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3 of the most jaw-dropping moments from the “All the Stars” music video

A closeup of Kendrick Lamar sitting in a red tailored suit among brightly-dressed men in a shanty town at sunset.

It took me a full day, but I’ve finally seen the music video for SZA and Kendrick Lamar’s Black Panther song, “All the Stars.” As someone who saw Michael Jackson’s “Remember the Time” music video when it premiered during primetime television back in the ’90s, I thought I’d never see a music video rival it as the most unapologetically black music video ever. While Beyonce might have won 2016 and 2017 with her Lemonade visuals and Southern Gothic aesthetic, I think “All the Stars” tops it and even “Remember the Time” as the most awe-inspiring music video I’ve seen in years. Marvel, you’ve completely undone yourself with this entire Black Panther franchise; I hope y’all at Marvel understand exactly why the outpouring of creativity and love is overflowing for this movie.

If you haven’t seen it yet, I implore you to drop everything you’re doing and watch it right now. Real talk: this music video just might make you cry.

If there’s a way to frame an entire music video and put it on my wall, I would. This music video is not only gorgeous, but it’s a love letter to Africa–a homage to the continent’s rich past, vibrant present, and a future filled with possibilities. It, like Wakanda, shows a glimpse into an Africa the West hasn’t seen; an Africa that is seen without the lens of colonialism and imperialism.

I might have had my DNA test done to reveal exactly what parts of Africa I come from, but at the end of the day, I’m still an African-American who is divorced from many of my ancestors’ cultures, so unfortunately a lot of the references in this video have gone over my head. Thankfully, my DNA test has allowed me to start researching my various peoples and their cultures and, particularly for this video, there are posts outlining many of the video’s cultural elements. But even with my limited knowledge, there were three moments out of the many that stood out the most to me.

1. The ocean of hands

Kendrick Lamar stands amid a stormy backdrop on a boat that sails on a sea of hands ushering him to Africa.
Kendrick Lamar stands on a boat that sails on a sea of hands ushering him to Africa. (YouTube/screenshot)

There was something so eerie, haunting, and strangely calming about this opening scene featuring Lamar on a raft in the middle of a sea of black arms and hands. What I immediately thought of was the Atlantic Slave Trade, which trafficked at least 10 to 12 million Africans from their homelands to the New World. That stretch of sea is filled with the ghosts of my ancestors, and to see Lamar riding the waves of their hands reminded me how even in death, they made it possible for me to survive.

I also saw the haunting sea in reverse; it was as if those same souls that were lost centuries ago were able to find their way back home in the afterlife. Despite their tribulations on earth, they were able to find peace. From that point of view, it’s as if those same souls are guiding Lamar back to the lands of his ancestors. There was so much said in that scene without Lamar ever saying a word.

2. The Dandies

Kendrick Lamar sits in a red tailored suit among brightly-dressed men in a shanty town at sunset.
Kendrick Lamar sits in a red tailored suit among brightly-dressed men in a shanty town at sunset.(YouTube/screencap)

I’d written about the political importance of Africa’s dandies before in my Black Panther fashion post, but to keep it brief, the dandy movement is one that reclaims African pride by turning Western/colonial fashion inside out and repurposing it as both a form of wearable protest and a sign to the world of Africans’ humanity. To see the dandies put on display like this warmed my heart–the sartorial excellence of course is fun, but showcasing movement’s political relevance in this way has only made the dandy movement stronger, and as far as I’m concerned, that can only be a great thing.

3. The goddesses

Kendrick Lamar stands on the flooded floor of a golden room looking up to four gigantic women, the goddesses of the temple.
Kendrick Lamar stands on the flooded floor of a golden room looking up to four gigantic women, the goddesses of the temple. (YouTube/screencap)

The final shots of the music video have Lamar in what looks like an temple comprised of imagery and symbols of several African cultures  standing in awe of giant women clad in gold. Clearly, these women are the goddesses of old, and Lamar is paying his respects to them. For me, these women represent the lost goddesses of African religions. When I say “lost,” I don’t mean they’re lost to the world; there are many who still worship the gods and goddesses of the Yoruba and Igbo people, for instance. What I mean is that they’re lost to me. The slave trade made us African-Americans lose everything, including our religions, and seeing these women act in place of those goddesses made me realize that the music video was, once again, bringing us black viewers–and Lamar–back in touch with our roots. These goddesses act as messengers to the rest of the world that Africa is the motherland; Africa is meant to nurture, to uplift, and be respected and honored. Lamar seemed like he got the message. But if it still wasn’t clear to some viewing, the music video cuts to SZA’s hairstyle, which is in the shape of the entire continent. It was a stylistic and elegant version of a mic drop.

Overall, the entire music video left me feeling hopeful and, honestly, a little misty-eyed. This is the Africa I’ve always wanted to see portrayed. This is affirming on a gutteral level, more than I thought a music video could ever be. I’ve come away from it feeling like I’ve retained a chunk of my cultural identity that had been lost. As much as it is a cliche to type, I can honestly say I feel seen. This music video is definitely 2018’s version of “I’m Black and I’m Proud.”

How did you feel after watching the music video? Give your opinions in the comments section below!

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