The Last Jedi is dividing fans left and right (I’m on the side that happened to love the movie). Shippers of Stormpilot–the fandom (and cast-supported) coupling of Finn and Poe–are also divided on the movie as well, since not only was there a lack overt Stormpilot moments, but there was also a kiss between Finn (John Boyega) and Rose (Kelly Marie Tran). For some, it would seem the hopes for Stormpilot are over.
After seeing The Last Jedi myself, I’ve come away with the opinion that not only has Stormpilot survived the second act of this three-act story, but even more background information has been given on the apparently one-sided tension Poe’s wrestling with when it comes to his interactions with Finn. I posit that Poe is the one who is the one harboring an intense crush on Finn, while Finn is completely oblivious, focusing only on the mission at hand.
Exhibit A: Poe’s jealous outburst
There’s a scene that seems to have escaped even the most hardcore of Stormpilot fans, and that’s when Rose and Finn are giving Poe their idea for saving the Resistance ship from the Empire. They’re talking to Poe in Poe’s quarters, which immediately gives Poe leverage over the entire scene. Poe and Finn are dominating the conversation until Rose chimes in, making herself known in an otherwise closed-off environment. That’s when Poe’s penchant for jealousy kicks in, and he pointedly asks Finn, “Where’d you find her?” Even though Johnson couldn’t find a way to inject full-scale romance in this film, he still found a way to inject an odd, jealousy-tinged line that doesn’t add anything to the scene, much less the film’s plot.
Throughout the film, we see how selfish, territorial, and jealous-hearted Poe can be when it comes to the people he loves. Poe would do anything for Leia–even after she slaps him like an angry mother, demotes him, and then tasers him so they can put him aboard the escape vessels without his backtalk. Leia is, in fact, the closest thing Poe has to a mother, and his loyalty and love for her makes him wary of anyone else who comes in between them. In this case, that person happens to be Vice Admiral Holdo (Laura Dern), whom Poe is immediately suspicious of. (Poe’s a little sexist about it too, to be honest, judging Holdo for being ultra-femme in battle, even though Leia is just as femme, just in darker colors.) He doesn’t learn to trust Holdo until the very end of their time together, and unfortunately, it’s while she’s sacrificing herself to allow the escape pods to advance to the nearest moon.
Poe’s selfishness and jealousy comes back in full force only one other time, and that’s when he’s sizing up Rose. Poe is visibly irritated he must share Finn with Rose, but he knows he has to do so if they’re going to save everyone. At one point, I thought Poe was going to say, “Maybe I should come with,” and to be honest, the look on his face gives the impression that he’s actually considering jettisoning the ship and stowing away with them. But he also won’t allow himself to leave Leia unattended. So he begrudgingly agrees to their tenuous plan.
Exhibit B: So much touching
Maybe it’s because I already had my proverbial antennae up for any Finn/Poe interactions I could possibly write about later, but it seemed like there was a large amount of slightly unnecessary touching. (Full admission: the amount of touching might also seem unnecessary because I’m not that touchy-feely myself, despite being highly emotional. As I’ve written before, I’m a Vulcan.)
The first bit of touching comes after BB-8 alerts Poe to Finn waking out of his coma. The dialogue we hear–Poe repeating BB-8’s beeps about a naked Finn when Finn isn’t actually naked–is something to waggle some eyebrows at, since it’s erroneous and gratuitous. Another script Easter egg, perhaps. But after the dialogue comes Poe rushing to Finn, reaching out to both stop him and support him as he staggers out of sickbay.
Poe didn’t have to touch Finn at his waist. He could have easily touched him around the shoulders. But it’s less about where Poe touches Finn and more about how he touches him. Everything’s gentle, and it’s not just because Finn is literally leaking IV fluids. Whenever Finn is in Poe’s vicinity, Poe immediately reduces down into a much gentler, softer persona. And, as we saw with how pointed he got about Rose, that persona is reserved only for Finn, and anyone who encroaches on Poe’s territory sees a more crotchety side of our favorite pilot.
