Giving Me Life, a Kickstarter Creator-in-Residence project and a 2017 New York Television Festival Official Selection, focuses on a core group of friends–Nala (Lori Liang), an artivist who has to reconcile her idealism with the stark realities of making money; Leah (Natalie Jacobs), a career-driven Type A investment banker whose studying for the GMATs and only dates up; Travis (Marshall star Mark St. Cyr), a highly spiritual, charismatic guy who thought he’d found the right spiritual partner; Cam (Sly Maldonado), a lovable party boy who is actually looking for the right woman to settle down with; Jess (Nathaly Lopez), a middle school counselor who uses her counseling skills to be the listening ear for all of her friends–even though she has problems making room for a girlfriend in her life; and Gil (Jarvis Tomdio), Nala’s crush, a people pleaser and “the epitome of geek-chic.”
These friends are trying their best to make it in New York and achieve their dreams while not losing their minds in the process. Thankfully, these guys have each other, and regardless of whatever problems they have, they all have each other’s back. The camaraderie is what makes the show so easy and enjoyable to watch. So far there are only four episodes, but once you finish, you’ll wish there were more.
Honestly, the show has left me wondering why this hasn’t been snapped up for TV pilot season. I think this show is good enough to rival series like Insecure, Dear White People and Master of None. It definitely gives viewers everything they’re asking for in these representation-focused times. We have tons of diversity, but more than that, we have inclusion; we’re told stories that reflect the lives of real people from the perspectives of people of color. The characters are never cookie-cutter; they are dynamic, fresh, well-rounded and behave like people we’ve come in contact with before (for some of us, we might be those characters). Their different socio-economic, ethnic, and sexual spaces these characters reside drive the storylines in an organic way, and there’s never an episode that feels like it’s a “very special episode.”
What might be the most refreshing thing about Giving Me Life is that it gives its LGBT characters room to be imperfect people. I think one failing some shows on TV have when it comes to representing LGBT characters is that there’s a tendency to make the characters the poster children for the LGBT community. There’s a compulsion to try to make them perfect or edgy in some way. The characters in Giving Me Life, however, aren’t treated like stereotypes. Their needs and wants are just as fleshed out as their straight counterparts, and they are allowed to make mistakes.
For instance, Travis believes he’s found his soulmate with his boyfriend, but realizes that his boyfriend might want more than Travis can give him. After a bad experience with swinging (something the deeply religious Travis didn’t want to do in the first place), Travis breaks up with his boyfriend, but later wonders if he made a wrong choice. Leah, on the other hand, meets and falls in love with a man who also seems like the perfect match–they’re both climbing the ladder to financial success, they enjoy a certain level of luxury, they’re both bisexual, and they both feel the strain from stereotypes placed on bisexual people. But the catch is that Leah doesn’t even know her guy’s name. Not knowing his name makes her feel thotish, and one thing Leah won’t let herself be is a thot.
Overall, Giving Me Life will, in fact, give you life. You’ll feel like you’ve found a new set of friends, and it’ll leave you with the hope that more episodes come very soon.