What can I say that this picture can’t say for itself? Rami Malek is going to kill it as Freddie Mercury in Bohemian Rhapsody.
As you can see from the watermark, the image was first released on what would have been Mercury’s 71st birthday through Entertainment Weekly, and while we still haven’t heard Malek’s vocals (if you’ve been listening to him speak about the film on the late night talk show circuit, you’ll know that he has had to record himself singing for the members of Queen themselves), I’m almost past caring about that now that we’ve seen this picture of him in full the Freddie Mercury regalia.
— Rami Malek (@ItsRamiMalek) September 5, 2017
Malek mentioned his vocals in a quick interview he did with Entertainment Weekly, saying that the film will use parts of his own voice as well as Mercury’s voice coupled with a sound-alike to fill in any missing spots.
“We’re going to use Freddie as much as possible and use myself as much as possible,” said Malek. “I’m in Abbey Road [Studios] right now if that should say anything to you. I’m not working on my acting.”
As for sound-alikes, this sounds like a job UK singer Mika, who was tailor-made for this, and I wouldn’t be surprised if they were actually using him in this film. He even references Mercury in his 2009 breakout song Grace Kelly. If director Bryan Singer isn’t using him–WHAT ARE YOU DOING WITH YOUR LIFE, SINGER?! Put ME on your team to help you make these decisions!
As far as the look goes, Malek said the first time he finally saw himself-as-Mercury staring back at him in the mirror, it brought everything into focus.
“When you’re able to open your eyes and see a different person staring back at you in the mirror, it’s a very affirming moment,” he said, adding that the experience of being in hair and makeup to become Mercury”only adds to the level of confidence that one would need to play Freddie Mercury.”
As reported in 2016, Malek is perfect casting as Mercury, not only because of his resemblance to the late singer or his massive acting talent (which I’m glad has finally been recognized through Mr. Robot), but because casting Malek as Mercury is actually quite respectful casting coming from Hollywood, since Mercury was Parsi, an Indian community that has its roots in Iran, and Malek is of Middle Eastern background (Malek isn’t Iranian or of the Parsi community, though; he’s from a Coptic Egyptian background). While it’s not a Parsi actor playing Mercury, it’s better than the whitewashed alternatives that were out there and for Hollywood, this is a baby step towards better casting practices as a whole. At least that’s how I see it, if I’m looking at it from an optimistic perspective. As I stated back then:
Freddie Mercury’s family is from Gujarat (they later relocated to Zanzibar). Mercury’s family were Parsi, which is, as Wikipedia states, “one of two Zoroastrian communities…primarily located in South Asia.” Parsis migrated to Gujarat from Greater Iran, so there’s a crossover of Persian and Indian influence. While there are some Hollywood “all brown people are the same” tactics happening with Malek’s casting, at least this is closer to a semblance of respectful accuracy than Hollywood has been about big roles like these in the past. Remember, Sacha Baron Cohen and Ben Whishaw were the first and second choices for this movie.
Check out the Entertainment Weekly video below for more info. Bohemian Rhapsody comes to theaters Christmas day, 2018 (such a long time away!!!)
The Met Gala has come and gone, and we’ve learned three things:
1. Rihanna is the Queen of the Met Gala
— Affinity Magazine (@TheAffinityMag) May 2, 2017
2. Kylie Jenner doesn’t get out of bed unless she can copy a black woman
Well I mean… https://t.co/RZ3yghnspF
— Teen Vogue (@TeenVogue) May 2, 2017
3. Rami Malek, Riz Ahmed, and Donald Glover should star in a movie together. Any movie, whatever genre. Just make it, Hollywood.
— Denizcan James (@MrFilmkritik) May 2, 2017
Just look at these guys. I don’t even know if they’re friends in real life, but they’d look like they’d make great buddies. It’d be even better if they could showcase that friendship on celluloid (or, as it is nowadays, digital recording).
