Tag Archives: Lady Gaga

“RuPaul’s Drag Race”/”Untucked” Season 9 recap: Mother Monster has arrived

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RuPaul’s Drag Race Season 9 | Episode 1, “Oh. My. Gaga!” | Aired March 24, 2017

First, I’m SO GLAD RuPaul’s Drag Race is back! This is one of my favorite shows of all time, and even though I’ve never really recapped it because, frankly, I was selfish. I wanted to keep the magic and the glamour of the show to myself and just have something fun for me to enjoy. BUT, I also feel it remiss to not recap it when Season 9 looks to be the most polished season yet.

By now, most hardcore fans have seen the first 18-20 minutes of the first episode, so we already know that Lady Gaga walked into the workroom with the rest of the queens as one of them until she took off her mask. She’s inspiring to the queens, yada yada yada. I’m not trying to sound flippant about it; it’s just that I’ve seen the first 18 minutes about three to five times before the episode aired so that part of the episode is already passé for me.

Instead, let me show you the video of how Eureka was moved to tears by how Gaga helped her in her darkest times.

Since we’re talking about Eureka, why is she living out all of her insecurities through mild bitchery? If there’s one thing that annoys me, it’s when a big queen inadvertently plays into the “bitter big woman” stereotype. I think Eureka is funny and I’m sure she’s a lovely, witty person, but come on, girl, stop cutting people down right out of the gate. Also: stop with the “I’m a big girl” jokes. Again, another thing that annoys me is when a big queen makes all of their comedy based around their insecurities about their fatness. It makes me sad and, frankly, uncomfortable, if I’m being honest. Speaking from a personal place, I know what it’s like to have body insecurities. I think a lot of us get that. But for me, if you’re a big queen, you’ve got to show that you’ve got more up your sleeve than self-deprecating jokes. Rant over.

So the theme of the episode is a Gaga-centric Miss Charisma, Uniqueness, Nerve and Talent Pageant Competition! The queens had to give two looks: one repping their home town, and the other one being their favorite Gaga look. Also: No queen is getting eliminated this episode! Hooray! We get to know the queens more!

So let’s get into my favorite looks.

Hometown

Shea Couleé–Chicago

I like how, even though she’s a beauty/makeup queen, she still gives you humor. Her reference to Mystique Summers’ “Bitch, I’m from Chicago!” line and her sexual hot dog jokes, coupled with that headpiece and the commitment to the Chicago-style hot dog theme really set her apart for me.

Aja–New York City

I know several reviewers hated this look, particularly since she and Peppermint both dressed literally as Lady Liberty and Alexis Michelle had the Statue of Liberty on her peacock fan-thing. But I just like this look. Maybe I’m just being biased, but it just looks cool to me, and I like the idea of seeing an edgy Lady Liberty wearing an orange wig.

Valentina–Los Angeles

The sombrero, the hair, the makeup, the flowers, the thigh-high garter-belt boots that are also tights??? I don’t need to say much more about this, do I? The look speaks for itself. It’s all so expensive, and that’s what I love about Valentina’s aesthetic; it’s rich and luxurious and I want to live that life.

Nina Bonina Brown–Atlanta

Again, do I really need to explain why this is amazing? JUST LOOK AT THIS PEACH HEAD! IT’S MADE OUT OF CARDBOARD! It’s simultaneously the freakiest and most creative, artistic thing I’ve seen on this show. I like the way Nina’s mind works.

Lady Gaga

Nina Bonina Brown

What I love about this look isn’t just that it’s clearly Gaga; it’s also the winning look. Eureka thought this wasn’t going to win Nina the pageant crown, and lo and behold, it did. I think what Gaga identified with was the originality that still came through Nina’s looks despite having to adhere to a theme, especially one as limiting as dressing as someone else. However, Eureka’s look was also one of my favorites.

Eureka

It’s very clearly Telephone, and it’s very well made. What Eureka does best is give body queen looks, showing you don’t have to be skinny to wear skin-tight or form-fitting clothes. I do like Eureka’s aesthetic and what she’s trying to do with her drag.