There’s another moment of touching when Finn runs to Poe, who’s just been blown back by an Empire explosion. This bit of touching can’t really be made into too much of a “Stormpilot” thing, since Poe literally just got blasted in the back and sent flying across the hangar. But still, it’s something to note, especially since the undoctored image from this scene looks like it could be edited into a romance novel cover.
Keep in mind that throughout all of these interactions, Finn doesn’t ever catch on that Poe seems to be holding onto some big emotions. Finn sees Poe as someone he can trust, most definitely, but love is the last thing on Finn’s mind right now. Finn comes from a life of war, and survival mode is what he knows best. But survival mode doesn’t allow for someone to think about long-sustaining romances. After what happens in Exhibit C, though, it seems like Finn will start thinking about more complex things like love.
Exhibit C: Finn’s reaction to Rose’s kiss
Let’s break down the scene where Rose saves Finn from his suicide mission. Rose gets injured in the process, and she tells Finn she saved him because this war is all about saving those that you love. She manages to give him a kiss before passing out.
Folks on Tumblr read this scene as Disney punking out to the international market, mainly China, who are seen as the gatekeeper on Star Wars exploring LGBTQ themes. No doubt that the international market can prove to be a roadblock for any LGBT representation in Star Wars, much less Stormpilot. But in actuality, no story commitment to a Rose/Finn romance has taken place. If the film was adamant about Rose and Finn sharing a romance, I would think that romance would have been hinted at throughout the film and, most definitely, Finn would have kissed back. But he doesn’t; he’s just confused. In fact, we leave him still in a state of confusion.
Star Wars doesn’t have a fantastic record of building up believable romances–even Han and Leia’s romance doesn’t have much of a build-up that allows someone to truly understand what they see in each other. But to The Empire Strikes Back‘s credit, at least they keep the romance up throughout the film. The film was committed to cementing Han and Leia’s romance by peppering it in all over the place. With the amount of amazing writing that acts as The Last Jedi‘s foundation, I’d think that if they wanted to give us romance, they’d do a heck of a lot more than give us one small kiss and a clearly one-sided exchange.
It’s also worth noting that the experience of kissing is new to Finn, regardless of if it would be with Poe or Rose. Poor Finn hasn’t had real human interaction for his whole life. I think it’s natural for him to be confused on a multitude of levels. First, he has to suss out if he feels the same way about Rose. Second, he’d have to figure out if he even likes kissing at all. This is where the sexual representation could become more complex than just the gay/straight binary. We don’t know what sexual orientation Finn has, but it might be narrow-minded us to assume that he’s just simply gay. It’d be great if Star Wars could explore Finn’s inner conflict surrounding this moment.
The defense rests
I’m not soothsayer—I don’t know exactly what this means for the next film. But as for this film, fans shouldn’t be too upset. Romance didn’t make its way in this chapter, but let’s hope that romance, especially LGBT romance, is a big part of Episode 9, whether that’s Stormpilot or otherwise.
Sherlock left a sour taste in many mouths. From where I’m sitting, the Guy Ritchie Sherlock Holmes movies aren’t that spectacular either. However, there’s one fan art that went viral, giving us Sherlock Holmes fans a salve for aching minds. It poses the question: What if Sherlock Holmes and John Watson were played by Dev Patel and Riz Ahmed?
Beka Duke drew this after being inspired by the Oscars appearances of Patel and Ahmed, and the idea definitely has merit. Wouldn’t it be cool to see Victorian England represented as it was—which was certainly more diverse than popular culture would lead you to believe—and gave us a Sherlock and Watson that represented Britain’s colonialist reach through India and the Middle East?
Judging from the response the fan art got, there are tons of people who would love to see a brown Sherlock-John Watson duo. The response has been so overwhelming that fan art has been made of the fan art.
I would hope that if a film was made based on this fan art, that they would also follow Duke’s dissection of Sherlock’s personality, since it lines up with Sherlock’s actual personality shown in Sir Arthur Conan Doyle’s stories, not pop culture’s “brooding, misanthropic” personality that has been grafted onto the character.
