I’m so excited to share official Paramount photos from today’s Martin Luther King Day event, led by crew and castmembers of Selma. I wish I could have been there in person, but these photos really give the sense of energy, fun, and remembrance that the day had.
Kevin Hart sure stays in a movie, doesn’t he? The Wedding Ringer is barely out, and there’s already a trailer for Hart’s next film, Get Hard.
There’s so much Selma news that’s been on my radar, but I haven’t had the time to post. So here goes.
Synopsis (Paramount): SELMA is the story of a movement. The film chronicles the tumultuous three-month period in 1965, when Dr. Martin Luther King, Jr. led a dangerous campaign to secure equal voting rights in the face of violent opposition. The epic march from Selma to Montgomery culminated in President Johnson (Tom Wilkinson) signing the Voting Rights Act of 1965, one of the most significant victories for the civil rights movement. Director Ava DuVernay’s SELMA tells the story of how the revered leader and visionary Dr. Martin Luther King Jr. (David Oyelowo) and his brothers and sisters in the movement prompted change that forever altered history.
Remember when the news about Scarlett Johansson playing playing Major Mokoto Kusanagi in the live-action Ghost in the Shell film was released? Remember how it was apparent that people would start petitioning and venting in outrage? Well, here’s the petition.
I honestly can’t say I’m surprised, given the talk/excuse about the rumored event of the Selma team not sending out screeners (which I don’t completely believe because something seems left out of the story), but I am a little sad that Selma‘s been snubbed at the Oscars.
Black Or White looks seems like it could be a very interesting film in the landscape of “January” films. It’ll certainly have a lot more to say than a lot of them, that’s for sure, and it’s timely, seeing how so many of us have been focusing on race relations in America.
There’s a lot of Selma news to discuss, so let’s just dive right into it.
You might have already read my interview with Wedding Palace co-screenwriter Robert Gardner, so you’re already aware of this cute and charming movie. But there’s something else important about Wedding Palace; it offers Hollywood a different pathway towards making films. This pathway should be a no-brainer, but it’s path that Hollywood regularly averts, which is actually casting actors and actresses that represent the characters and their heritage.
I think my articles on Exodus: Gods and Kings, the Sony hack, and Ghost in the Shell say it best: Hollywood is messed up when it comes to real representation of non-whites in entertainment. Another thing it shows is that there needs to be a studio or agency that will handle films that otherwise wouldn’t get sold in the traditional Hollywood system so that new and important stories can finally get out of the script ghetto. Enter Charles King and his new venture, MACRO.