Picture it–a Girls Trip-esque film, but instead of having Queen Latifah and the gang go on an Essence weekend in New Orleans, it’s a Guys Trip, with Ahmed, Malek, and Glover going on a dude weekend in…anywhere other than Las Vegas, because that seems to be the cliche place for guys in a film to go. Let’s say they go to Miami, which is, technically also a cliche, but I used to live there and I like Miami, so there you go.
However, instead of the film being written like a typical “dudes on vacation” film, which usually involves a lot of ridiculous dude-bro behavior, the film would be written like…well, Girls Trip. From what I’ve seen of the trailer, it’s a film that is just as bawdy and sexual as any guys film, but instead, there’s the throughline of friendship and sisterhood. With the theoretical Guys Trip, the R-rated humor would be there, but there’s also tons of characterization and brotherhood there as well. It’d be awesome!
Also, we’d get to see Ahmed and Malek in comedic roles, something we haven’t seen from them in a long time, in the case of Malek (who has been in the Night at the Museum films), or ever, in the case of Ahmed (who hails from The Night Of and Rogue One).
If roadtrip comedy isn’t in the cards for these guys, then I’d certainly take a future in which Ramek joins Ahmed and Glover in the Star Wars universe.
— Carly Lane (@carlylane) May 2, 2017
What do you think of Guys Trip, and would you watch it? Or, what kind of film would you want to see starring this trio of handsome guys? Give your opinions in the comments section below!
This news is something I’ve had on my proverbial news desk for a while, but it got sidelined by all of this election malarkey. But I’m talking about it now–RAMI MALEK IS PLAYING FREDDIE MERCURY!
According to Deadline:
Bryan Singer is in talks to direct Bohemian Rhapsody, the long-in-the-works movie about the seminal British rock band Queen, with Mr. Robot’s Rami Malek playing frontman Freddie Mercury. The film is coming back together and is on the fast track at 20th Century Fox and New Regency with original producer Graham King and his GK Films.
Malek is the third actor listed to play Mercury for this particular project. First was Sacha Baron Cohen and later Ben Whishaw.
I’m excited for Malek to play Mercury. But first, let’s take two deep dives into Malek taking on the Mercury mantle:
1. Wasn’t Freddie Mercury Indian? Yes, Freddie Mercury’s family is from Gujarat (they later relocated to Zanzibar). Mercury’s family were Parsi, which is, as Wikipedia states, “one of two Zoroastrian communities…primarily located in South Asia.” Parsis migrated to Gujarat from Greater Iran, so there’s a crossover of Persian and Indian influence. While there are some Hollywood “all brown people are the same” tactics happening with Malek’s casting, at least this is closer to a semblance of respectful accuracy than Hollywood has been about big roles like these in the past. Remember, Sacha Baron Cohen and Ben Whishaw were the first and second choices for this movie. At least Malek is brown.
(To say it again, the key word here is CLOSER. Regardless of Malek’s and Mercury’s backgrounds, they actually cast a brown person to play a brown person. In Hollywood, when the lowest threshold has been cleared, that’s a win.)
2. Will Malek be able to truly inhabit Freddie Mercury? We originally didn’t know how Heath Ledger would be as the Joker, and he’s possibly the best Joker since Jack Nicholson, so folks shouldn’t sweat Malek’s performance in this film. I’m personally not worried at all about Malek’s ability to take on this role; he’s killed it every week on Mr. Robot. He’s killed in his movies, including A Night at the Museum. So let’s cut the guy, the first non-white Golden Globe winner for Best Actor in a Drama, some slack. He’s a fine actor.
As far as his singing ability, or should I say “singing” ability, the film’s creative team can always get someone to sing for him. That’s what happens in films all the time. If you’ve seen a Bollywood movie, nine times out of 10, the actors aren’t actually singing.