To quote her in part:
Ok, so this I feel is a pretty big one that people get wrong! Sherlock Holmes possesses an enormous confidence in his brain and in his work–and it is described as “bordering on arrogance” but not actual arrogance itself (at least most of the time, he does get on Watson’s nerves if he presumes too much, hah). When Holmes’ confidence is misplaced, he is quick to criticize himself, apologize to whomever, and move the heck on, so that he can fix things…which…the more arrogant portrayals of Holmes struggle to do. Also, Holmes is “eager” (probably the most used description in all the books) not because he is compensating, but because he just loves his job. Thusly, he isn’t as concerned with “getting his man” as he is with solving the crime/protecting innocents. You’d be surprised how many villains get away at the end of these books (Holmes believes they get their just desserts eventually).
“‘No, it is not selfishness or conceit,’ said he, answering, as was his won’t, my thoughts rather than my words. ‘If I claim full justice for my art, it is because it is an impersonal thing–a thing beyond myself. Crime is common. Logic is rare.’” (Mystery of the Copper Beeches)
You really need to read her whole post on Sherlock’s personality, because it’s pretty on-point.
What do you think of this fan art? Give your opinions in the comments section below!
Spirited Away is one of my favorite movies, so consider me intrigued when I found out that Hot Topic now had a section devoted solely to Spirited Away apparel.
The store has some of their own items as well as apparel from Her Universe decked out in Spirited Away motifs. There’s a variety of shirts and a Chihiro dress to choose from, but some of my favorites feature the darker elements of Spirited Away, most notably No Face.
I’d buy all the stuff I featured here, but if I had to choose between these items, I’d definitely throw down money for the No Face sweater, the socks, and the Haku bomber jacket.
I’m just going to be real and say that I’m a person who has moved away from buying stuff because of the geek factor; I don’t always want to advertise my geek interests on my clothes, if you know what I’m saying. I did that enough in middle school and high school as a shorthand for “being cool,” and I don’t want to revisit those awkward days as an adult. However, I will buy quote-unquote “geek clothes” if they can easily transition between geek fashion and mainstream fashion.
If you’re like me and want your geekier sensibilities to mesh within your closet of work clothes, jeans, and casual fashion, then I’d definitely suggest getting these items in particular. If you’re looking for something extremely graphic and bold in the vein of something from Forever 21 or Torrid, then I’d suggest going with these patterns and prints, since they lend themselves more towards the graphic styling that’s dominating a lot of mainstream fashion these days.
For me, these pieces are the most stylish, but there are plenty of other pieces where those came from; check out Hot Topic’s selection of Spirited Away apparel and see for yourself!
We all love Disney, but Disney has got some explaining to do when it comes to major oversights such as:
- No black animated prince
- A Eurocentric focus on what constitutes a “princess”
- No LGBT visibility
- Hardly any major Pixar characters of color
etc., etc, etc.
My new e-book, What Disney Doesn’t Understand, however, does go into some of these issues.
What Disney Doesn’t Understand features several of my Disney-centric posts and puts them together in an easy-to-read and stylish format (if I do say so myself). The book also includes links to the original posts, which include more interactivity with tweets, Twitter moments, videos, and more. Check out some of the pages:
Download What Disney Doesn’t Understand from the right sidebar or click right here! If you like what you’ve read, make sure to share the e-book and this website with your family and friends! In fact, you can share What Disney Doesn’t Understand by clicking the Twitter bird:
I hope you enjoy the e-book!
Hernan “Shades” Alvarez and City Councilwoman Mariah Dillard. On paper, these two people shouldn’t even be in the same stratosphere of influence. But in reality, these two go together like peanut butter and chocolate. Perhaps you’ve seen the internet become besides themselves with this new power couple, otherwise known as #ShadyMariah. Heck, even Shades himself, Theo Rossi, is onboard.
I asked some of my followers and #ShadyMariah fans what they thought about the pairing. The reaction was a little more subdued because as we’ve come to know Shades, we’ve come to see just how his self-serving mind works. It could be possible that we don’t know Shades the way we think we do.
