whole lot more interesting.

In short, I hope the show quits trying to prove that “It Goes There” like Degrassi and actually goes there. If this is going to be a teen murder mystery, then by all means, up the murder, up the mystery, and definitely up the characterizations, plots, and respect for the differences in others.

What’s in the cards for Riverdale’s Reggie, Josie and The Pussycats?

(From left) Ross Butler, Ashleigh Murray as Josie. (Ross Butler Twitter, CW)

If there are a couple of characters I’m super intrigued about (aside from my fav Jughead), it’s Reggie, Josie and her band The Pussycats. I feel there’s a lot of potential with these characters; the only question is if that potential will be mined to its fullest extent.

You might be asking, in the words of 1970s-era Violet Beauregarde, “What’s so fab about it?” What’s so great about Reggie and the Pussycats? A lot of stuff is great about them! Let’s look at the characters separately.

Reggie

Reggie and the crew (including Chuck Clayton) are chillaxing while being douches. Except for Veronica. (Screencap/Ross Butler Twitter)

Reggie, played by Ross Butler, is one of the game-changing characters on the show, or, potentially game-changing characters on the show if Reggie ever gets fleshed out.

What makes him so game-changing is that he’s been cast as an actor with Asian heritage. In one of the few times in television, there’s been an active instance of going against the Asian male stereotype.

Butler talked a lot about his groundbreaking role in Riverdale and several other roles on his resume that have defied stereotypes in an interview with Refinery 29. Some key points of the interview:

There’s a lack of Asian representation on TV, which is slowly changing. As an Asian-American actor, have you faced any particular challenges?

“This is something that has been a core [part] of me as an actor, ever since I [became one]. We’re a very underrepresented population in Hollywood, but we are the majority population of the world. It’s a weird dichotomy that we have here. It’s starting to get better and we are starting to see more Asians in roles, but we’re not seeing a lot of Asians playing roles [that are] not specifically written for Asians. So when I first started out, I was being sent on auditions for “the geek,” “the techie.” Let’s be honest guys, I don’t look like a techie [laughs].

“I told my agents, ‘Don’t send me out for [roles written for Asian actors].’ For a while, I didn’t get any auditions, or I’d get very few… But then I started to pick up momentum and started booking roles that weren’t [necessarily written for] Asian actors. For K.C. Undercover, my role wasn’t written for an Asian actor, and I was the only Asian in the audition room. That’s a trend I see today, when I go out for non-Asian roles: I’ll be one of the only Asian people in the room, if not the only one.”

Now you play a football player!
“When I was a kid, there wasn’t an Asian-American Ryan Gosling, or an Asian-American Robert Downey Jr. that you would look up to… Now, [on Riverdale] I play kind of a jerky football player, and on Thirteen Reasons Why I play a nice basketball player who does a bad thing, and on Teen Wolf I played a lacrosse player. Asians can be athletic, we don’t have to fit into this image that [the media] has for [us]. Booking these roles that aren’t necessarily [for Asian actors] is something I’m proud of and, hopefully, will keep doing.”

Can you tease a little bit about your character in Netflix’s Thirteen Reasons Why?
“I play Zach Dempsey, who is a basketball player, one of the jocks… He’s a guy’s guy, he fits in with all the guys, he’s one of the bros. What I’ll say about him is that he isn’t what you expect him to be. He is a jock, but he has a depth to him that you wouldn’t necessarily associate with a jock that hangs out in the popular group. He isn’t as smart as the other kids, but he has a sensitive side to him. How that ties in… you guys will have to see.”

In short, Reggie is very much needed on TV. However, when will Reggie be fleshed out from just being what he is now, which is a cardboard cutout of a jock? Coming back to this later.

Josie and The Pussycats

Ashleigh Murray as Josie in the pilot episode of “Riverdale.” (Katie Yu/The CW)

Again, Josie and the Pussycats represent a conscious effort to diversify the world of Riverdale. In the show, Josie and the Pussycats are a group made up of three black girls instead of the original version, which only features Valerie as the only person of color in the group.

