Oprah Winfrey stole the Golden Globes show, didn’t she? During a night where genuine anger and defiance mixed with performative “wokeness,” Oprah reminded us all why she’s the most respected and revered name in Hollywood.
I’m planning on having my full thoughts on Oprah’s speech and the night as a whole later today. But for now, enjoy Oprah’s amazing speech once again via NBC’s YouTube page and start your day off on the right foot.
Francesca Andre has a message for everyone with her short film, Charcoal. The main theme of her film is about colorism and its damaging effects on the black diaspora. Her two main characters go through a journey of self-acceptance and self-awareness, and that journey is something Andre hopes is replicated in her viewers.
I’ve had the chance to speak with Andre recently about her film (which you can learn more about in a previous article and the trailer below) as well as her opinions on how colorism affects us. I also asked about the Dove ad that sparked controversy, and how we can heal as a people from our societal wounds. Andre offers clear insight into her own journey towards healing and how we can continue the process of healing in our own lives. Here are highlights from that conversation.
Charcoal can be seen at the Yonkers Film Festival Nov. 3-8.
The inspiration for Charcoal:
Colorism is something that has impacted my life at a very young age. It’s very common in Haiti—it’s not white people versus black people, it’s really lighter skin versus darker skin. At a very young age, I was made aware of that. When I was probably five years old, I received a dark-skinned doll. When I took it home, people started making fun of the doll, saying the doll is ugly. My mother being brown-skinned, my grandmother being lighter-skinned, and my grandfather and my father being darker skinned men, people just made comparisons to the skintones.
Colorism and the lasting effects of racism in the black diaspora:
We’re still dealing with the consequences [of racism] as a people when it comes to economic empowerment, how we are being perceived and anything else—colorism sits right in there. It’s still affecting us, we’re still dealing with it, it’s not a thing of the past. We’re still healing from it. Those of us who are aware and are making a conscious decision to talk about it. You can’t really talk about racism or the advancement of us as a people and not talk about colorism.
Here in America, [the Dove colorism ad] was a mainstream brand that everyone can see, but you have some smaller brands, when you go to Caribbean markets that are selling [similar] products. You have women making skin-bleaching lotion and selling it to other women. I guess for some people here, it’s not as blatant as it is in other cultures—if you go to CVS, you probably won’t be able to find it, right? But it’s happening. It never went away, at least from my experience; as long as I’ve been alive, I’ve always known about these products.
Even thinking about “good” hair,the hair is not closer to our hair texture. It’s something closer to European hair texture. But when you look at our hair and the versatility of our hair, to me it’s like, really good hair! It took me a long time to reprogram myself, my thoughts, and redefine what “good” hair was for me to access [my hair] and accept it, love it, and embrace it…I don’t have any problems with it now.
On how to heal from colorism:
I do feel like we need to start having conversations, and an important part of that is the healing part of that. I think you will see that you’ll find more women going natural more than ever. Here’s what’s fascinating: how so many black women did not know their hair period because they just haven’t been dealing with their hair…they did not know how to take care of their hair; it’s been processed. When they find out what products work on our hair and what they can do to make their hair do this and that. Again, it’s knowledge and healing and more women are stepping out. It’s not a strange thing now to see a black woman with natural hair in the workplace. There was a time when this wasn’t a thing. Now, more people are going natural, embracing it and being unapologetic about it. I feel like we’re going forward. Even with skintones, too—[online campaigns and phrases like] “My melanin’s poppin’,” #BlackGirlMagic—we are healing collectively. I hope the men are using those terms as well; I hope the men are healing because they are also victims of colorism. I hope that we as a people stop the vicious cycle.
…First of all, I think [the first step to healing is] knowing what colorism is. Many people don’t even know what colorism means. It really starts the conversation. It’s hard to change beliefs, but one way we can do that as a people is to talk—ask [about it] and dialogue. Increase representation [in the media] to make women more confident in who they are and how they look. As an artist and storyteller, the way I [change] people is including it and showing it, talking about it and not pushing it away…Whenever I see a girl with natural hair, I tell them “I love your hair” or “I love your twists”; I make it my job to remind them because all the messages they are receiving are the opposite.
How Charcoal can start viewers’ journeys toward self-acceptance:
I think there’s a universal aspect to it. I hope people feel inspired and hopeful. I hope people find some sort of healing or be the beginning of that journey. We all can relate to pain, and the characters go through that, but we can see how they overcome that.♦
This interview has been edited and condensed.
Halloween is here, but you might as well go home, since YouTube creator Anuli of Thou Art Anuli has already won it.
This creative DIY-er has sprinkled #BlackGirlMagic all over your favorite cartoon characters and has presented her audience with amazing cosplay costumes. If you want to get your Halloween started right, check out some of her outstanding costumes below.
1. Doug, Skeeter, Patti Mayonnaise, and Roger from Doug
What’s great about these costumes is how instantly recognizable they are. There’s no mistaking any of these costumes as being anything other than Doug, Skeeter, and co. But they’re also glammed-up versions of these characters as well, making them even more larger than life. They’re also pretty easy to make, which is great if you don’t have a big budget. All you need is a little imagination and some DIY ingenuity.