Speaking honestly, we really don’t know what the endgame for these two will be. Will one turn on the other? Will it be Uncle Pete in the backyard all over again? There’s a reason they showed that particular scene. Not just because it showed how intense Mama Mabel could be. It also showed how Mama Mabel was frustrated with the fact that she’d opened her heart to a man who ended up betraying her (despite his assertion that he was trying to grow “the family business”). Mariah doesn’t want to end up like Mabel, and we don’t yet know she will. But we do know is this:
1. Mariah has opened her heart to Shades, and Shades was happy to work for it.
It took a lot for Mariah to trust Shades, and she can’t be blamed for that. She’s trying to keep her reputation afloat as well as grow her power and influence. Not to mention she just killed her beloved cousin in a pique of anger. (Killing’s wrong, but she had justified anger, since Cottonmouth blamed Mariah for being molested by Uncle Pete).
At first, she can’t tell if she can trust Shades, but she’s wise enough to know she needs him to get through covering up Cornell’s death. Next, she needed him through what she thought would be a turnover of power. Then, she needed Shades to traverse the madness that is Diamondback. But when Diamondback lies to her about Shades’ death, she realizes that she had come to trust him despite herself. Feeling lost without Shades made her realize that perhaps she had opened herself up to him more than she thought.
Shades managed to worm his way into her heart by being forthright and honest, which is, frankly, the strangest thing to say about a villain. But even still, Shades has been with her every step of the way, and even before Mariah caught a body. Remember when Shades told Mariah, in both blunt and urgent tones, that he wanted her to win and regain the majesty of the Stokes name?
Shades has always been on Mariah’s side, and it could be that he went to Cottonmouth originally because he was hoping the Stokes brand could be revived. When he first saw Mariah, he was looking with thirst (as Mariah herself says), but some of that thirst isn’t white-hot lust; Shades also had the thirst for power at the forefront, and he saw Mariah’s stature and poise as power that could revive a lost name.
2. Shades gave back the champagne bottle, meaning he now has no chips to play when it comes to her.
“We’re in this together now,” he said after giving her back her murder weapon, which was basically him saying, “I’m opening my heart to you. I’m for real.” If he was really about himself alone, he wouldn’t have given Mariah the bottle because, as Mariah said, he could have used it to blackmail her. Why give her the bottle if he has some ulterior motives? Shades is a smart dude, and he should know that giving her that bottle—giving her the power, power she could use over him—would be a less-than-smart thing to do if he had some other bad plan up his sleeve. He’s actually being serious with Mariah; he wants them to be equals.
3. Shades has always been straight-up and, in his own disturbing way, comforting to Mariah
Shades has always had Mariah’s back. He’s always wanted her to succeed. His speeches to Mariah about regaining the Stokes name and how to cover up Cornell’s death are two such examples.
But he’s always gracious to her in other ways, too. As shown in a gif-set on Tumblr, Shades subtly notices Mariah on the roof when he, Tone, and Cottonmouth are discussing what went down at Pop’s.
He’s also the one who looks back to Mariah after Cottonmouth throws Tone off the roof; without saying anything, he’s trying to see how she’s holding up after that shock. However, at this point in time, he can’t say anything; he’s still under both Diamondback and Cottonmouth, and because of Cottonmouth’s influence shielding Mariah from him, Shades hasn’t gained enough permission, for lack of a better word, to openly see about her. What would Cottonmouth do if Shades was the one to ask if Mariah was okay and not him? He’d probably be over the side of the building with Tone.
Shades is also always a gentleman around Mariah, which again, is something odd to say about a literal murdering villain. Shades always holds the door open for Mariah, always does her the courtesy speaking to her with his shades off (making it seem like Mariah is speaking to Hernan, as if Shades is his alter-ego), walks behind her as she goes into action, and is constantly hovering close to her or holding her shoulders in a comforting way. He also doesn’t want her to get her hands dirty (which might mean that he didn’t expect her to kill Cottonmouth, which begs the question of if #ShadyMariah would have even happened if Shades was able to follow through with his plan).
There’s a lot of subtlety about Shades that makes him one of the most intriguing villain characters I’ve seen from Marvel, certainly. But he’s also one of the most intriguing villains I’ve seen on TV period.