Aja

Kimora Blac was saying that picking Gaga’s red carpet looks were boring, and that she wanted to do one of Gaga’s everyday looks. Well, this is how you do one of Gaga’s everyday looks. While Kimora picked yet another black strappy number, Aja chose one of Gaga’s more daring silhouettes. For me, the Commes de Garcons look played very well into the Aja brand, which is simultaneously about pushing the boundaries and just being fun and accessible.

Valentina

I’m used to seeing Valentina in elaborate wigs, so this wig was kind of a letdown for me. But, the look is still one of my favorites because everything is so put together and fashion modely. Her walk was catwalk-ready.

Sasha Velour

It’s funny that Sasha Velour is already being clocked for being the artsy queen, as in that perhaps she’s probably relying too much on artsy-ness. Perhaps it’s the Brooklyn in her; I only visited New York for about a week, but for the time I was in Brooklyn, I definitely got the sense that it was an enclave all about art and expression. Also, having been in the art world for most of my teenage life, I know this type of artist all too well. I’m not saying she’s not great; she’s one of my favorites of the season. But I can already tell that her biggest challenge will be if she can switch from niche artsy-ness to clsasic drag camp. Versatility, if you will.

Having said all of that, I think the ARTPOP look suited Sasha to a T and she sold it expertly. However, ARTPOP itself also suffered from being too artsy, so it’s kinda ironic that Sasha would pick a look that shows both the strength and flaw of being the Artist Queen.

Final notes:

• Poor Jaymes Mansfield. I’ve seen her on YouTube and she’s great on her channel. But she’s coming off as shellshocked on this show, and it’s understandable. But I hope she’s able to get herself together through the season. I really don’t want her to go home early. She’s got tons of talent, and I think she has the potential to go far. But if I can get into my Untucked review, the biggest part I hated about the first Untucked episode is that Eureka decided to come for Jaymes just because she’s quiet. Unlike the other queens, who seemed actually genuine in their concern about Jaymes’ emotional state, Eureka just seemed like she wanted to cut at the person she felt was the weakest. Again, I feel a little personal about this because I’ve been cut at for being quiet or shellshocked in some situations. Not everyone’s got a loud personality and it seems like Charlie was among the queens who understood this. In fact, it was Charlie who inquired about Jaymes in the first place. Perhaps its because he’s acquired tons of wisdom, since he is, in fact, the oldest queen. But Eureka needs to chillax on this and let Jaymes gather herself.

• Gaga needs to become the Tim Gunn of RuPaul’s Drag Race. I feel like she has a deep respect for the art of drag as well as for the lives of drag queens themselves, and I like that she put herself on the mat when it came to discussing the line between appropriation versus appreciation. I know she gets a ton of flack for what she does for the gay community because to some, it comes off as weaseling her way into the a life she doesn’t understand. I admire that she discussed her own hesitancy to appear that way and her sincere desire to uplift the community, not try to selfishly insert herself as one of its members. I think that bit of self-awareness is refreshing, since I’ve also wondered about Gaga’s intentions on that front. I don’t think we see a lot of music celebrities exhibit that kind of self-awareness, and I responded well to it. I also came to admire how she told the queens how she felt about their looks to their faces during Untucked and not just keep it all nice on the runway, then kill them behind their backs. She kept it 100, but she also kept it encouraging. I like that. Good show, Gaga.

• I’ve listened to several reviews as I wrote this recap, and I’m glad to hear that I’m not the only one not getting Kimora Blac. Do I think she’s snatched and beat? Yes, of course. But do I think she’s got a limited range as of right now? Completely. As other reviewers have said, she hasn’t varied her look much, if at all, and I feel like she could give us a lot more. I think she’s got the potential to do that; she’s just stuck in a rut.