The decision to make Josie and the Pussycats all black wasn’t just to give the cast more diversity for diversity’s sake; racial privilege (or lack thereof) is addressed in the third episode of Riverdale, when Josie schools Archie on how her and her Pussycats have to “claw their way” to the top of the charts while Archie could waltz into any recording studio and get catered to (being forced to work twice as hard and “claw” their own path to the top is why they’ve called themselves “Pussycats,” after all).

Actress Ashleigh Murray has complete faith in the show’s creative team when it comes to Josie’s storyline as she told ComicBook.com:

“I’m a huge admirer of them,” Murray said of the current creative team on the comics. “I read their interviews about the launch of the comic and it really put me at ease. Everything that they believe and see Josie to be is exactly what I’ve been saying about her myself. It gives me peace of mind that how I view her and how I believe her to be and the role model that I think she is and can continue to be for a lot of young people is represented right on the money.”

And she sees a lot of herself in Josie, as she told Yahoo.com:

I have a lot of similarities to Josie, which is why I enjoy playing her. She’s who I wish I was in high school. I was perseverant and headstrong, but I didn’t think I was quite as brave as Josie is. I have this image of her in my mind, and it’s adjectives about who she is rather than who she sounds like. It’s about who she wants to be and how she wants people to see her.

Also, even though she told Yahoo.com that a “duet” is in the future for Archie and Josie, she’s not keen on Josie becoming romantically interested in Archie. Instead, she’s got another person in mind.

[On if she’d want the writers to hook Josie and Archie up] Oh my god, no! [Laughs] I would be so shocked. People ask me if it’s going to be Archie and Josie together, and I go, “Ewww.” But just watch, by the fifth episode of Season 2, Archie’s going to be flirting with Josie, she’s going to be about it, and I’m going to be like, “What the hell is going on?”

Could she be talking about Reggie? Murray’s tweet seems to suggest that she’d like for her character and Butler’s character to hook up.

If so, that would be killer. It’d be yet another great moment for diversity; we rarely see black women/Asian men pairings on television, and if Josie and Reggie get together, then it’ll be something fantastic to see.

 

Worries

Now for my worries. All of which can be condensed to one sentence:

Will Reggie and Josie and her girls be fleshed out???

Look, I know we’re just in the beginning stages of this season, but I’d like to know if these characters are going to become actual characters instead of background. For instance, will Josie and the Pussycats become less of a Greek Chorus-type situation and become more integrated characters? In the Yahoo interview above, Murray revealed that Josie won’t be involved in the mystery surrounding Jason, but she’s still got to be involved in some of the other storylines, right? And by “involved,” I mean in a much more well-rounded way than just in relation to her music. And as I said in my Chuck Clayton article, there are more black girls in Riverdale, right?

Also, I’m well aware that Butler s currently filming another show, Netflix’s Thirteen Reasons Why, so he probably didn’t have a lot of time to be on set, much less become fully integrated as a character until filming Thirteen Reasons Why is over. However, if he was promised to have a bigger role towards the end of Season 1 and/or Season 2 (if we get a second season, that is), then will he finally become part of the mystery? I’m just anxious to see more of Reggie since Reggie actually is part of the main cast.

What do you think about Reggie and Josie and the Pussycats? Give your opinions in the comments section below!

CW’s “Riverdale” Takes Archie Comics Out of the 1940s

As you will see in a few days on JUST ADD COLOR, I am a huge Archie Comics aficionado. Back in the mid ’90s, when I was still in middle school, I happened to pick up an Archie Comics digest from the grocery store, and fell in love with these kids’ hijinks and the art style. The more into Archie Comics I became, the more I loved it. The more I loved it, the more I started to dissect and analyze, and the more I hoped the company would grow into something beyond just reliving its glory days of the ’60s.

Since then, Archie Comics has really come into not just the 21st century, but into its own new identity as the comic book for humorous, slice-of-life teenage comedy. In many ways, the company went back to its core tenet of being about teens, for teens by becoming what it was when it first debuted in the 1940s—fresh and relevant. Archie Comics has exploded now with the new Archie and Jughead series, both of which are amazing in terms of writing and illustration, and the upcoming CW teen drama, Riverdale.