Mariah herself is pretty intriguing as a villain. She’s sympathetic and she also represents someone that people might actually vote for in real life. To an engaged voter, she’s laser focused on keeping Harlem out of gentrifying hands, uplifts the city’s black history, and (seems to) care about the people of the city. She’s also gotten stuff done, too; it’s not like she’s just using her platform as a complete ruse. The fact that she actually wants to make Harlem better—whether or not its an altruistic goal, because she does participate in cynical “there are black people and then there are N-words” ideology from time to time—is what makes her the true heir to the legacy of Mama Mabel, who seemed like the woman everyone in Harlem ran to when they had any type of problem. Mariah’s power and her intelligence are what Shades is attracted to.
I’ll end this post on a small discussion of the Basquiat painting Mariah had hung in Cottonmouth’s former office. We saw in the beginning that Cottonmouth considered him the king in a hip-hop way; he wanted to run things like how Biggie rapped, hence the Biggie photo. Like some of gangster rap (maybe particularly Biggie’s brand of east coast rap), Cottonmouth is blunt, to the point, unpredictable, and hardcore. However, bluntness isn’t what’s going to keep Harlem under the Stokes iron grip.
Mariah, however, represents everything she and Shades could be together all in one picture. I’ll quote Reddit user Emerson73:
The painting however is a piece called “Red Kings” painted in 1981 by Jean-Michel Basquiat. He was a black artist that died to young and spent a good amount of his short time in association with Andy Warhol. This piece is understood as his personal proclamation or claim to the throne. The ‘king’ on the left being him as he placed the main letters of his name in the open parts of the face and the ‘king’ the right being [Picasso]. He saw himself as stepping up to be on [Picasso]’s level of greatness and a king in the art world. I think many people would agree that even in his short time he did step up to a very high level in the art world and maybe would have gone further if he hadn’t died younger.
I think this painting works great as a replacement of the Biggie photo. In the quick subtlety of it being hung up in the background the audience is left without question that we are supposed to perceive the ending of Maria and Shades’ arcs as stepping up to supplant Cottonmouth and Diamondback as royalty of the illegal trades in Harlem and surrounding areas. It is also another place of fitting in an important part of black history and cultural relevance into the show and even pushing Maria’s original sentiment of ‘keep Harlem black’ by supporting the continuation of black culture as important.
Maybe there could be several more things read into these topics and i’m sure their story doesn’t end here. Maybe one or both will die sooner than they planned just as Basquiat did. But the main thing for me is that an addition to the show like that makes me even more sure that this material is in the right hands at Marvel.
In short, everything about #ShadyMariah is coming together nicely and maybe, just maybe, there won’t be an “Uncle Pete in the backyard” situation again. Since Shades seems like he’s completely into Mariah, we just might have our first Queen and Consort of Marvel Villainy. In that respect, Mariah doesn’t have to worry about ever becoming Mama Mabel.
The cherry on the evil sundae? #ShadyMariah actually has a theme written into Luke Cage! If you’ve got the soundtrack, it’s “Bad Love,” which plays right after Shades talks her through framing Luke for Cottonmouth’s murder in Episode 7 (listen immediately after Shades fixes Mariah’s hair for her).
What do you think about #ShadyMariah? Give your opinions in the comments section below!
As featured in COLORBLOCK Magazine, February 2016
The patchiness of LGBT representation occurred due to several factors, such as cultural reticence, religious arguments, and entertainment companies worried about their bottom line domestically and internationally. The voids in representation have led to fans coming to their own rescue and creating alternate (and sometimes more accurate) readings of characters and their love lives.
The process of finding alternate interpretations of the characters not only provides fans who feel neglected by the entertainment world–such as LGBT fans and fans who are LGBT allies– the ability to participate in their favorite film or TV fandom, but also eases the anxiety created when an LGBT metatextual reading of a character, especially characters who already have a foothold in discussions surrounding LGBT media, doesn’t get the fair play it should in canonical tellings or retellings of a story. Basically, meta readings, and the subsequent fan creations that result from them, give fans the chance to tell the story from their point of view. They get to create a world that includes them in all of their complexity by allowing the canonical characters to have complexity not originally given to them by their original creators.