• I know Peppermint is a seasoned performer, so it’s kinda astonishing to me how she let herself go out there on the runway with her lacefront visible like that. Sure, they don’t have a lot of time backstage, but everyone else had their wigs together! As Gaga said, it’s the details that Peppermint has to focus on, and her lack of focusing on the details seems to be consistent, from what I’ve seen of her in the “Meet the Queens” segment, her RuPaul’s Drag Race premiere red carpet look, and the looks she’s given us in this episode.

• My mom doesn’t watch RuPaul’s Drag Race, but if she did, her clear favorite would be Valentina. When I showed her Valentina’s entrance into the workroom, she said, “She’s gorgeous! And her body looks good, too! That’s amazing!” I completely agree. For your consideration, Exhibits A-D:

• I’m also going to just say this now: I’m a huge Valentina stan, so there might be some favoritism in this recaps, but who isn’t biased when they’re writing recaps of shows? I just love Valentina so much. Can they make a Valentina Barbie? I’d buy that right now.

• I’m also an Aja stan, and I can’t wait for a challenge that will allow her to dance her competition into the ground. As I showed in my predictions article, Aja can dance to literally any music you put before her, and she said as much in this episode. There’s a reason she’s the number one name in Brooklyn; she’s so exciting to me. And the fact that she gives big ups to John Leguizamo is awesome too. It must be true that sexuality is a construct since I’m attracted to Leguizamo both in and out of drag. (Heck, the only reason I liked the terrible Super Mario Brothers movie was because of how cute Leguizamo is in it.)

• I’m also a big Nina Bonina Brown stan as well. I love her originality, and I really identified with her statement in Untucked, in which she revealed that she was at her lowest point when she auditioned for what was going to be her last time. Everything she said about doubting if your dream is something that is actually meant for you hit home, so it encourages me to see that if Nina can make it and achieve her dream after crippling doubt, then I can, too.

The mystery queen!

The internet is saying it’s Cynthia Lee Fontaine, which would be major if that were true, because I, like tons of people, love the Queen of Cucu. Also, the hair, the covered-ness of the outfit, and the closeup on the queen’s butt seem to point in Cynthia’s direction. But some other guesses floating out there include Lynesha Sparx, Coco Montrese, and Jasmine Masters. All we know is that the queen is either Latino or black, has a big booty, and loves short hair, which means it could be any one of these queens since they all fit the bill. Who do you think it is? Vote here:

 

Who is the mystery queen?

Lynesha Sparx
Coco Montrese
Cynthia Lee Fontaine
Jasmine Masters

Poll Maker

What did you think of the inaugural Season 9 episode? Who gave you your favorite looks? Give your opinions in the comments section below!

5 of the Top Moments from Oscars 2016

1. Chris Rock made everyone uncomfortable, and rightly so. 

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For a full month, I was on the edge of my seat waiting on what Rock would have to say, and I wasn’t disappointed. Rock is known for going for the jugular, and during the Oscars, he not only went for the jugular, but he went for all the major arteries in Hollywood’s body with glee. He made fun of everything, including Jada Pinkett Smith and Will Smith just being mad because Will Smith wasn’t up for Concussion (remember how Pinkett Smith started the boycott talk?) and the Oscars itself, calling it the “White People’s Choice Awards.”

Rock was put in a very difficult position to post the awards show in the midst of controversy, but he seemed more than up to the task. Even with all of the insults and jabs he leveled at Hollywood and those in the audience, I have a feeling we saw Rock holding back. If he really wanted to make people mad with the truth, he’d know exactly how to do it. But coming on stage with Public Enemy’s “Fight the Power” playing in the background, telling a room full of the Hollywood elite that Hollywood is undoubtedly racist, showing a video of black people outside a Compton movie theater talking about film inequalities, and introducing Michael B. Jordan as someone who should have been nominated are all great ways to make people uncomfortable. What I wonder is how many of the “liberal” folks in the audience thought Rock wasn’t talking about them, despite him clearly saying he was addressing the “liberals” of Hollywood. That’s the unspoken joke of the night.

