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"Sleepy Hollow": The Lesson Fox Learned about Viewers' Love for Diversity on TV

I’ve been following Sleepy Hollow since the beginning (from my first website, Moniqueblog.net), so I’ve followed the fans ups and downs, whether it came to the first Ichabbie hug or when Katrina finally got out of Purgatory. I’ve loved seeing what meta critiques the fans have, and, to be fair, I’ve tried to do my part to stop needless worry about upcoming storylines, whether I helped or not. To say the least, my relationship with the fandom has become as layered as a relationship with fandom can become. Today, I’m writing this piece to give the Sleepy Hollow fandom the props they deserve.

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"Sleepy Hollow": Four Storylines to Use in Season Three (and Two That Need Wrapping Up)

I’m still in the belief that Sleepy Hollow will be renewed for a third season (probably with some changes which can be read about here and here). Because I believe it’s coming, there are some storylines I hope the writers use. These storylines will not only keep the show focused, but it’ll also make the viewers really happy (I think so, anyway). Let’s take a look.

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Queer Coded: Thranduil ("The Hobbit" Franchise)

I’ve been thinking about Thranduil a lot. Most of my thinking has been about how I knew people would receive him, as shown by this article and lots of things on Tumblr and this Twitter page. Even I have talked about Thranduil in a slightly “fabulous” manner, describing him to my siblings and in a movie review as the Mariah Carey of The Hobbit. If you’ve seen The Hobbit: The Desolation of Smaug, you may or may not have thought something along these lines as well. But the question is: Why did we think this? To break it down further, what in Thranduil’s characterization led a lot of people to assume that Thranduil was, to use the loaded term again, “fabulous”?

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