I think he’ll be able to act like he’s singing just fine, especially if he pulls a Deborah Kerr; for her role in 1956’s The King and I, she practiced singing despite the fact that she can’t actually sing. Since she knew she’d have Hollywood background singer Marni Nixon doing her vocals, she still wanted to appear as if she was singing; she didn’t want there to be a clear visual of her just opening and closing her mouth like a puppet. Basically, this bit of movie history is just to say that we know Rami Malek can’t sing already (or so we think); we just have to suspend our disbelief, and I think he’s talented enough to make us do that.
I’m ready to see what Malek’s going to do. What do you think? Give your opinions in the comments section below!
“Please tell me you’re seeing this too,” said Rami Malek as he accepted his Emmy for Outstanding Lead Actor in a Drama Series. His work on Mr. Robot is awe-inspiring, but it’s also absolutely necessary. While Malek’s character Elliot succinctly sums up the post-tech malaise and loneliness due to not fitting into society’s herd mentality, Malek also, quietly led a revolution just by being himself. Malek is of Egyptian descent, and as such, he’s become the first actor of color in 18 years to win an Emmy for Outstanding Lead Actor in a Drama Series.
18 years. That means a lot.
That means for as long as a non-white kid, let’s say a Middle Eastern kid, someone like Ahmed Mohamed, aka “Clock Boy,” has been alive, there hasn’t been an actor of Middle Eastern/North African descent who the Emmys have deemed “worthy enough” to win, despite the fact that tons of Middle Eastern and other non-white actors are out there, ready and willing to show off their gifts. A kid like Mohamed hasn’t been able to see himself portrayed positively on television, and this means that others watching TV haven’t been able to see positive representations of Middle Eastern characters either; all they and Mohamed see are their people as terrorists.
When all you’re seen as is a terrorist, then it’s no wonder why someone with a vivid imagination, hopped up on discriminatory and xenophobia from the TV screen, would paint a smart, innocent kid like Mohamed, a kid who could have potentially been a bright light pushing America towards a more industrial-sound, innovative future, gets labeled as a terrorist for bringing his model of a clock to school to show his science teacher.
Before you say, “There are clearly more factors into why that kid was mistreated,” let me be the first to say, yes, there are many more factors. The adults in that situation could have been adults and realized that this intelligent kid was hoping those he viewed as mentors would see, acknowledge, and encourage his gifts. The adults in this situation already had their own fears that they put upon this boy. But let’s also acknowledge how our perceptions of the world and each other filter their way through our televisions every day. When you see others as terrorists, thugs, nerdy comic relief, submissive and/or hypersexualized objects, and other dehumanizing stereotypes on TV day in and day out, society as a whole begins to view the real life counterparts as those stereotypes, despite the fact that stereotypes are lies.
Malek’s win should be an uplifting moment for every brown kid looking at the screen, daring to hope that they can be seen as mysterious and heroic, that they can be viewed as a well-rounded, deeply layered individual. The same goes for Alan Yang and Aziz Ansari’s wins for Outstanding for a Comedy Series. Their work on Master of None has, despite criticisms about the cookie-cutter sameness of the woman cast as Ansari’s girlfriend, helped create a platform for Asian American voices to finally tell their stories. With Ansari as the lead and Ansari and Yang’s writing propelling immigrant stories in the much-lauded episode “Parents,” the two were able to smash the Model Minority myth as well as the myth that Asian Americans can’t be mainstream leading men.
While Master of None directly spoke to the immigrant experience, Malek himself spoke to his own experience as the child of immigrants.
— Variety (@Variety) September 19, 2016
Related: The Next Omar Sharif: Why Finding the Next Middle Eastern Hollywood Star is Easier Than We Think
The Emmys also celebrated the stories of layered women, including the performances of Regina King in American Crime, to Julia Louis-Dreyfuss in Veep, to Sarah Paulson in The People vs. O.J. Simpson, to Tatiana Maslany in Orphan Black (who literally has to play multiple characters in the same scene), and many more. Jill Soloway, writer/director of Transparent and the star of Jeffrey Tambor were awarded for their work on the groundbreaking show featuring the journey of a family as they loved the main character through her transition. But while the show has been part of overarching criticism about Hollywood refusing to cast trans actors and actresses for roles, Tambor took his opportunity on stage to demand for Hollywood to cast trans actors and actresses, making it clear that he recognizes the privilege that allowed him to play his Emmy-winning role.
