Tag Archives: Luke Cage

Misty Knight’s bionic arm makes its debut in “Luke Cage” Season 2 first look

Marvel is getting ready to bring us Luke Cage Season 2, and Misty Knight finally has her bionic arm!

The first look image was released exclusively via Entertainment Weekly, and it shows Luke (Mike Colter) and Misty (Simone Missick) on the case, as it were (maybe they’re walking to take down Shades and Mariah?). What’s clearly evident is Misty’s brand new arm, something fans have been waiting on since the first season.

According to Entertainment Weekly’s Shirley Li, Misty gets her new arm from Tony Stark and Stark Industries in the comic book lore. Also, the way Misty loses her arm in the comics is in a bombing. However, in the new Marvel cinematic universe, Misty loses her arm due to Bakuto (Ramón Rodríguez), a member of the Hand. In the comics, Misty gained superheroic powers with her new arm, and we’ll see just what Misty can do with her arm once we see it in action when Luke Cage returns to Netflix in 2018.

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New Castmembers Added to “Luke Cage” Season 2

Mustafa Shakir and Gabrielle Dennis have been added to the second season of Netflix and Marvel’s Luke Cage.

Shakir will play a character named John McIver, a charismatic leader who is focused on vengeance. Dennis will play Tilda Johnson, a holistic doctor who always seems to find trouble.

“Mustafa’s incredible presence and power ignited us from our first meeting, and Gabrielle brings the charm and smarts to a very complicated role,” said executive producer Jeph Loeb. “Both will be wonderful additions to our already magnificent cast.”

The second season of Luke Cage will premiere in 2018.

Read more at Shadow and Act.

There’s levels to this s***!: 5 parallels in Luke Cage

Netflix/Marvel
Netflix/Marvel

I’ve thought about Luke Cage a lot since viewing the first season on Netflix. Part of the reason is because I’m knee-deep in #ShadyMariah stuff, which includes Theo Rossi himself signal-boosting my ShadyMariah post.

So Shades knows I exist. That’s cool.

The other reason I’ve thought a lot about Luke Cage is because there were tons of parallels and foreshadowing moments that I didn’t realize until weeks after viewing. Ill run through a couple that have come to mind.

1.  Cottonmouth throwing Tone off the roof.

When Tone gets thrown off the roof, Cottonmouth was actually predicting his own death—death by freefall.

2. Mama Mabel’s a direct foil to Mariah, and Cottonmouth is more like Mama Mabel than he realized.

Mariah is shown saying to Mama Mabel’s picture, “I’m not like you.” I dare say she isn’t. I’ve already explained this in my ShadyMariah article, but to go deeper in what I was writing about, Mama Mabel doesn’t kill someone unless they directly betray her and her money or if they insult her. Remember when Mama Mabel cut off that boy’s finger and then had Cornell kill him? The boy insults Mama Mabel, which made Mama Mabel immediately furious. This reaction is the same one Cottonmouth had when he killed his goon for suggesting that he was handling the Luke Cage situation wrong. How dare he suggest the “Benign Neglect.”

Meanwhile, it seems like Mariah’s tenure in politics (and maybe just her own temperament) allows her to see beyond just her own ego, unlike Mama Mabel and Cottonmouth. Mariah seems like she’s someone who creates a collective, but unlike Mama Mabel (who was also a stalwart figure in the community), Mariah wants to take people out that affect her people as well as her status.

3. Both Shades and Mariah tell Cottonmouth to sell the club

Shades’ insistence that he and Mariah think alike has its foundations in moments throughout the series, one of which being that both Shades and Mariah tell Cottonmouth to sell Harlem’s Paradise when it seems like Luke Cage is going to ruin their money laundering. Even more interesting is that they each tell him this without the knowledge that one of them has already said this. Even before they begin vibrating together, they are already on the same wavelength, with Cottonmouth being the concrete wall blocking the signals.

Related: Monique’s Luke Cage reviews | Tor.com

4. Shades and Mariah are both loyal to a fault

Both Shades and Mariah are loyal to their people. Too loyal, probably. They only leave or attack when a core tenet of the relationship has been demolished. Shades stuck with Diamondback even though Diamondback’s mind was gone. Shades only left Diamondback when Diamondback betrayed him.

