JUST ADD COLOR is in the process of growing in 2016, and one of the ways we’re doing that is by creating COLORBLOCK Magazine, a monthly magazine that features more of the content JUST ADD COLOR has already—analyzing how race and culture are perceived in entertainment, and how those messages affect how we see ourselves.

The latest issue of COLORBLOCK Magazine is a recap of the Oscars, which was a mixed bag, to be honest. From the racist jokes to addressing stereotypes in film, to #OscarsSoWhite and more, this issue of COLORBLOCK hits some of the biggest moments from before, during, and after the Oscars.

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Here’s a bit from one of the magazine’s articles, “Lesson Providers and Tragic Figures: How The Revenant Reflects Hollywood’s Objectification of Characters of Color”:

Would you believe that Oscar film The Revenant has something in common with No Escape? Even though the film has been praised for its technical prowess and stellar acting, the Leonardo DiCaprio starrer has been called out on the story still following an old Hollywood trope: having a story involving non-white characters revolve around white leads.

Gyasi Ross wrote for The Huffington Post that the DiCaprio’s lead time in the movie could have been ceded to some of Native actors in the film. Comparing DiCaprio to Marlon Brando, who allowed Sacheen Littlefeather to speak to Native American sentiments at the Oscars, Ross wrote, “it would have been cool if [DiCaprio] surrendered that space for Native people to have some agency.”

Ross goes onto say that while The Revenant successfully strove for historical accuracy, it doubles down on the “white savior” trope that plagues many Hollywood films.

You can read the latest issue by clicking the link in the sidebar as well as clicking right here. You can also read past issues in the archive. If you love what you’ve read, make sure you leave me a comment, either on Twitter @moniqueblognet and @COLORwebmag, Facebook, or at ISSUU and share with your friends! These people did:

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By Monique