Riverdale continues Archie Comics’ obsession with relevance by rejiggering the concepts of the “America’s Favorite Teenager” and what life in the picturesque Riverdale is really about. To quote Archie Comics:

The live-action series offers a bold, subversive take on Archie, Betty, Veronica, and their friends, exploring small-town life and the darkness and weirdness bubbling beneath Riverdale’s wholesome facade. The show will focus on the eternal love triangle of Archie Andrews, girl-next-door Betty Cooper, and rich socialite Veronica Lodge, and will include the entire cast of characters from the comic books–including Archie’s rival, Reggie Mantle, and his slacker best friend, Jughead Jones.

Popular gay character Kevin Keller will also play a pivotal role. In addition to the core cast, “Riverdale” will introduce other characters from Archie Comics’ expansive library, including Josie and the Pussycats.

Let’s take a look at our group of Riverdalians (with character descriptions quoted from Archie Comics’ Riverdale posts):

Archie Andrews (played by K.J. Apa)

In an exclusive announcement, Deadline described Apa’s Archie as “an intense, conflicted teen, a boyish high school sophomore who got pumped up over the summer working construction and is now juggling the interest of several girls, as well as trying to balance his passion for writing and performing music–against the wishes of his father and his football coach.”

Josie McCoy (played by Ashleigh Murray)

Murray’s Josie is described as “a gorgeous, snooty and ambitious girl who is the lead singer for popular band Josie and the Pussycats. She has zero interest in recording any songs written by fellow teen Archie.”

Jughead Jones (played by Cole Sprouse)

Sprouse’s Jughead is described as “a heartthrob with a philosophical bent and former best friend of Archie Andrews.”

Veronica (played by Camilla Mendes)

In the exclusive announcement, Deadline described Mendes’s Vernoica as a silver-tongued high school sophomore who returns to Riverdale from New York, eager to reinvent herself after a scandal involving her father.

Betty (played by Lili Reinhart)

In an exclusive announcement, Deadline described Reinhart’s Betty as “sweet, studious, eager-to-please and wholesome, with a huge crush on her longtime best friend, Archie.”

Cheryl Blossom (played by Madelaine Petsch)

In the exclusive announcement, Deadline described Petsch’s Cheryl as rich, entitled, and never accountable. A manipulative mean girl who kills with kindness, she recently lost her twin brother in a mysterious accident.

Reggie Mantle (played by Ross Butler)

No official Archie Comics/Deadline character description, but we know already from the comics that Reggie is Archie’s rival in all things, including the dating department.

Dilton (played by Daniel Yang)

Again,  no official description for Dilton, but in the comics, he’s the nerdy, brilliant friend to the core Riverdale gang. He also dated Cheryl Blossom at one point in time, so don’t sleep on Dilton’s hidden mack game.

Moose Mason (played by Cody Kearsley)

Once again, no official description, but Moose is Midge Klump’s long-time boyfriend. Moose is also on the school’s wrestling team, and is often depicted as being, to use one of Wendy Williams’ favorite phrases, “less than smart.” It was only relatively recently that Moose’s depiction was scaled back and taken a bit more sensitively; he was diagnosed with dyslexia, which explains why the character often has trouble with schoolwork. Maybe his dyslexia will become a feature of his characterization in Riverdale.

Tina Patel (Olivia Ryan Stern)

No official description, but Tina is from the later wave of old-style Archie comics. Tina was introduced as the younger sister of Raj Patel, the town’s resident aspiring filmmaker. Unlike Raj, Tina was following in her parents’ footsteps of becoming a doctor, making Raj the black sheep of the family. If memory serves, she also was bumped up a grade, so she’s actually in the same grade as Raj despite being younger than him.

The adults cast so far include:

Yes, ’90s friends; that’s Mr. 90210 himself! With him as a part of the cast, this already feels like the baton of stellar teen dramas has been handed down to the next generation. Riverdale has the Luke Perry Seal of Approval.

What can we expect?: Already, we can see some ways in which Riverdale is distancing itself from the Archie stories of old while bringing the Archie Comics company further into the now. We have a multiracial, multicultural cast, with several characters cast as non-white actors, including Apa, who is Samoan-Kiwi.