There were three moments in Rock’s time as host that made my jaw drop on the floor:

  1. During the Black History Moment taped segment with Angela Bassett, I could have sworn that the joke was setting up towards another elaborate jab at Will Smith. Maybe I was reading too much into the joke, but with the set up (and the choice of films, like Shark Tale), I was so sure a takedown of Smith’s career was coming, especially in light of what Rock had said about them in the monologue. The joke actually was making fun of Jack Black being in a lot of Will Smith movies, which led me to breathe out a sigh of relief.
  2. How did Rock and co. get Stacey Dash to play a part in her own takedown? Did she know what the joke was? Did she know she was the joke? In any event, I was floored. The Weeknd’s face told the story. giphy (29)
  3. The taped segment in which Rock, Whoopi Goldberg, and others showed how tough it is for black actors to get parts. The takedown of Joy was my particular favorite.

Could more have been said about all minorities who are marginalized in the industry? Certainly. There was only one guy all night who talked about how the Oscar should belong to everyone, and it was one of the guys outside of the Compton theater. Some folks were getting on Rock for not discussing the plight of all minorities in Hollywood. I’ll say that for myself, I recognized how I would have handled the situation, which is talk about how all people who are not part of white Hollywood are blocked out of all of Hollywood’s creative process, but am not Chris Rock. Rock handled it from his perspective, and his perspective is just what he presented last night—the black American experience. Would it have been nice if a bone was thrown to everyone affected? Yes. The Native cast members of The Revenant, Byung-hun Lee, Sofia Vergara, and many of the other non-black POC presenters don’t have the same opportunities either, some less so. Could his monologue have wrongly cemented it in people’s minds that #OscarsSoWhite is only about black people? It most certainly could have. With that said, I still think Rock’s hosting duties accomplished what it needed to, which is to shame the Academy on its biggest night.

2. The tonal shifts of the Oscars.

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Between Rock laying it on thick about Hollywood’s “sorority racist” mode of business and other presenters like Michael B. Jordan and Chadwick Boseman looking like they’d rather be anywhere else during certain points of the night, the rest of the presenters pretended to be cautious and/or unaware as they presented awards that, overall, only showed how white the Oscars actually are.

Even more uncomfortable were the additions of scores of non-white presenters. One reason I keep mentioning Jordan is that he should have been nominated. Heck, a lot of the presenters should have been nominated, like Abraham Attah for Beasts of No Nation. I say more presenters should have looked upset. In any event, the night was clearly an uncomfortable one for most people in attendance (and for most people in attendance, deservedly so).

3. Academy President Cheryl Boone Isaacs doubles down on diversity, asks room to do the same

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I did like Boone Isaacs’ speech about the Academy’s pledge to do better, and I especially liked that she asked others in the audience to do the same. The actors are routinely forgotten about facilitators in Hollywood’s game, but on some level, they share culpability for continuing Hollywood’s mode of business. They themselves could change how films are made just by refusing to take on certain roles. For instance, if an actor or actress gets a role to play a traditionally Asian or Mexican character, they could decide not to take it in the hopes that it’ll actually go to an actor or actress that properly fits the bill.

4. Lady Gaga reminded us that it really is on us. 

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I think the most powerful song of the night was definitely Lady Gaga’s performance of “Til It Happens to You” for the documentary The Hunting Ground. Gaga’s emotional performance, coupled with the on-stage appearances of many victims of sexual assault and rape, really drove home the point of V.P. Biden’s speech beforehand; it’s truly on us to stop others from becoming sexual assault victims.

5. Leonardo DiCaprio finally gets his Oscar!

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Everyone, including the Best Actor nominees, stood up in applause for DiCaprio’s win. It was a win that has taken many years to earn, but he finally did it. He also gave us yet another great speech, in which he outlines how important it is for us to address climate change.

What did you think of the night? What were your favorite moments? Which moments didn’t you like? (Ali G. is on my list.) Write about it in the comments section!

EDIT: I did forget to mention the joke about the little Asian kid accountants. That joke really fell flat to me because 1) I didn’t get it and 2) what was the message, if there was one? In any case, it, along with Sacha Baron Cohen-as-Ali G’s joke comparing the Minions to Asian people were low points of the night.