Sherlock Holmes and John Watson from Sir Arthur Conan Doyle’s Sherlock Holmes series of mysteries are two great examples of when the canonical and meta worlds collide.
|Want to read more about diverse entertainment? Read the February issue of COLOR BLOCK Magazine!|
Canonically, Sherlock and John are friends, the most classic example of platonic love and partnership. However, the two characters have also been one of the many touchstones of LGBT media theory, especially where it concerns audience interpretation.
“Fans use these parallel worlds to explore what could have been or might be, especially as regards sexualities that have not found mainstream representation,” wrote Ashley O’Mara in her article, “Queering LGBT History: The Case of Sherlock Holmes Fanfic” for the site, Metathesis (metaistheblog.com). “There is no conclusive literary evidence that [Doyle] conceived of his Sherlock and John as ‘homosexual;’ their relationship presents as a romantic friendship although those were going out of fashion when he was writing. Likewise, despite queerbaiting, [BBC’s Sherlock co-writer Steven Moffat] insists that his Sherlock is not gay, let alone [asexual]. In [fanfiction] however, literally any interpretation goes.”
Those interpretations, which explore asexuality, aromanticism, bisexuality, and/or being gay, stem from said queerbaiting, which include suggestive moments in the BBC show, one of the biggest moments being during Irene Adler’s introduction in Series 2, Episode 1, in which Irene basically makes a case as to why John was actually falling in love with Sherlock without realizing it by comparing John to herself. Both John and Irene have considered themselves people who weren’t interested in men, yet, as Irene points out, both of them are very interested in Sherlock. There could also be a level of retroactive queerbating, as it were, happening within the original text itself; as O’Mara noted, Doyle was writing of romantic friendship when it was going out of style, with romantic same-sex friendship being replaced with a higher level of homophobia (at least among men; with women, romantic friendship and full blown same-sex romance was often overlooked by male society). The level of reticence around romantic friendships comes around the same time the term “homosexuality” was coined, which begs the question as to why Doyle would still consider writing Sherlock and John as a romantic friendships comes around the same time the term “homosexuality” was coined, which begs the question as to why Doyle would still consider writing Sherlock and John as a romantic friendship during such a societal change.
Meta readings have also occurred with many of today’s popular characters, such as characters in Marvel’s cinematic and TV universe. There are tons of fan creations centering around the close relationship between Captain America and Bucky (aka the Winter Soldier), Captain America’s other close relationship with the Falcon, Iron Man and The Hulk’s friendship (as shown in the Avengers movies), and the friendship between Peggy Carter and waitress/aspiring actress Angie Martinelli in Agent Carter, just to name a few.
Despite canon interpretations falling short of fandom expectation, it’s beginning to be par for the course for actors who are affiliated with the fandom to speak out on behalf of their fans’ want for more inclusive entertainment. For instance, to address the Peggy/Angie fans, Peggy herself, Hayley Atwell, told fans at last year’s Fan Expo Canada what Peggy and Angie’s relationship meant to her. “The thing that stands out for me about Peggy and Angie is it’s seldom that you see on television friendship between two women that isn’t founded on the interest of a man,” she said. “There’s a genuine affection that they have for each other; whether or not you want to project the idea that it’s romantic or sexual is entirely up to you and how you want to view it. I think there’s a mutual respect that’s quite rare that I want to see more of in film and stories.”
As you’ll read in the next article (about the meta pairing of Star Wars: The Force Awakens characters Finn and Poe Dameron), Captain America co-director Joe Russo also states that he welcomes all interpretations of Bucky and Cap’s relationship. Also worth noting about the Star Wars pairing is that John Boyega recently confirmed to ShortList writer Chris Mandle that while the Poe/Finn pairing isn’t canonical, it was definitely something that existed in the mind of Oscar Isaac, who played Poe in the film.
With more and more actors co-signing fandom imagination, the day when there will be a mainstream LGBT couple in genre films and television could be coming soon. Maybe not soon enough, to be honest, but still sooner than originally thought possible.