Mariah’s favorite thing to tell Cornell is “Family first, always.” She lived by that tenet, but Cornell’s own out-of-control ego and resentment of Mama Mabel makes him forget that once he starts feeling stress. First, he nearly his Mariah with a bat until Mariah breaks something herself and yells at him to snap out of it. But even then, she sticks by him. It’s only when Cornell blames Mariah for her own sexual assault that Mariah breaks and pushes him out of the window.

Shades and Mariah’s loyalty further show why they’re tailor-made for each other. Each one will go HAM for the other if threatened once we get into the second season, I’m sure. There’s going to be some real Bonnie and Clyde stuff going on.

5. Luke’s a hero, but he’s also kinda a villain through his own inaction. 

There’s quite the villains gallery in Luke Cage, but do you know what started everything? Luke—he didn’t tell Pop (or the cops) about Chico and Shameek when he had the chance, which created the series of events that led to Chico and Pop’s deaths. He saw Chico’s gun, and he knew they were up to no good. Yet he didn’t care enough about them or anyone else to stop them. All he cared about was himself and how he was going to stay low. Sure, he hasn’t killed anyone, but, since Luke respects his black heritage, he should know what Martin Luther King said about those who see but don’t act being just as culpable as those who do commit acts of violence.

What parallels and foreshadowing moments did you see in Luke Cage? Give your opinions below!

Luke Cage: The Black Disabled Superhero We Need

 

 

 

Courtesy of Mike Mort
Courtesy of Mike Mort

Vilissa Thompson, LMSW

Originally posted on Ramp Your Voice!

Luke Cage was one of Netflix’s original series I had waited all summer to watch.  Being a blerd and someone who enjoys comics, I was proudly a part of the #Cagetember fandom seen on Twitter.  What excited me was not just Luke’s amazing abilities, but the fact that he was a Black disabled character, an existence that does not receive enough attention or respect within comic spaces.  Luke represents so much to disabled blerds like myself, and I felt that it would only be justly to share why Luke’s existence matters, and the need for more Black disabled characters.

Luke’s Disabled Body:  A Man-Made Creation

Luke Cage’s body is invincible against bullets, and he has supernatural strength.  This is a man who can bend guns like they are made of Play-Doh, throw vehicles across the street without breaking a sweat, and can take a full clip of bullets without blinking.  Luke Cage, in a time where Black bodies are brutally victimized at the hands of the police, is the superhero Black America needs.  He wears a hoodie in homage to Trayvon Martin and those targeted in our community, and has taken on the “Harlem protector” role that he fought internally against.  Luke does not see himself as a hero, but to Harlem, and fans of the series, he IS our hero against crime and police brutality.  It has been quite humorous to see discomfort displayed towards a character who is unapologetically Black.  Luke Cage embodies the kind of Blackness that many of the majority fear – a Black man who cannot be harmed and a Black man who uses his superhuman powers for good.

Luke’s body, as amazing as it is with its seemingly endless capabilities, was man-made – he was a part of a scientific experiment that was unethically conducted while he served time at Seagate prison.  It was due to an accident when he was under experimentation that caused him to become powerful; he is the only known person with his abilities.  Due to this, Luke has remained low-key about his strengths, and was reluctant to be casted into the spotlight when his abilities gained attention in the community.  Luke knew that his powers, if he was not careful, could attract the attention of those who would want to use him for their own personal interests and possibly do harm.  One of the many things I love about this character is how humble and self-reflective Luke is.  He understands fully how his strength can be used for good and evil, and when it comes time to do the right thing, he does not hesitate to do so.

Though Luke’s physical capacities causes him to be perceived as either friend or foe to others in the series, we must not overlook Luke’s hidden disabilities – the trauma he endured while in prison that has had lasting effects on his psyche.  While at Seagate, Luke was forced by beatings and manipulation to be a part of a corrupt prison fighting scheme.  To ensure he would participate, the livelihoods of those Luke befriended were put at risk if he did not do what the prison guards wanted of him.  The emotional and mental traumatization Luke endured can be seen early on when he has flashbacks of his imprisonment, and the pacing he does in attempt to calm himself.  The mental anguish of being dehumanized while incarcerated is not uncommon; though Luke is a fictional character, the trauma he lives with is the reality for many in our criminal system.