2. Sailor Moon
Anuli’s version of Sailor Moon picks up on the purple hair trend that’s been seen so often in black Sailor Moon recreations, such as AisleyBarbie’s fanart. But what Anuli does to make her version different is pick up on the “dumplings” in Usagi’s original hairstyle and repeat them throughout each ponytail. Also, Anuli used ombre hair, which makes this Usagi’s hair even more magical and fantastical.
3. The crying nun from American Horror Story
What’s great about this costume is that it’s surprisingly easy to pull off and highly effective. The nun’s habit is actually a T-shirt! Probably the most expensive thing are the scelera lenses. This look proves you can be absolutely horrifying on a budget.
4. The Powerpuff Girls
In this rendition of the Powerpuff Girls, Anuli rebranded them as “The Afropuff Girls,” giving blackness and black beauty a front-row seat. Again, the costumes and hair are all instantly recognizable as “Powerpuff,” but the new take gives it modernity and edgy style.
5. The Gross Sisters from The Proud Family
This might be the most glam version of the Gross Sisters I’ve ever seen. Anuli’s versions of these characters are also classic ’90s, complete with baby hair, bandanas, and gold hoops. Of course, the characters dress like this in the show, but the way Anuli has given them a grown-up edge, it looks like they’re ready for their close-up in Dead Presidents or Set It Off.
6. Goku (or Gohan) from Dragonball Z
Yes, you can make a Saiyan femme, and Anuli has given girls and femme-presenting anime lovers a cool way to rep your Saiyan pride while also keeping it cute and stylish. Instead of wearing pants, she’s wearing a tank top dress, which brings this look to a much more modern and fresh place.
COLORful Trailer posts are merely to showcase the trailer without judgement–that’s up to you, the viewer!
Movie: Jumanji: Welcome to the Jungle
Movie Studio: Sony Pictures
Genre(s): Action/adventure, Comedy
Release date: Christmas Day
Director: Jake Kasdan
Cast: Dwayne Johnson, Jack Black, Kevin Hart, Karen Gillan, Nick Jonas, Bobby Cannavale
Official synopsis: In the brand new adventure Jumanji: Welcome to the Jungle, the tables are turned as four teenagers in detention are sucked into the world of Jumanji. When they discover an old video game console with a game they’ve never heard of, they are immediately thrust into the game’s jungle setting, into the bodies of their avatars, played by Dwayne Johnson, Jack Black, Kevin Hart, and Karen Gillan. What they discover is that you don’t just play Jumanji –Jumanji plays you. They’ll have to go on the most dangerous adventure of their lives, or they’ll be stuck in the game forever…
What do you think of this movie? Sound off in the poll!
Hot off his Sexiest Man Alive recognition and his success with Moana, Dwayne Johnson is heading back to the movie theater next year with Baywatch. The film, also starring Zac Efron and Alexandra Daddario, pokes gentle fun at the original Baywatch TV show, complete with slow-motion running, over-the-top rescues, and the show’s overt focus on flopping boobs.
The premise of the movie is shaping up to be yet another buddy-cop type comedy, with the old school, seasoned vet (Johnson) begrudgingly taking on a young hotshot who is reckless, but still has the skills needed for the job (Efron). It’s a formula we’ve seen before. It’s also a formula that would be even more tired than it is now, but with Johnson’s charisma and charm, the film still manages to wring out some life from the genre.
There are also some surprises in store with this trailer, like a quick look at Priyanka Chopra’s HBIC-looking character, and a sly joke about racial privileges.
Check out the trailer below and see what you think! Baywatch comes to theaters May 2017.
Marvel has had a time with inclusiveness in their films. For most of their first two phases, they have failed at it, to be honest. The beginning of their third phase has gotten off to a rocky start with Doctor Strange. However, Marvel seems to be swiftly making up for their errors; first, we had Netflix’s Luke Cage (which has been greenlit for a second season, so hopefully we can get more #ShadyMariah action). We’ve also seen the amazing cast for 2018’s Black Panther. Now, we’ve got the trailer for Spider-Man: Homecoming, and boy does it look refreshing.
Let me count the ways in which Spider-Man: Homecoming might be the turning point for Marvel’s films.
1. It actually looks like the real world. Let’s face it; New York City doesn’t look like Sex and the City. I’d say Law and Order, New York: Undercover and Living Single are the closest things to what New York actually looks and feels like. It’s a high-class town, and it’s also one of the grimiest towns. It’s also full of people of color.
Spider-Man: Homecoming, unlike other Marvel films, actually portrays New York as the diverse melting pot it is. The film also goes one step further and imbues a freshness to the city. Maybe it’s because the film is also in a high school setting and the majority of the cast are young. But this version of New York matches the vibe of the city—fast-paced and full of life.
2. A black girl is the love interest. Laura Harrier’s Liz Allan is “the new top,” (which is what Peter calls her, I think), and I couldn’t be happier. Now, if I’m being honest, we can talk about colorism issues, since there’s no black or biracial girl who’s darker than a paper bag in this movie. But that doesn’t negate the fact that Harrier is the first black love interest in a Marvel movie. That’s both a legendary title (for Harrier) and a shameful one (for Marvel).
