The film, which was released last week, features a young man, Cross (Jason Sistona), who is lured into the San Fernando Valley’s world of backyard boxing in order to get enough money to save his mom’s life. It’s a 9-minute tale that quickly draws us into our protagonist’s life, which pits the urge to do whatever it takes to get his mom the life-saving medicine she needs against his reticence to become part of an underground boxing ring. At least he has someone looking out for him–Salvador (Daniel Edward Mora), his co-worker and friend.
One of the big draws to the film is Maravilla’s insistence that the film reflect his experiences growing up in the Valley.
“Growing up Mexican-American in the San Fernando Valley, I never really saw myself or my friends represented in the movies. I attended a high school that was predominantly Latino and Filipino,” said Maravilla in a statement. “Every other Tuesday we’d get out two hours earlier than normal. Kids would get together at a friend’s house to box without getting into trouble with deans, teachers or parents. While photographing my two closest friends sparring in the backyard, I snapped an image that grew into a larger story about trying to find your way into a profession that you have no connections to, while also balancing responsibilities to your family and culture. When it came to write the screenplay based on the image, it felt dishonest and unnecessary to change the races of the characters.”
“I had a unique opportunity to craft a compelling narrative that looked at traditional ideas of masculinity found in both Filipino and Mexican culture,” he continued. “With the help of a talented cast and crew from all different backgrounds, we strived to honestly reflect the people who live in the Valley, people whom have never really been portrayed in film. There are more stories than the ones mainstream Hollywood chooses to focus on. By honing in on cultural specifics and exploring the social and family structures that affect these characters, universal themes and emotions emerge that will connect with audiences of all backgrounds.”
Maravilla said the film was shot as a cross between a noir and a western, but with the suburbs as the backdrop. Indeed, the decision to make this short film in a non-traditional setting and with inclusive characters makes Cross a fun film to lose yourself in. For a short while, you feel like you’ve entered a lived-in world. Since it is based on Maravilla’s childhood, it very much is a lived-in world, one we don’t see enough of on the big screen. It’s clear to see how Cross has touched a positive chord with viewers and film critics; it’s already acquired a slew of accolades.
“My team and I had an extraordinary opportunity to bring a story and characters to the screen that audiences have never seen before,” said Maravilla. “This story has the ability to expands viewer’s frame of reference for two unique cultures and humanize individuals that have seldom had a voice in independent film.”