Courtney B. Vance, Sterling K. Brown, and Keith David all won Emmys too; Vance for his leading role in limited series The People vs. O.J. Simpson, Brown for his supporting role in The People vs O.J. Simpson, and Keith David for his narration for documentary Jackie Robinson. Keegan-Michael Key and Jordan Peele won for their hilariously creepy work on Key & Peele. RuPaul finally won for the stellar RuPaul’s Drag Race and the stories of those with Down’s syndrome were recognized with a win for reality show Born This Way.
Overall, the Emmys shamed the Oscars. Even though there’s still more work to be done when it comes to portraying a much wider array of stories on both the big and little screen, it’s clear TV has a better handle on the battle than the movie industry does. In a year when we experienced the zenith of #OscarsSoWhite, the Emmys has given the Oscars a masterclass on how to respect and award stories different than than the “white male lead” vehicle. The actors and actresses awarded Sunday night have given voice to so many of the voiceless, and the Emmys has not only bolstered their platforms; it’s bolstered those who believed no one would listen to them. Now that there’s a clearer path towards recognition, perhaps we’ll see less terrorists on TV, hapless nerdy stereotypes, one-dimensional women, LGBT stereotypes, and offensive stereotypes of people with disabilities. We’re nearing the day when everyone will be given their just due to tell their stories the way they see fit. Hopefully, we’re nearing an age where we can see everyone’s humanity first.
When he won his Emmy, Malek said to the audience, “Please tell me you’re seeing this too.” We’re definitely seeing it, this change happening in television, and hopefully it sticks around.
Rami Malek is a personal favorite around these parts, and his latest interview/photoshoot for the September issue of ELLE Magazine, he proves once again why he’s a low-key thought leader as well as a stellar actor.
In the interview, Malek talks about how he relates to his Mr. Robot character Elliot. His relationship to the character is much less about the self-important vanity of acting a meaty role (that kind of sentiment is something I’ve personally heard from an actress when discussing her role on a formerly popular show a few years ago) and more about how Elliot reflects a darker side to Malek’s past thinking and personal flaws.
“Look at me. I’m an actor who’s been struggling for a while, and there have been moments where I don’t think I’ve been the greatest in my personal life because I’ve sometimes taken my professional goals too seriously. So when I do things that aren’t as altruistic as I want them to be, I have to take inventory of myself, the way Elliot does when he starts to see the ramifications of his actions. He’s an unexpected hero in that way.”
It’s rare when we hear actors or actresses discuss their shortcomings in a way that’s genuine. Usually, too many of the acting set discuss their flaws in a self-congratulatory, humblebrag way, as if being proud of how “special” their flaws are makes them “just like us” while still using those same flaws to showcase how much “better” they are than the rest of us. When you read Malek’s words, you can tell he’s not talking about himself in a way to say “I’m better than you because I’m more perfectly imperfect than you.” He’s discussing past regrets like a person who has matured over time, and that makes him even more relatable than he already was. A lot of us can identify with feeling like there’s not enough time to make your dreams happen, of wanting to rush things to get to where you think you should be, of taking yourself too seriously. I know I can certainly identify. It takes a surprising lot of maturity to admit when you haven’t been as grateful or as well-meaning as you aspire to be, and Malek reflects that maturity in his answer.
It also helps that it seems like he’s not an actor who trips off of being famous. He still seems like a normal (yet immensely talented) guy. A guy who can take smoking-hot pictures. Just eat your heart out as you look at the top screenshot; there’s more where that came from in the actual ELLE article. (Of course, it goes without saying that model Cora Emmanuel takes a good photo too.)