But a Rainbow Coalition cast isn’t the only reason this show has my radar. As I wrote above, the show is setting up a subversive take on the Riverdale we’ve come to know and love, and if Season Zero is to be believed, the Riverdale pilot is something that must be seen to be believed. There’s murder, sleeping with a teacher, intrigue, and all sorts of soapy turns. Also, Jughead’s the narrator, which seems like a cool, Jughead-ish thing to do (he is, after all, divorced from all the drama of his friends and acts as the observer of their lives).

As much as Riverdale promises, there’s still some more that it could have done. At one point, Jughead was supposed to be played by a deaf actor. TV Line (as reported by The Mary Sue) had the official casting calls, which asked for a “hearing-impaired” actor. As far as I know, Sprouse isn’t hearing-impaired, so I wonder why the change in Jughead’s character was made. If it was made—maybe the narration we hear are Jughead’s thoughts, and perhaps Sprouse signs on screen. But still, it could have been a great opportunity for a hearing-impaired actor to get his moment. I’m not poo-pooing Sprouse’s acting ability before we’ve even seen him in the role; I wish him goodwill. I’m just sayin’, from an observer’s perspective, some could find an issue with a non-deaf person playing a deaf role, especially since there are deaf actors and actresses out there (such as Freeform’s Switched at Birth stars Marlee Matlin (also an Oscar winner), Katie Leclerc, and Sean Berdy, late night host Stephen Colbert, There Will Be Blood‘s Russell Harvard, and many others in stage theater).

Other observations: Jughead is canonically asexual in the new Jughead books. In the show, Jughead is described as a heartthrob, and that’s actually in keeping with his character, since Jughead gained a kinda heartthrob status through later runs of the old Archie books. Part of Jughead becoming attractive to girls was because he never wanted a relationship anyways, and some girl characters took at as a challenge (like Ethel, who hasn’t been cast as of yet). But parts of the fandom had also decided that Jughead was gay, which may or may not have led to issues featuring Jughead in an ill-fated love triangle of his own. Stories of Jughead in one-off relationships would then become peppered throughout the old Archie canon for whatever reason there was at the time, but Jughead had already been linked to someone in the old ’40s comics—Betty. Back then, it seemed like there was less of a love triangle between Betty, Archie, and Veronica, and more of Betty trying to disrupt Veronica and Archie’s relationship and, being desperate for any male attention, would try to seduce Jughead, who just went along with it because of his friendship with Betty.

However, with all of that said, will Jughead actively engage in relationships on Riverdale because he is a heartthrob? Or is he a heartthrob because he’s unattainable? Will Jughead become the second out asexual character on television (the first being Voodoo from USA’s Sirens)? Or, if Jughead’s asexuality doesn’t extend to the show’s canon (which it might not, since the show’s not adhering to old or new Archie stories, anyways), then will Jughead’s sexuality once again become the hot button issue of the day? One of the enduring parts of Jughead’s character is that, because he’s removes himself from the heteronormative discussion, everyone can see some element of themselves in him. You can believe he’s straight, gay, asexual, aromantic, bisexual, and any other type of sexuality, and you’d be justified in your theory. Jughead is one of those characters in entertainment who become a sexuality litmus test, and it’s fascinating to see just how everyone interprets him differently and why.

Last, Riverdale is breaking new ground by casting two actors from the AAPI spectrum as part of “the beautiful people.” Like I’ve written several times before, Asian men rarely get the heartthrob treatment, and to have Archie and Reggie played by Apa and Butler is awesome. Of course, we’ve got some caveats to discuss. Apa can easily code as “white,” which will surely help him land more leading roles than someone like Butler, who might still have to work against racist casting calls. But both Apa and Butler might face less discrimination than Yang, who is playing a character that now has a very complicated situation. Dilton is white in the comics, so having someone else represent Dilton plays into the movement to have more inclusion on screen. But, Dilton is also a nerd, so what does it mean that an Asian guy was cast as the nerd? Again, like with Sprouse, I’m not ragging on Yang getting a job, but I am an entertainment/cultural critic. I wonder what Yang will do to take the character out of the easy stereotype and into a nuanced, layered performance.

With all of that said, I’m excited to see what Riverdale holds for us. What do you think? Give your opinions in the comments section below!