How Peter, who seems way out of her league, gets her as his girl is something I’m dying to figure out, because I’m not seeing how Liz would give Peter the time of day. And maybe Zendaya’s character (who is or isn’t Mary Jane) is the one Peter’s actually supposed to be with (a la Clueless). If that’s the case, I hope the racists are extra mad, since either way, Peter ends up with a non-white girlfriend.
3. Marvel finally showcases positive multicultural representation. Jacob Batalon’s character Ned Leeds is a Filipino-American actor hitting the scene in a big way, and what better way to kick off your Hollywood career than in a splashy Marvel movie. The film also showcases the talents of Kenneth Choi, Orange is the New Black‘s Selenis Leyva (shown in the trailer), Hannibal Burress, Garcelle Beauvais, Tony Revolori, Abraham Attah, Donald Glover and many, many others. This is the most diverse cast in Marvel Studios history, which is damning praise, but praise nonetheless.
4. It looks like the Spider-Man movie we’ve always been promised. When the original Spider-Man film starring Tobey Maguire came out, we were happy with it; it seemed cool and the comic book movie genre was still in its infancy. But now, after so many iterations of Spider-Man’s origin story, the film franchise was in danger of dying out just because we were all sick of seeing Uncle Ben die. Thankfully, Marvel had the sense to skip all of that drudgery this time around. Uncle Ben is already dead, Aunt May isn’t a grandma, and we’re following Peter (who actually looks like he should be in high school—sorry, Tobey) as he finds his place within the Avengers, aka The Grown Adults Club. Also, we get some extra Iron Man appearances for our trouble. The film is ready to immerse us in the rest of the stories Spider-Man has for us.
Check out the trailer below and write what you think in the comments section. Spider-Man: Homecoming hits theaters July 7, 2017.
As a Planet of the Apes superfan, I am excited beyond a doubt to see the trailer for the next installment in the modern Planet of the Apes series, War for the Planet of the Apes. I’m happy to say I’ve loved what I’ve seen.
Take a look at the trailer for yourself:
First, it’s super exciting to see Caesar back in rare form. Rarest form, I should say, since Caesar (and the other apes I’m sure) is showing much more human-like motion and much broader range with the English language. All he needs to start doing now is wearing the classic green chimpanzee suit.
Second, I’m curious about the girl. Why is she so important, and why does Caesar constantly cape for humans? I mean, I get it; I’m joking just a little. But seriously, though, why? Koba went off the rails, sure, but it’s not like he was completely wrong as to why he thought humans had no place in his ape world. I’m just saying.
(Yes, if push comes to shove in the human apocalypse at the hands of apes, I will be a traitor to my species.)
Third, Woody Harrelson looks intimidating as humanity’s last hope for survival, the unnamed colonel. Of course, Harrelson will crush this role. But this also brings me up to a gripe I have with sci-fi: the lack of prominent roles for actors of color.
Now, it’s not that I want to be at the center of an apocalyptic fight anyway, but how come humanity is still being represented as just one race? To be fair, in Rise of the Planet of the Apes, we had Frieda Pinto and David Oyelowo. In Dawn of the Planet of the Apes, there was a smattering of POC extras with lines in the movie and in the main cast, there was Kirk Acavedo and Jon Eyez (as humans) and Laramie Doc Shaw and Andy Serkis (as apes)—of course, Serkis has played Caesar in all of the recent Apes films, but he’s also a POC actor covered in CGI. It’s the human casts that always bug me a little, and the human cast for War of the Planet of the Apes seems just as lacking as the previous two, if not moreso. Granted, we don’t know how important East Los High star Gabriel Chavarria’s character Preacher will be in the film, or Mercedes de la Zerda’s Lang, or Emmanuel Amadeo Badal’s soldier character. But in any event, the fight for humanity still seems like a white event with all three films featuring white male leaders (or, in James Franco’s case, the ultimate villain to humanity by creating the fateful vaccine that would facilitate the end of our world).
I write this to bring up a larger point; it would be nice if we could have a person of color be cast as the leader of humanity for once in these doggone movies. What do we have to do to get that position?
To switch gears back to the main plot of the film, it’s clear that this is the film that will act as the bridge to the original ’60s movies. Director Matt Reeves, a self-proclaimed Planet of the Apes superfan, has said in previous interviews that his plan for the films going forward is for them to link back up to the originals, and it seems like the progression will happen much more seamless than I ever thought possible. Case in point: Caesar’s second son. I figured he would be baby Cornelius, and now we have confirmation via IMDB; stunt actreess Devyn Dalton is listed as playing Cornelius.
This also makes me wonder if this just might be the last time we see Caesar. I hope not, but soon, the series will have to start following Cornelius if we’re ever to get to Taylor finding himself held captive on Earth.
Write your thoughts about War for the Planet of the Apes in the comments section after viewing the trailer. What do you think about the franchise as a whole? Give me your thoughts.