Model @CoraEmmanuel takes fall’s gleaming patent leather look for a city spin on the arm of actor @RamiMalek, star of TV’s Golden Globe–winning @WhoIsMrRobot. Click the link in our bio for more shots of Rami and Cora modeling fall’s slickest looks. #WeAreFashion || ELLE September 2016 Photo by Azim Haidaryan
Malek’s star is on the rise; Season 3 of Mr. Robot has already been ordered, and Malek is getting ready to promote Buster’s Mal Heart, an indie film he’s starring in. Once again, he’s taking on a cerebral mind-bender of a character who is lost out at sea and in the wilderness, but recalls a former life as a family man. The film, which is expected to premiere at the Toronto International Film Festival (TIFF) is already expected to be a must-watch in the indie circuit, and it’s going to be exciting to see just how well this film does. You can take a look at the trailer right here.
What do you think about Malek and his regular-guy approach to Hollywood fame? Give your opinions in the comments section below!
Elliot Anderson is a fidgety, nervous, highly intelligent, strange, closed-off individual, yet he’s also the hero in the fight against debilitating capitalism. I’ve written for Entertainment Weekly how Mr. Robot‘s Elliot (Rami Malek) is the Superman of the post-post-modern age, but in that article, I wrote about his superheroism from a costume history point of view. This time around, I’m writing about his heroism from a very personal point of view. Like all superheroes, Elliot has a superpower, and even though he’s a hacker, his superpower isn’t his hacking skill. It’s his high sensitivity, the innate thing that allows him to see what others can’t see about his environment and society.
High sensitivity is something that was (and to some degree, still is) seen as a character flaw in a person. If you were someone who was easily disturbed by loud external disturbances, the emotions of others, and even your own emotions, you’ve probably come into contact with some who have either said you were making up stuff or blowing things out of proportion. You might have even been told you were weak and needed to toughen up. I was told that at five years old by a elementary school nurse. Thankfully, the school counselor was there to reprimand the nurse. “She’s sensitive!” she yelled, angry in my defense. I was appreciative, but the label “sensitive” was still something I didn’t understand, and since I didn’t understand what she meant, I took at is meaning that I had a fatal flaw. In mind, that fatal flaw kept representing itself every time I was moved to tears to by something, or failed to do something “quick enough,” or failed to react like a lot of the other kids around me, or when I felt scared and tense when the class would act up (leading to tons of noise from the kids and the teachers). In short, school was never my favorite, even though I excelled.
I didn’t grow up going to church every Sunday, but I came to dread the times we did go to church. Not because of the long wait time until church let out, but because the pastors would scream excitedly. Then everyone would start screaming excitedly. It was too much for me to deal with, so because of that, I could care less about going to church. (Well, there are other reasons I could care less about going to church, but that’s another article).
All throughout my childhood and into my teen years, I was certain something was wrong with me. I was certain I was too sensitive and needed to toughen up and hide my emotions so I could be perceived as “normal.” Personally, I think my deep satisfaction led to a lot of mental strife, like OCD, particularly Pure O symptoms, in which you think there’s always something wrong with you and worry that you might have missed some horrible thing about yourself that others could find out about. I was so worried about hiding myself and becoming “normal” that I caused more mental damage than I realized at the time. But once I read about high sensitivity, things started clicking into place a lot faster.
A quick overview of high sensitivity is that highly sensitive people (HSPs) are quick to be affected by small and large external and/or emotional disturbances.