Luke’s body is disabled due to the encounters he has had at the hands of people – those of authority and those who sought to make him submit for their own gains.  This realization stood out to me profoundly as I watch the series unfold; the causations of Luke’s body to be disabled cannot be ignored by lovers of the series, or comic book enthusiasts.

The Portrayal of Black Masculinity in Luke Cage

What pleasantly surprised me while watching the series was the many facets of Black masculinity depicted that goes against typical media representation.  Every male character – Luke, Pop, and Cottonmouth especially – were deeply complicated and sides of their humanness, no matter how grotesque or gentle, were equally shown in order for us to see the full person.  As I described earlier with Luke, we got to understand why he was so guarded about his abilities, and yet saw his tender spots when it came to those he loved.  Cottonmouth, the villain we love to hate, was not a hard-hearted individual by nature; his environment helped to shape him into who he became as a man.  Seeing Cottonmouth’s “evolution” sadden me because he embodied how nurture (in this case, familial makeup) can drastically influence how a person becomes.  He had so much potential with his musical abilities that were not fully supported, and we learned how that was a regret he had towards his family.  Pop displayed a different type of evolution – he was a “big man/hustler” in his community who turned into the father figure many desperately needed and relied on.  Pop represented the “we can all change and become a better person” character; Pop’s barbershop was considered Switzerland, a safe space against the harshness of Harlem.

The complexities of these three characters specifically showed that Black men are more than the stereotypes the media and society attempts to box them into.  The depth of their humanity and flaws were significant for a series where Black and Brown characters dominated.  Luke Cage is a prime example as to why we need better representation of people of color; this accurate portrayal should not be considered an anomaly to viewers like myself.

Black Disabled Comic Book Characters Matter

As one can easily gauged by this piece, Black disabled characters matter to me, and good representation matters more.  Though Luke is the center focus of this piece, I would be remiss if I did not shine a light on the other Black disabled character in the series, Mercedes “Misty” Knight.  Though Misty is not disabled in this particular series (Misty becomes disabled when she loses her arm in a bomb explosion while on the job for the NYPD; Iron Man makes her a bionic arm), she is one of the few Black disabled female characters in comic books.

Excuse my language, but Misty is one badass woman, and we see that badassery in Luke Cage from her hard-nosed approach in handling the bad guys.  Though Misty is perceived as no-nonsense when it comes to doing her job for the NYPD, her vulnerability, sensuality, and softness as a Black woman were also captured fully in the story.  Seeing the complexity of Black female characters is just as important as it is for Black male characters.  Black people are not incapable of experiencing emotions beyond anger and aggression; Luke Cage does an excellent job of debunking those myths with characters like Misty.  Misty is hands-down my favorite comic book character of all time, and to see her have such a resonating role in Luke Cage made me fangirl hard.

Though there are not many Black disabled characters in comics, their absence is definitely apparent when the publicity and fandom of white disabled characters in comics are the visible faces of disability.  Yes, this is a good example of #DisabilityTooWhite in literature, and must be recognized and corrected.  Disabled people of color need comics with characters that look and live like them; the limited visibility is not lost on us who desire for more Lukes and Mistys in these fantasy universes.  For me, characters like Luke and Misty displays a different type of Blackness that goes unseen; my Black experience matters just as much as anyone else’s, and disabled characters drives that truth deeply home.

Final Thoughts

It has almost been a month since #Cagetember took place, and I still cannot get over the awesomeness of Luke Cage.  My excitement for season two cannot be contained; I want to see Luke and Claire together, #ShadyMariah got my goat (the “so bad it’s good” ship you cannot help to root for), and to see some of the new players we will be introduced to.  Though I am still geeking over the show, the soundtrack deserves equal appreciation because the performances were too fire for words.  (The song that had my head bobbing was “Bulletproof Love” by Adrian Younge and Ali Shaheed Muhammad featuring Method Man.)  It will be interesting to see what transpires next season (and if Netflix will experience another shut down again – be ready, ‘Flix), and I know my heart will feel as if it will jump out of my chest with every battle Luke faces.  He is indeed the superhero I need.