Dr. Elaine Aron, the leading expert on the mindset of the highly sensitive person (HSP), states that about 20 percent of Americans are hypersensitive, which, despite still being a minority percentage, is still a surprising lot, given how Americans are often stereotyped by the rest of the world (and sometimes other Americans) as being loud and obnoxious. Aron lists some of these traits common to highly sensitive people on her site, hsperson.com:
• Being overwhelmed by bright lights, coarse fabrics, sirens, loud noises, or strong smells
• Getting rattled and flustered when tasked with doing a lot in a short amount of time
• Needing to withdraw to yourself to ease overstimulation to the environment
• Arranging your life “to avoid upsetting or overwhelming situations”
• Having a “rich and complex inner life”
The site Highly Sensitive People states that HSPs are”mainly seen as shy, introverted and socially inhibited (or can be socially extroverted). They are often acutely aware of others’ emotions. Sensitive people learn early in life to mask their wonderful attributes of sensitivity, intuition and creativity. Highly Sensitive People also defines HSPs as having “low tolerance to noise, glaring, strong odors, clutter and or/chaos,” as having more body awareness than others and instinctively knowing when their environment isn’t helping them. HSPs are also described as probably feeling like “misfits,” as people who enjoy time alone and need time by themselves to recover from social interaction. “HSPs compensate for their sensitivity by either protecting themselves by being alone too much, or, by trying to be ‘normal’ or sociable which then over-stimulates them into stress,” states the site. The culture HSPs might grow up in could exacerbate their feelings of not belonging. “Culturally, HSPs do not fit the tough, stoic and outgoing ideals of modern society and what is portrayed in the entertainment media,” it states. “Spiritually, sensitive people have a greater capacity for inner searching. This is one of their greatest blessings.”
So what does my personal testimony and all of this information have to do with Elliot? For one, I’ve never identified with a character as much as I do Elliot. Second, I think a character like Elliot is a character we should see more often on television. We all can’t be overconfident, exuberant extroverts like Beaumont Rosewood from FOX’s Rosewood, for example, who is the epitome of the “Confident, yet Complicated, Virile Male” trope. Or the Marvel Cinematic Universe superheroes, all of which are now bleeding into each other by how similar their personalities and character quirks are. How can everyone on that team compartmentalize their emotions and have the energy to provide witty banter? Does no one have a mental breakdown from all of that stress? Even Ichabod Crane from FOX’s Sleepy Hollow is too strong to be real at times. If anyone should be deep in their feelings, it should be him, since he’s a man out of time and he’s someone who never got to properly say goodbye to his family.
Women are generally characterized worse than men. We’re only just now getting complex female characters, thanks to Orange is the New Black, How to Get Away with Murder, Scandal, Orphan Black, House of Cards, and others. But still, women’s emotions are often second fiddle to the fashion or makeup she’s sporting (or the lack thereof). Too many times, the fashion makes the character instead of the character’s emotional landscape being the prime informer of character decisions. Or, even worse, the character falls into trope. She’s “complicated” because she’s a sexy assassin, or because she’s a doctor who doesn’t play by the rules, or because she’s an undercover operative who uses her sexuality to gain information (too often, a woman’s “complicated” characterization revolves around how much they allow themselves to be a sex object for the male viewership). “The complicated relationship between women characters, beauty, fashion, and worthiness can be another article by itself, but the point is that a woman’s characterization still needs work, and most characterizations don’t portray a woman who faces depression, OCD (real OCD, not the cutsey, stereotyped stuff usually shown on TV), high sensitivity, and society’s mischaracterization of both, but still manages to get the job done despite everything thrown her way.