Thank you for existing, Luke Cage, from the bottom of my disabled blerd heart.

Vilissa Thompson, LMSW is the Founder & CEO of Ramp Your Voice!, an organization she created to establish herself as a Disability Rights Consultant & Advocate. Ramp Your Voice! is a prime example of how macro-minded Vilissa truly is, and her determination to leave a giant “tire track mark” on the world.

The Unexpected Joy of “Luke Cage” Power Couple #ShadyMariah

Marvel/Netflix (from Theo Rossi's Instagram account)
Marvel/Netflix (from Theo Rossi’s Instagram account)

Hernan “Shades” Alvarez and City Councilwoman Mariah Dillard. On paper, these two people shouldn’t even be in the same stratosphere of influence. But in reality, these two go together like peanut butter and chocolate. Perhaps you’ve seen the internet become besides themselves with this new power couple, otherwise known as #ShadyMariah. Heck, even Shades himself, Theo Rossi, is onboard.

I asked some of my followers and #ShadyMariah fans what they thought about the pairing. The reaction was a little more subdued because as we’ve come to know Shades, we’ve come to see just how his self-serving mind works. It could be possible that we don’t know Shades the way we think we do.

Related: “Grown Folks Marvel”: Marvel’s “Luke Cage” Excels on Many Levels

Speaking honestly, we really don’t know what the endgame for these two will be. Will one turn on the other? Will it be Uncle Pete in the backyard all over again? There’s a reason they showed that particular scene. Not just because it showed how intense Mama Mabel could be. It also showed how Mama Mabel was frustrated with the fact that she’d opened her heart to a man who ended up betraying her (despite his assertion that he was trying to grow “the family business”). Mariah doesn’t want to end up like Mabel, and we don’t yet know she will. But we do know is this:

1.  Mariah has opened her heart to Shades, and Shades was happy to work for it. 

It took a lot for Mariah to trust Shades, and she can’t be blamed for that. She’s trying to keep her reputation afloat as well as grow her power and influence. Not to mention she just killed her beloved cousin in a pique of anger. (Killing’s wrong, but she had justified anger, since Cottonmouth blamed Mariah for being molested by Uncle Pete).

At first, she can’t tell if she can trust Shades, but she’s wise enough to know she needs him to get through covering up Cornell’s death. Next, she needed him through what she thought would be a turnover of power. Then, she needed Shades to traverse the madness that is Diamondback. But when Diamondback lies to her about Shades’ death, she realizes that she had come to trust him despite herself. Feeling lost without Shades made her realize that perhaps she had opened herself up to him more than she thought.

Shades managed to worm his way into her heart by being forthright and honest, which is, frankly, the strangest thing to say about a villain. But even still, Shades has been with her every step of the way, and even before Mariah caught a body. Remember when Shades told Mariah, in both blunt and urgent tones, that he wanted her to win and regain the majesty of the Stokes name?

Shades has always been on Mariah’s side, and it could be that he went to Cottonmouth originally because he was hoping the Stokes brand could be revived. When he first saw Mariah, he was looking with thirst (as Mariah herself says), but some of that thirst isn’t white-hot lust; Shades also had the thirst for power at the forefront, and he saw Mariah’s stature and poise as power that could revive a lost name.

2. Shades gave back the champagne bottle, meaning he now has no chips to play when it comes to her. 

“We’re in this together now,” he said after giving her back her murder weapon, which was basically him saying, “I’m opening my heart to you. I’m for real.” If he was really about himself alone, he wouldn’t have given Mariah the bottle because, as Mariah said, he could have used it to blackmail her. Why give her the bottle if he has some ulterior motives? Shades is a smart dude, and he should know that giving her that bottle—giving her the power, power she could use over him—would be a less-than-smart thing to do if he had some other bad plan up his sleeve. He’s actually being serious with Mariah; he wants them to be equals.

3. Shades has always been straight-up and, in his own disturbing way, comforting to Mariah

Shades has always had Mariah’s back. He’s always wanted her to succeed. His speeches to Mariah about regaining the Stokes name and how to cover up Cornell’s death are two such examples.

But he’s always gracious to her in other ways, too. As shown in a gif-set on Tumblr, Shades subtly notices Mariah on the roof when he, Tone, and Cottonmouth are discussing what went down at Pop’s.

http://michaelxtrevino.tumblr.com/post/151526709353/luke-cage-s01e02-code-of-the-streets

He’s also the one who looks back to Mariah after Cottonmouth throws Tone off the roof; without saying anything, he’s trying to see how she’s holding up after that shock. However, at this point in time, he can’t say anything; he’s still under both Diamondback and Cottonmouth, and because of Cottonmouth’s influence shielding Mariah from him, Shades hasn’t gained enough permission, for lack of a better word, to openly see about her. What would Cottonmouth do if Shades was the one to ask if Mariah was okay and not him? He’d probably be over the side of the building with Tone.

Shades is also always a gentleman around Mariah, which again, is something odd to say about a literal murdering villain. Shades always holds the door open for Mariah, always does her the courtesy speaking to her with his shades off (making it seem like Mariah is speaking to Hernan, as if Shades is his alter-ego), walks behind her as she goes into action, and is constantly hovering close to her or holding her shoulders in a comforting way. He also doesn’t want her to get her hands dirty (which might mean that he didn’t expect her to kill Cottonmouth, which begs the question of if #ShadyMariah would have even happened if Shades was able to follow through with his plan).

There’s a lot of subtlety about Shades that makes him one of the most intriguing villain characters I’ve seen from Marvel, certainly. But he’s also one of the most intriguing villains I’ve seen on TV period.

Marvel/Netflix (screencap)
Marvel/Netflix (screencap)

Mariah herself is pretty intriguing as a villain. She’s sympathetic and she also represents someone that people might actually vote for in real life. To an engaged voter, she’s laser focused on keeping Harlem out of gentrifying hands, uplifts the city’s black history, and (seems to) care about the people of the city. She’s also gotten stuff done, too; it’s not like she’s just using her platform as a complete ruse. The fact that she actually wants to make Harlem better—whether or not its an altruistic goal, because she does participate in cynical “there are black people and then there are N-words” ideology from time to time—is what makes her the true heir to the legacy of Mama Mabel, who seemed like the woman everyone in Harlem ran to when they had any type of problem. Mariah’s power and her intelligence are what Shades is attracted to.

I’ll end this post on a small discussion of the Basquiat painting Mariah had hung in Cottonmouth’s former office. We saw in the beginning that Cottonmouth considered him the king in a hip-hop way; he wanted to run things like how Biggie rapped, hence the Biggie photo. Like some of gangster rap (maybe particularly Biggie’s brand of east coast rap), Cottonmouth is blunt, to the point, unpredictable, and hardcore. However, bluntness isn’t what’s going to keep Harlem under the Stokes iron grip.

Mariah, however, represents everything she and Shades could be together all in one picture. I’ll quote Reddit user Emerson73:

The painting however is a piece called “Red Kings” painted in 1981 by Jean-Michel Basquiat. He was a black artist that died to young and spent a good amount of his short time in association with Andy Warhol. This piece is understood as his personal proclamation or claim to the throne. The ‘king’ on the left being him as he placed the main letters of his name in the open parts of the face and the ‘king’ the right being [Picasso]. He saw himself as stepping up to be on [Picasso]’s level of greatness and a king in the art world. I think many people would agree that even in his short time he did step up to a very high level in the art world and maybe would have gone further if he hadn’t died younger.

I think this painting works great as a replacement of the Biggie photo. In the quick subtlety of it being hung up in the background the audience is left without question that we are supposed to perceive the ending of Maria and Shades’ arcs as stepping up to supplant Cottonmouth and Diamondback as royalty of the illegal trades in Harlem and surrounding areas. It is also another place of fitting in an important part of black history and cultural relevance into the show and even pushing Maria’s original sentiment of ‘keep Harlem black’ by supporting the continuation of black culture as important.

Maybe there could be several more things read into these topics and i’m sure their story doesn’t end here. Maybe one or both will die sooner than they planned just as Basquiat did. But the main thing for me is that an addition to the show like that makes me even more sure that this material is in the right hands at Marvel.