What the character Elliot gets right about people facing high sensitivity is that they are not only misunderstood by the world, but they are misunderstood by themselves as well. Because no one really teaches about high sensitivity as being a normal way of thinking and interpreting the world, people often come down hard on highly sensitive people for “not being tough.” This is paramount in those scenes featuring young Elliot facing his berating mother, who tells him he’s not worth anything, that he’s weak. She abuses him into “toughening up,” but she can’t see the form of toughness Elliot already possesses. Because of this, Elliot grew up seeing himself as weak when he’s always been the complete opposite. Because of his mother’s abuse (and maybe because of something we don’t know with his dad’s death), Elliot has rejected himself and strives to find his “true,” “acceptable” self by self-medicating with cocaine, becoming a loner, and by taking on the mantle of a hacking vigilante. One thing that’s really interesting about Elliot is that despite his loneliness, he refuses to let many people, including his psychiatrist, inside to understand his world. This point is made clear in what I feel is probably the best scene of television, hands down:
The scene says a lot about the HSP, their perceptiveness, their rich inner world (to paraphrase Aron), and the disappointment many HSPs experience when it comes to the rest of society. Elliot, like a lot of HSPs, can interpret certain subtleties about life that others might miss. Elliot knows his environment—American society—is wrong on many levels, particularly when it comes to letting money, apathy, and hardness rule instead of allowing sensitivity its day in the sun. But the fact that he knows his environment doesn’t suit him pales in comparison to how much his inability to fit in makes him feel like a huge mismatch with his world. Everyone else around him is able to belong, but his depth of feeling, his ability to feel and see a lot that most people miss or want to ignore, has him feeling out of place to the point of nihilism.
However, despite Elliot feeling like a failure and a weak person, Elliot is constantly demonstrating his power and inner strength. He kicked his cocaine habit by himself, for one thing (which is actually quite dangerous). He has sent people to jail from his hacking skills (which means he’s not afraid of the risks involved, including getting caught). He (and/or Mr. Robot) formed the hacking group that took down Evil Corp. Meanwhile, Elliot calls himself “just a tech.”
Elliot’s actions are a huge reminder to other HSPs out there, that no matter who says we can’t do something or that we’re too weak, we aren’t too weak to do whatever we want to do. We, like Elliot, just have a different form of strength. Our strength is to take in the subtle and sometimes unspoken messages the world sends to us in the form of the emotional output and come to conclusions about how to provide help and healing. What Elliot is doing is dangerous, no doubt, but in his own way, he’s trying to heal his world using his superpower of high sensitivity. A highly sensitive person’s superpower is to protect the emotional self and the emotional selves of others; to me, that’s why we’re so connected to emotions in the first place. Elliot can sense that the emotional state of the world is in danger, and he’s going to great means to fix it, because fixing it means that he’ll finally have a place he can call home.
Most of us aren’t going to hack our way to a new world order though, so what we in the real world can do is protect our own emotional selves first. If us HSPs can reject what we’ve been told about “toughness,” honor our own unique gifts, and become excited about how we view the world, then we’ll be able to provide our talents more freely and without fear of rejection. One thing we can take away from Elliot’s quest to erase capitalism is that we have the ability to give power back to ourselves. Just like no corporation should hold power over people, no single person should be able to rob you of your personal power. You don’t have to hack society to say you belong. All you have to do is say “I belong,” and believe it.
2015 saw a ton of explosive shows vie for our attention, from the new seasons of How to Get Away with Murder, Scandal, and Empire, to the new faces on rookie shows like Rosewood, Quantico, and The Grinder (or, in The Grinder‘s case, familiar faces we haven’t seen in a while). But if there were two new shows that captured the imagination more in 2015, they would have to be Mr. Robot and Into the Badlands.
This past August, I wrote a rebuttal to The Hollywood Reporter‘s article written around the time of Omar Sharif’s death, titled, “Will Hollywood Ever Produce Another Arab Star Like Omar Sharif?”, and in my article, I wrote that there are plenty of Middle Eastern actors who could be Hollywood’s next Sharif-esque heartthrob, if Hollywood gave them a chance. I wrote about several actors out there dominating the TV space, including Mr. Robot star Rami Malek. To quote myself:
Rami Malek, who is Egyptian (and might be one of the only, if not the only, major Hollywood actor of Egyptian heritage to actually play a pharaoh—the Night at the Museum analog for Tutankhamun, Ahkmenrah ), plays Elliot in Mr. Robot. Elliot’s haunted by his past and wants to make a difference in the world, even if that difference includes criminal activity, and nowhere does the show make mention of his ethnicity, or the ethnic backgrounds of anyone on the show. On Mr. Robot, ethnic backgrounds thankfully come second to the drama of the show, so no one is really pigeon-holed into acting a certain way. But it’s worth mentioning that Malek is Middle Eastern, and one of the few brown actors in Hollywood who isn’t playing a terrorist.