Related: ‘Luke Cage’ Baddies Shades and Mariah Are the Best MCU Villains | Inverse

In short, everything about #ShadyMariah is coming together nicely and maybe, just maybe, there won’t be an “Uncle Pete in the backyard” situation again. Since Shades seems like he’s completely into Mariah, we just might have our first Queen and Consort of Marvel Villainy. In that respect, Mariah doesn’t have to worry about ever becoming Mama Mabel.

The cherry on the evil sundae? #ShadyMariah actually has a theme written into Luke Cage! If you’ve got the soundtrack, it’s “Bad Love,” which plays right after Shades talks her through framing Luke for Cottonmouth’s murder in Episode 7 (listen immediately after Shades fixes Mariah’s hair for her).

What do you think about #ShadyMariah? Give your opinions in the comments section below!

“Grown Folks Marvel”: Marvel’s “Luke Cage” Excels on Many Levels

Marvel/Netflix
Marvel/Netflix

Marvel’s Luke Cage is undoubtedly the best thing Marvel’s created. You might think I’m being facetious, but having seen my share of Marvel properties, some of which I wish I’d never seen—I could have done without seeing Ant-Man, but I only went for the sake of my younger brother—Marvel’s Luke Cage hits all the marks I wish the Marvel movies would hit. While the films are highly concerned—too concerned—with being literal comic books on screen, Luke Cage is more concerned with authentic characterization. Everyone in this show is, in some way or another, exhibits traits of people you might know in real life. Even Cottonmouth. You know you know some guys in your family or friend circles who would respond to some wild video just like he did to the Judas bullet demo.

(His moment of frugality was also hilariously relatable. We’ve all been there when we’re trying to get something, and then you look at the price. “Per bullet?” indeed.)

I could go on and on about what I liked about Luke Cage, but I’ve already discussed my love for the show in my first recap for Tor.com!

Black America through the Lens of Luke Cage

Here’s a teaser:

Luke Cage is what Tarantino wishes he could do. Luke Cage gives you that pulpy feel that makes those old ‘70s films great, from the musical choices, to the fact that it’s set in a historically black city like Harlem (complete with a Cotton Club-esque nightclub), to the atmospheric direction which turns every step Luke makes into a mysterious and ultimately gratifying journey.

But where Luke Cage continues to go is normally where the ‘90s Blaxploitation resurgence films would end. While we all came to see the bulletproof man take on crime, what we all witnessed was an examination of the black American identity in America.

There is the obvious: Luke, as a bulletproof black man in a hoodie, acts as a salve to many of us who feel like we’re one bullet away from becoming another hashtag. Luke’s nightly presence in his hoodie full of bullet holes, recalls Trayvon Martin, who was killed just for being in a dark hoodie at night. Martin’s memory echoes throughout Luke Cage, even within the original rap song for the show, “Bulletproof Love” by Adrian Younge, Ali Shaheed Muhammad and Method Man. The line, “I’m about to trade my life for a Magnum/Give up my life for Trayvon to have one,” keeps the message of Martin’s life in the forefront of the viewers’ minds. At the same time, Luke’s presence is also a reminder of black humanity. We, like Luke, are feared, but we are still mighty.

There’s also the less obvious: Luke Cage takes a look at the fight for the soul of black America and black identity. This battle is the clearest in Cornell “Cottonmouth” Stokes and Mariah Dillard, two cousins who represent a multitude of ideas and philosophies that have shaped black America…Their relationship speaks to the conflicts of the heart many black Americans wrestle with every day. What Luke Cage seems to beg the audience to think about are the circumstances which made Mariah and Cornell what they are. Why is Mariah so worried about gentrification? Why did Cornell feel his manhood had to be proven on the streets? Why do Mariah and Cornell, and by extension many black Americans, feel that they, in their own way, have to fend for themselves in a country that is supposed to protect them?

Also, a lot of fans had a ton to say about Luke Cage and its intersectionality, diversity, and deep characterization. Some good points about Comanche (Is he a black Indigenous person? Is his name just a name?) were made and some light discussion about the usage of the N-word occurred. The quote that summed things up for me was from a commenter who called Luke Cage “Grown Folks Marvel.” She’s absolutely right, because the rest of the Marvel films are just child’s play compared to this. Check the Twitter Moment out for yourself.

What do you love about Luke Cage? Give your opinions in the comments section below!

Olympic-sized “Rogue One,” “Luke Cage,” “Hidden Figures” trailers promise awesomeness

The Olympics is like the Super Bowl in that lots of big properties reveal their big trailers. Three such trailers were released during the Rio Olympics: Luke CageRogue One: A Star Wars Story, and Hidden Figures. Let’s take a look at each.

Luke Cage

First of all, it looks incredible. If I’m being completely honest, I’ve never tuned into a Marvel Netflix production, either because I didn’t know the lore or, quite frankly, I just didn’t care. But the updated ’70s blaxploitation take on Luke Cage is both reminiscent of past awesome crime fighters like Shaft and extremely timely to what’s going on today.

Everyone has mentioned the imagery of the unkillable black man in a shot-up hoodie providing both commentary and relief from the constant deluge of black men and boys being killed by police or overzealous, racist men. But seeing that imagery in motion, just in the trailer, says so much without Luke Cage every saying a word. Also, the story itself seems to be told in such a way that someone like me, who has a hot-cold relationship with keeping up with all comics except for Archie Comics, can come into it fresh. It engages the audience whether you know about Luke Cage from the comics or not. That kind of treatment of comic book lore is gold, since you can’t always assume your audience knows everything about every character, especially if that character hasn’t become part of the collective consciousness in the same way Superman, Batman, and Spider-Man have.

Overall, this is a WIN for me. I’ll check out the series once it drops, despite my own squeamishness of hearing/seeing broken bones.

Rogue One

As Marv Albert would say, “Yes!”—this is ticking all of the boxes for me. I think from now on, I’ll lessen my usage of “diversity” and starting using the word “inclusion” more, because the rebooted Star Wars series (yes, rebooted—let’s just admit that the prequels are out of canon now) is showing other movie franchises how inclusion is done. You don’t just hire actors of color to be sidekicks, MARVEL MOVIES. You hire actors of color for substantial roles and treat them just like any white actor. You create characters that actually represent and empower your audience, not just appease them with some paltry offerings. Somehow, Marvel seems to do better at inclusion with their television shows and Netflix series than they do with the actual movies. Even stranger is that Marvel and Lucasfilm are now under the same Disney umbrella, so you’d think some cross-pollination with casting tactics would have happened already. Marvel needs to take some notes from J. J. Abrams, stat.

Anyways, we’ve got talented actors doing talented things in this film. Even cooler is that the central character is a woman. Also cool is that Darth Vader finally looks cool again (once again, proof that this is a completely rebooted series). We also have some disability representation with Donnie Yen’s blind Jedi or Jedi-adjacent character. But will Yen’s character dip too far into the “mystical Asian kung-fu master” trope? Because if there’s one potential issue I see, it’s that. We just have to wait until the movie comes out. The other potential issue: Forrest Whitaker’s odd accent. But on the whole, Rogue One looks like it’ll proudly carry on the awesome legacy that began with Star Wars: The Force Awakens.

Hidden Figures

The film looks like it’s going to be one along the lines of 42 and Race in the sense that it’s going to be a feel-good film that also manages to teach the audience a historical lesson about overcoming discrimination to achieve excellence. But this film is also a reversal in practice for Hollywood, an industry that has ignored a story like this until now.

This role is something Taraji P. Henson should have played long before now, and its these types of roles Hollywood should have cast her in. What I’m saying is that usually, this type of “feel-good” role featuring a female character from the 1960s usually goes to a white woman, because in the ’60s as in today’s time, whiteness allows a certain privilege, meaning the character won’t have to deal with any sticky issues like race.

However, turning attention away from the history makers and achievers of the time only keeps black movie narratives stuck to the Civil Rights Movement. While that part of the ’60s is wildly important, there is more to the black experience than just misery. We didn’t exist just in the south; we existed all over the country, doing all kinds of things, including sending a man to the moon. Stories like this should have been lauded decades before now, not just now that Hollywood is slowly waking up to what many call in jaded tones the “diversity trend.”