At the end of the article, I wrote this:
The common denominator with everyone mentioned in this article is that Hollywood’s system is working against them. To quote Sharif himself, he said it was “not logical” for an Arab actor to become a star in Hollywood. “I was the only one that made it; there will not be another.” However, Hollywood could decide to prove Sharif wrong and give more than just one brown actor a chance to achieve Sharif’s level of success, a success that shouldn’t have anything to do with your skin tone or where you come from, but on the merit of your acting talent. If Hollywood was fair and let more brown actors make it, I think Sharif would be glad to see from his perch in the afterlife that he’d be proven wrong.
It seems like Hollywood is about to prove Sharif wrong and everyone who doubted Hollywood (including me), thinking it’ll fall into its old habits. According to The Hollywood Reporter, Malek has been cast in his first leading role in a film, that film being indie mystery-creepfest Buster’s Mal Heart. Malek will play “an eccentric mountain man” who is running from police and hides out in vacation homes. He keeps having weird dreams and comes to realize that he’s one man inhabiting two bodies (and, two different realities, since the other man is lost at sea). In anime terms, think how the Nameless Namek split into Kami and King Piccolo and fused back into one being much, much later. The question that needs solving in Buster’s Mal Heart, aside from how the man split from himself, is how he can fuse back together (if he even wants to do that).
The story is a mind-bender, for sure, and it’s certainly in Malek’s wheelhouse, because Mr. Robot is, oftentimes, a mind-bending experience. Malek has tons of the alt-mysterious cred (to himself and from his role on Mr. Robot) to make this movie sound not only cool, but plausible as a possible blockbuster. But what makes this news really cool is that Malek has now become one of the few actors of Middle Eastern descent out there that are starring in films that don’t have anything to do with terrorism or stereotypes.
I’m so glad that Hollywood’s given Malek a chance. It also goes to show that maybe, just maybe, the market is opening up to accepting actors of Middle Eastern descent, since Malek’s entryway into the leading role standard wasn’t his first big film role as Akhmenrah, but through his Mr. Robot TV role. (Albeit, it was also a TV show that played at SXSW and won an award.) Basically, TV could be another avenue many other Middle Eastern actors could find the success they were denied by Hollywood initially and make Hollywood give them their deserved due.
When I spoke to Tyrant star Cameron Gharaee for the Entertainment Weekly Community, we started talking about how important television could be to the Middle Eastern actor looking to make it. To quote him:
A lot of Americans don’t know about the Middle East, yet they have strong political views on things—but these are people too, and they have struggles. It makes it an even playing field for everyone, and it’s going to open a lot of doors, hopefully. Especially with the show doing well and people enjoying it, it can open the door for more shows. I think that’s what this is; it’s a bridge to testing the waters and saying, “Look, these shows are entertaining, these people do have an interesting culture.” It’s rich and colorful, and they have really amazing personas. The personalities of the culture are very fascinating … it’s a beautiful culture. I think this is a bridge to open that door for more stories to be told—and that’s all you can really hope for.
Can Hollywood keep up the precedent they’ve now set with Malek? Lets hope so, because there are many other stars out there that need that door kicked down.
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MR. ROBOT — “m1rr0r1ng.qt” Episode 109 — Pictured: Rami Malek as Elliot Alderson — (Photo by: Christopher Saunders/USA Network)
This article has been a long time in the making, mostly because it’s hard for one person who has several jobs out outside of maintaining a site to keep with and write articles about prominent news stories. But I do my best, and this particular issue has been on my radar for a while thanks to my constant reading of The Hollywood Reporter.