On a much more shallower note: much like Whitaker, I’m unsure of Janelle Monaé’s accent in this film. I’m assuming she’s portraying a southerner; as a southerner, I’m always…disturbed by bad southern accents in films. There is an art to the southern accent not many non-southern actors have mastered. They always want to take it to that Scarlett O’Hara level, and not all southern accents are remotely like that. (I hated writing this paragraph, because I’m a loyal member of Electro Phi Beta…but I can’t lie about the accent.)

What do you think of these trailers? Give your opinions in the comments section below!

Fall TV: Analyzing the Odds of 5 of the 2016-2017 Shows

We have a lot of shows coming our way, and a lot of racially-diverse shows at that. I thought it would be cool to take a gander at some of the shows I’m interested in this fall season and guess at what their chances are at garnering a second season. I know these shows haven’t even premiered yet. But we’ve already seen the trailers for the fall season, right? We already have our opinions anyway. So let me start off the opinion-giving by providing my thoughts.

(I must say that even though there are racially-diverse shows this fall-winter season, the shows featured in this particular list showcase shows featuring black leads.)

Luke Cage (Netflix)

I dare say that it’s already a given that Netflix and Marvel’s Luke Cage will be a smash hit. Mike Colter, who will be playing the title character, has already amassed a cult following from playing the character on Netflix’s second Marvel endeavor, Jessica Jones. And, let’s not discount Marvel’s wide and powerful reach; nowadays, almost everything Marvel touches turns to gold. So chances are Luke Cage will be here for a long time.

Lethal Weapon (FOX)

I will be honest; this show seems to have whiffs of Rush Hour all over it. Not the film, mind you, but the CBS TV adaptation of Rush Hour. That show had the diversity quota going for it; just like in the film, the buddy-cop duo was comprised of a black man and an Asian man (with Vine star Justin Hires and British actor Jon Foo taking reins of the Chris Tucker and Jackie Chan roles). But the writing was just too terrible and lackluster for the two leads to carry it. Let’s be clear; just because a show has a diverse cast doesn’t mean it’ll automatically succeed. The writing still has to be good.

Lethal Weapon seems like we could be going down another Rush Hour path. Not only does it look like it’ll be potentially unfunny, but just how relevant is Lethal Weapon these days? A similar question was posed about the Rush Hour TV series; the story is so of its time that it doesn’t resonate with younger TV viewers. But we’ll see how Lethal Weapon does; it is starring Damon Wayans, so the show does have that going for it.

Still Starcrossed (ABC)

First of all, Still Starcrossed is a Shonda Rhimes show. So you can assume success is already in the bag. But secondly, and most importantly, it’s a show that many people, particularly women of color, have been wanting since the dawn of television; a period show featuring people of color who aren’t slaves. Instead, Still Starcrossed, which takes place after the deaths of Romeo and Juliet, showcases a rich, affluent black family in Verona, Italy, who are just as powerful and viable as any other family. That alone will attract viewers who are excited to see a different and much-needed portrayal of the black family in ancient times. Look for several seasons of Still Starcrossed.

24: Legacy (FOX)

As well as the original 24 did, what with it being steeped in post 9/11 paranoia, 24: Legacy will probably do just as well, since politics has gotten even worse since 9/11. However, the fact that politics have become more divisive and stereotype-laden makes me question whether it’s even responsible to bring any iteration of 24 back. As popular as 24 was with its audience, it also was plagued by stereotypes of Middle Eastern Muslims as terrorists. What makes 24: Legacy even more troubling is that there’s the distinct possibility that these same terrorist stereotypes will be juxtaposed against the new hero, Eric Carter (played by Corey Hawkins). If there is an uplifting of one marginalized group at the expense of another marginalized group, then the entire exercise of the show is a problem. Regardless, 24: Legacy would still garner a sizable audience, so it could remain for another season or two.

Pitch (FOX)

Pitch will be a game-changer when it premieres. The show, about a young woman who becomes the first woman signed to a Major League Baseball team, will advance the cause of women in sports by showing that women can play any sport they want to, with the same passion and ability as men. The show has also cast Kylie Bunbury as the lead, which is fantastic; if this show were made just a few years ago, a woman like Bunbury wouldn’t even be considered.

I’m intrigued to see what Pitch will do once it premieres. If it plays its cards right, it could last for a while. It could become the Empire of baseball shows, I think.

What do you think of these shows? Give me your opinions in the comments section below!